The La's formed in 1984, with original member Mike Badger stating that the band name occurred to him in a dream, as well as it being Scouse for "lads", and having obvious musical connotations. The band existed briefly as an arthouse/skiffle-type outfit with a few tracks released on local compilations. Lee Mavers joined in 1984 as rhythm guitarist, eventually gaining songwriting prominence and emerging as the band's enduring figurehead. Longtime bassist John Power joined the group in 1986, having met Badger on a local council-run musicianship course. Badger however left the group in late 1986, to form The Onset.
The band attracted the attention of several record labels after a series of performances in their home town in 1986, and demo tapes copied from a session at the Flying Picket rehearsal studio in Liverpool began circulating. One of these demo tapes was sent to Underground Magazine. A journalist there with the task of reviewing unsigned bands gave the cassette to Andy McDonald at Go! Discs. Several record labels later became interested in signing the band. The band chose to sign with Go! Discs.
The band's first single Way Out was mixed with producer Gavin MacKillop. When it was released in October 1987, it broke in to the top 100 and was praised by The Smiths' frontman Morrissey in the music magazine Melody Maker, but attracted little notice. The band continued to perform around the UK and gained success as a live act, drawing comparisons to The Beatles due to their origins, vaguely Merseybeat sound, and Mavers' expressive lyrics.
There She Goes was released in 1988 with the B-sides "Come In Come Out" and "Who Knows". The song garnered moderate attention and airplay, but performed poorly in the charts. The music video for "There She Goes" features The La's scampering through run-down Liverpool streets and was filmed in an afternoon on a handheld camera. It was later re-released a number of times, the earliest being 1990's Steve Lillywhite mix. After working with producer Jeremy Allom at the Pink Museum Studio in Liverpool in May 1989, the band were set to release "Timeless Melody" as a single. While test pressings had been sent out for review, and was nominated for "record of the week" in the NME, Mavers was reportedly unhappy with the production and the single release was scrapped.
The La's then spent two years fruitlessly recording and re-recording their intended album, with a constantly changing band lineup, where only the core of Mavers and Power remained the same. Discarded producers included The Smiths' producer John Porter, as well as John Leckie and Mike Hedges. Both Leckie and Hedges in interviews have been very complimentary about the band's songs and their respective sessions.
The previously volatile band lineup settled in 1989 with Lee's brother, Neil Mavers on drums, and Peter "Cammy" Camell as lead guitarist. The group then entered London's Eden Studios in December 1989 to again record their debut album with Simple Minds and U2 producer Steve Lillywhite. Despite this lineup being arguably the most stable, and press interviews from the time painting them as extremely confident, the sessions still did not satisfy Mavers. In one instance Mavers was reported to have rejected a vintage mixing desk, claiming it did not have the right sound because "it hasn't got original Sixties dust on it" although this claim has since been revealed as apocryphal. The Eden sessions with Lillywhite would become the band's final attempt at recording the album. The frustration of not achieving the right sound and mood in their songs, as well as increasing friction with Go! Discs, who had spent a considerable sum of money on recording sessions for the album, led to them simply giving up on the sessions. Lillywhite pieced together the recordings he had made with the group into what became the eventually released album. The band, particularly Lee Mavers, were not pleased with this decision.
Among the band's complaints were that Lillywhite used vocal guide tracks on the LP and that he did not "understand" their sound. Mavers would later go on to claim that the band had played poorly deliberately during the sessions in the hope that the material would not be released, as they did not gel with Lillywhite from day one.
However, recognition, at least critically, came for The La's in 1990 when the self-titled album, The La's, was released. The album reached #30 in the UK charts and received a Silver certification, but the album did not fare as well overseas. The album only reached #196 on the Billboard 200 and to date has sold fewer than 50,000 copies in the U.S.
The album included, among new material, re-recorded versions of all the previous singles, including a remixed version of "There She Goes" which was then re-released as a single. This time around, the song reached number 13 in the UK singles chart and remains the most visible and enduring of all the band's songs.
Additional singles from the album included the LP versions of Timeless Melody and Feelin'. Both sold reasonably well, reaching chart placings around the top 40. A short promotional tour proceeded, accompanied by television appearances on shows such as Top of the Pops. Press interviews conducted during this period were generally confused in tone, owing to the fact the critics generally adored the album yet Mavers was assuring journalists that he "hated" the album and it was "like a snake with a broken back".
