Though the band has achieved only cult success over the years, they have a loyal fan base and also a following among professional musicians such as Jack Bruce, Ringo Starr, Bruce Springsteen, and others. The group's "classic" lineup consisted of Eric Carmen (vocalist/guitarist/bassist), Wally Bryson (guitarist), Jim Bonfanti (drummer), and Dave Smalley (guitarist/bassist). Their best known songs include the aforementioned "Go All the Way" as well as "Let's Pretend", "I Wanna Be with You", "Tonight", and "Overnight Sensation (Hit Record)". Seminal producer Jimmy Ienner was responsible for all four of the Raspberries' albums in the 70s.
The group broke up in 1975 after a five-year run, and Eric Carmen proceeded to a successful career as a solo artist. Bryson and Smalley resurrected the group's name in 1999 for another album, which featured indie rock artist Scott McCarl as the vocalist. In 2004, the original four-man lineup reunited and soon undertook a well-received reunion tour. Their music additionally experienced a resurgence of interest after its inclusion in the popular 2014 film 'Guardians of the Galaxy' and its related soundtrack.
The group's history begins in early 1970 as a partnership between singer-songwriter Eric Carmen and drummer Jim Bonfanti, local pop/rock heroes thanks to the respective tenures in the hugely popular bands Cyrus Erie and The Choir. Guitarist Wally Bryson and bassist John Aleksic (both Choir veterans as well) completed the original lineup, which made its live debut in mid-October of that year. With their short hair, matching suits, and Beatlesque sound, the Raspberries ran in direct opposition to the prevailing hard rock mentality of the Cleveland scene. Yet, after just a handful of gigs, the band was among the city's most popular live acts. However, after cutting their first demo session, Aleksic left the lineup in March of 1971. With the addition of rhythm guitarist Dave Smalley, Carmen assumed bass duties.
The Raspberries' demo tape ultimately found its way to producer Jimmy Ienner, a figure interested in a 'wall of sound' approach akin to Phil Spector, and, in the wake of a major-label bidding war, the band signed to Capitol. The group released their their self-titled debut LP (complete with a raspberry-scented scratch-and-sniff cover sticker) in the spring of 1972. Their debut single, called "Don't Want to Say Goodbye", stalled, but the follow-up, called "Go All the Way", a well-received fusion of a The Who-inspired guitar snarl and The Beach Boys-styled vocal harmonies, went on to sell over a million copies on its way to cracking the Top Five. Although some censors felt horrified due to the tune's sexual content, leading to an ban by the BBC, the group preformed the song live on several programs. Carmen and Smalley swapped guitar and bass chores prior to recording the Raspberries' sophomore effort, 1972's 'Fresh'.
That album brought the group additional critical acclaim and praise from their fellow musicians. The record generated two more hits, rocker "I Wanna Be with You" and the smooth ballad "Let's Pretend", solidified the band's stature as local rock heroes. Nevertheless, tension within the ranks— sparked largely by Carmen's creative primacy and the shadow it cast over the songwriting contributions of Bryson and Smalley, both genuinely talented as well— were beginning to boil over. Thus, 1973's 'Side 3' boasted a more raw, aggressive sound than its predecessors, typified by the visceral crunch of the opening "Tonight", and showed a group in flux.
'Side 3' failed even to crack the Top 100, however, and appeared rather out of place compared to the squeaky-clean, laid-back commercial music of the time. Following a triumphant Carnegie Hall date, both Smalley and Bonfanti exited the Raspberries to form their own band, which they soon titled "Dynamite". They were replaced by bassist Scott McCarl and ex-Cyrus Erie drummer Michael McBride. Still determined, 1974's acclaimed 'Starting Over' continued the harder-edged approach of 'Side 3', yielding the band's final chart smash, the much praised "Overnight Sensation (Hit Record)". A nasty post-gig confrontation between Carmen and Bryson soon resulted in the latter's departure from the group. After playing a handful of shows as a three-piece, the Raspberries disbanded in 1975.
