Tragedy struck the group in November 1950. The group was traveling in two cars near Baltimore. Gaither drove one, with Reed and Nelson as passengers. He took a corner too fast and lost control of the car. It rolled down an embankment and crashed into a drive-in restaurant. Gaither was killed and Nelson and Reed were severely injured. Til and Sharp, in the other car, were not near enough to witness the accident. They heard about it when they arrived home. For a short time, only Til and Sharp performed as the Orioles.
They soon added two new members: guitarist/second tenor Ralph Williams and pianist Charlie Harris. Nelson returned in a few days, and Reed a few weeks later. Just a year after their tragic accident, they were involved in another accident in Akron, Ohio, but there were no injuries.
George Nelson left in 1953, to be replaced by Gregory Carroll, formerly of the Four Buddies. This new line-up had several hits in 1953, including "Crying In the Chapel" and their final big hit, "In the Mission of St. Augustine". Williams left briefly in late 1953, and was replaced, for a few weeks, by Chauncy Westbrook. In February of 1955, Reed left and eventually joined an The Ink Spots group. He was replaced by Maurice Hicks. Williams and Harris left soon after. The group continued a short time and disbanded.
Left without the Orioles, Til picked up another group, The Regals, whose members were Tex Cornelius, Diz Russell, Jerry Holeman, Billy Adams, and pianist Paul Griffin. This group became the new Orioles. Til liked the Regals' modern harmony style, and the existing tunes were rearranged to match the Regals' style (in many cases, sounding rather different than they formerly had). During this time, they were often billed as "Sonny Til and his New Orioles". Now without Chessler, they were self-managed. They left Jubilee and signed with Vee-Jay Records.
They continued with this arrangement until 1957 when Cornelius left the group. He was replaced for a short time by Frank Todd, who was replaced by Jimmy Brown. This lineup went until the last day of 1959. Holeman left the group, and Russel the next day, after finding Sonny's car (their means of transportation) repossesed. This was the end of the second Orioles.
Til recorded briefly as a solo artist before putting together the third Orioles group, with members Delton McCall, Billy Taylor, and Gerald Gregory, former bass of The Spaniels. They continued recording, this time for Charlie Parker Records. Gregory left after a couple of years and was replaced by Lawrence Joyner. This group split up in the mid 1960s.
In 1966, Til met Bobby Thomas, a long time Orioles fan. Bobby was singing in a group known as "The Vibrannaires"; coincidentally named the same as the Orioles' original name. This group consisted of Thomas, Clarence Young, Harry Accoo, and Mike Robinson. Thomas, Young, and Robinson joined Til to become the fourth Orioles group. Gregory Carroll was occasionally a member of this group. They recorded until 1975.
Following the breakup of that Orioles group, Til joined George Holmes' Ink Spots, who were Til, Holmes, Ann Lawson, and Larry Reed. With the addition of George "Pepi" Grant in 1977, they began touring as both The Ink Spots and The Orioles (as the Orioles, Lawson was billed as a special guest). Til and Grant alternated leads, and Holmes sang bass. They recorded briefly in 1977.
In 1977, Til formed the sixth Orioles group with former members: Diz Russell and Jerry Holeman from the second group, and Billy Taylor from the third group. The group also sometimes featured Eddie Palmer. This group was together in 1981, when Til died from a heart attack. He was 56.
The group continued, and by the late 1990s featured Russell, Reese Palmer, Skip Mahoney, Larry Jordan (who also tours with The Flamingos) and musical director Eddie Jones, who also works with The Cadillacs. Jones and Mahoney were later replaced by George Spann and Royal Height. Bobby Thomas started his own Orioles group following Til's death. Johnny Reed played with this group until his death in June of 2005.
The Orioles were inducted into the Rock and Roll Hall of Fame in 1995. Both groups were featured in the PBS special Doo Wop 51 in 2000, with the groups alternating verses on "Crying in the Chapel" (with Bobby Thomas and Larry Jordan on lead).