1991 promotional tour dates were fulfilled in the UK and Europe including a few festivals, a well-received US tour. Bassist John Power left the group on the 13 December 1991, frustrated with having played essentially the same set of songs since 1986, and resurfaced a year later with his band Cast. The remainder of the 1991 concerts were performed with James Joyce on bass as well as a handful of 1992 dates. The band stopped touring and rehearsing in 1992 until further short-lived reunions, with various line-ups, throughout the 1990s and 2000s.
The band disbanded in 1992, with Mavers restarting the band various times in the years since (one between 1994 and 1996 and again in 2005). The band reunited in June 2011 as a duo consisting of Mavers and bassist Gary Murphy.
Come In Come Out
The La's Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
'Cause if you ace it and you make it
Out if all was meant to be
And could anybody fake it couldn't anybody see
They just come in come out of me
They just come in come out of me
You can't see and you can't touch by
What you've done and what you've made it
Isn't every word you say
And now all that's said is done you come and realize your word
wouldn't get you out of me
They just come in come out of me
Anywhere you take it isn't everywhere you see
'Cause if you ace it and you make it
Out if all was meant to be
And could anybody fake it couldn't anybody see
They just come in come out of me
They just come in come out of me
The lyrics of The La's's song Come In Come Out seem to express the idea of the transience of things and the difficulty in perceiving reality in its entirety. The first verse suggests that just because something is taken somewhere, it does not necessarily mean that it will be correctly understood or perceived in the same way. The use of the words "ace it" and "make it" implies a successful achievement, but this may not necessarily be the case as the line "out if all was meant to be" suggests that fate and circumstance play a role in success or failure. The question "could anybody fake it couldn't anybody see" elicits the idea that things may not always be as they seem, and truth can be elusive. The repetition of "They just come in come out of me" emphasizes the idea of the fleeting nature of things, and how they can occupy one's consciousness but not stay for long.
The second verse continues the theme of transience and emphasizes the idea that one cannot touch or take away what has been done or created. What is important is not just the words that are said but the actions taken. The line "now all that's said is done" suggests that words and actions must align to make an impact, and that empty promises are useless. The repetition of "come in come out of me" echoes the transience of things, and the idea that experiences shape one's consciousness but do not necessarily remain.
Overall, the lyrics of Come In Come Out convey a philosophical commentary on the nature of reality and the elusiveness of truth. The repetition of certain phrases emphasizes the transience of things and the fleeting nature of experiences.
Line by Line Meaning
Anywhere you take it isn't everywhere you see
Just because you go somewhere doesn't mean you truly experience or understand it fully.
'Cause if you ace it and you make it Out if all was meant to be
If you succeed and accomplish what you were destined to do,
And could anybody fake it couldn't anybody see
And even if someone tried to fake it, would anyone really be able to tell?
They just come in come out of me
Certain experiences and people may enter and exit your life, but they don't necessarily leave a lasting impression or impact on you.
You can't see and you can't touch by
Some things are intangible and cannot be physically grasped or perceived.
You can never take away
Once something is done or created, it cannot be erased or undone.
What you've done and what you've made it
The things you've accomplished and created.
Isn't every word you say
Your words don't fully represent your actions or achievements.
And now all that's said is done you come and realize your word
After everything has been said and done, you may start to understand the reality of your situation.
wouldn't get you out of me
Merely speaking can't change or affect the outcome of a situation or relationship.
They just come in come out of me
Repeating the idea that some experiences and individuals may enter and leave your life without a lasting impact.
Anywhere you take it isn't everywhere you see
Repeating the idea that just because you go somewhere doesn't mean you truly experience or understand it fully.
'Cause if you ace it and you make it Out if all was meant to be
Repeating the idea that if you succeed in achieving your destiny,
And could anybody fake it couldn't anybody see
Repeating the idea that even if someone tried to fake it, would anyone really be able to tell?
They just come in come out of me
Repeating the idea that certain experiences and people may enter and exit your life, but they don't necessarily leave a lasting impression or impact on you.
Contributed by Aria M. Suggest a correction in the comments below.