Don't Mess Around With My Love
The Orioles Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Doh Doh Da Doh
Take a little advice from me
Don′t play around with TNT
And Baby
Don't mess around with love
Don′ t mess around with a honey bear
Grab a tiger by the hair
Don't mess around with love
Never toy with emotion
'Less you get your big explosion
(Pow Pow)
When you say the words I love you
Just be sure each word is true
Oh Baby
Don′t mess around with love
(No no no)
Don′t mess around with a honey bear
Grab a tiger by his hair
Oh Baby
Don't mess around with love
(No no no)
Never toy with emotion
Unless you get your big explosion
(Pow Pow)
When you say the words I love you
Just be sure each word is true
Oh Baby
Don′t mess around with love
Doh Doh Doh Doh
(Take a little advice from me)
Doh Doh Doh Doh
(Play around with TNT)
Doh Doh Doh Doh
(Mess around with honey bear)
Doh Doh Doh Doh
(Grab a tiger by his hair)
Doh Doh Doh Doh
(When you say the words I love you)
Doh doh doh doh
(Be sure each word is true)
(But don't mess around with love)
No No No
Don′t do it
(Take a little advice from me)
Don't mess around
(Play around with TNT)
Watch out for that bear
(Mess around with honey bear)
Oh he′ll knock you down
(Grab a tiger by his hair)
When you say the words I love you
Be sure be sure each word is true
But don't; don't mess around
(Mess around)
No no no no no
(With love)
Don′t mess around with love
The Orioles's song "Don't Mess Around With My Love" is a cautionary tale about the consequences of toying with love and emotions. The lyrics convey a message of advice, urging the listener not to play with potentially explosive situations. The repeated refrain serves as a warning, emphasizing the importance of being genuine and truthful when professing love.
The song compares love to dangerous elements such as TNT (symbolizing explosive power) and a honey bear (representing a potentially aggressive and unpredictable force). In these comparisons, it is suggested that playing around with love can have destructive consequences. The lyrics caution against insincerely expressing love, emphasizing the importance of making sure each word is true.
The repetitive chorus reinforces the message, serving as a reminder to the listener to not mess around with love. Overall, the song's lyrics convey the idea that love should be treated with respect and sincerity, as toying with emotions can lead to disastrous outcomes.
Line by Line Meaning
Doh Da Doh Da Doh da Doh Doh Doh Doh
Singing a joyful melody to grab attention
Doh Doh Da Doh
Continuing the catchy melody
Take a little advice from me
Listen to my wise words
Don′t play around with TNT
Avoid messing with dangerous explosives
And Baby
My dear
Don't mess around with love
Do not take love lightly or treat it casually
Don′ t mess around with a honey bear
Do not underestimate or provoke someone who can be aggressive like a bear
Grab a tiger by the hair
Do not risk provoking a dangerous situation
Oh Baby
Oh darling
Don't mess around with love
Do not take love lightly or treat it casually
Never toy with emotion
Never play with someone's feelings
'Less you get your big explosion
Unless you want an intense and possibly damaging outcome
(Pow Pow)
Expressing the impact of the explosion metaphorically
When you say the words I love you
When you express your feelings of love
Just be sure each word is true
Ensure your love is genuine and sincere
Oh Baby
Oh darling
Don′t mess around with love
Do not take love lightly or treat it casually
(No no no)
Emphasizing the importance of not doing so
No No No
Strongly advising against it
Don′t do it
Do not engage in that behavior
Watch out for that bear
Be cautious of potential dangers
Oh he′ll knock you down
He will bring you down physically or emotionally
Be sure be sure each word is true
Ensure your words are honest and genuine
But don't; don't mess around
But do not, under any circumstances, take it lightly
(Mess around)
Play or act carelessly
No no no no no
Absolutely not
(With love)
When it comes to matters of the heart
Don′t mess around with love
Do not take love lightly or treat it casually
Writer(s): Matthew Gee
Contributed by Elliot P. Suggest a correction in the comments below.