Carmen then mounted a solo career; tapping McBride to play drums on his self-titled debut LP, which launched the number two blockbuster "All by Myself". He did not return to the upper rungs of the charts for over a decade, however, before scoring a major hit in 1987 with his 'Dirty Dancing' soundtrack contribution. The tune, called "Hungry Eyes", has remained popular for years since then. Re-inspired musically, Carmen's "Make Me Lose Control" additionally reached the number three spot a year later. Bryson, meanwhile, resurfaced in a short-lived band— named Tattoo— before joining the power pop group Fotomaker for three albums during the late 70s. Despite their skill and bursts of critical praise, the other ex-Raspberries besides Carmen found mainstream success elusive.
In March of 1999, all four original members (Smalley, Carmen, Bryson, and Bonfanti) met up for the first time in years, sparking rumors of an impending reunion. A few months later (after three of the four members played together onstage in Cleveland to celebrate the 80th birthday of rock journalist Jane Scott), a Raspberries reunion tour was confirmed as fact by 'Billboard Magazine'. Unfortunately for fans, the reunion failed to materialize. Carmen continued to write and record as a solo artist, while Bryson, Smalley, and latter-day member Scott McCarl opted to resurrect the Raspberries' name as a trio— issuing the album 'Refreshed' in 2000. That release picked up some praise from music journalists but went nowhere commercially.
As stacks of the popular book 'Eric Carmen: Marathon Man' was rolling off the presses, the dream that Eric Carmen, Wally Bryson, Dave Smalley and Jim Bonfanti would ever find themselves in a room together again, let alone reunite to perform, was labeled by many fans as likely as the Titanic rising from its ocean depths. Nonetheless, the band made an announcement in the mid-2000s along the lines of: "Ladies and gentlemen, I present for you the Titanic arisen." Raspberries guitarist Wally Bryson was overheard quipping, "If not now, then when?" (said via phone with Raspberries lead singer Eric Carmen on an evening in July 2004).
Drummer Jim Bonfanti was already on board, and bassist Dave Smalley joined onto the project shortly thereafter. The rest, as they say, is history. The original band members rehearsed in a rented space just outside of Cleveland, Ohio. They quickly re-learned all of their biggest hits and reacquainted themselves with their chops. For all four musicians, it was like time had stood still. They were back together again— for real this time— and had plenty of fans interested in future touring.
Raspberries first considered a reunion four years before then, but Carmen has remarked that the offer from promoters would not have allowed the band to put on a show with the production values it felt its fans deserved. "My caveat has always been that there's a mythology about the band, and I don't want to burst that bubble. If we couldn't put on a good concert, I didn't want to do it," he stated. After playing House of Blues clubs with Ringo Starr in 2001, Carmen loved the venues' vibe had had some inspiration. So, the House of Blues in Cleveland appeared to be the ideal place to play at.
"It's kind of fun to look around after all these years and see these people, who were my fellow musicians and my friends, working together again. And it sounds like us," Smalley stated. "Our fans have just not given up," Wally commented, "I've said it wouldn't happen, but they've been so persistent and loyal. I think we all kind of got the same feeling: 'Let's go and do this before we're freaking 95.'"
"The intention initially was just to play one show," Eric remarked. However, "[a]s we started rehearsing, a number of very interesting things happened— not the least of which was, we sold this first show out in four minutes. It totally knocked the House of Blues for a loop." The band's long-awaited live reunion, bringing them across the nation, ended up being featured in a 2007 album titled 'Live On Sunset Strip' (also known as 'The Raspberries: Live on Sunset Strip'). The release earned praise from critics such as Allmusic's Bruce Eder, who stated that "these guys can still sing their hearts out and play their asses off ".
Website: http://www.raspberriesonline.com/main.shtml
Let's pretend
The Raspberries Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Wishing you were here beside me
Can't help feeling
That's way it ought to be
You know we could run (run, run) away
And i couldn't bear to hear
The things they'd say
Oh no
[Chorus]
Baby let's pretend
That tonight could live forever
If we close our eyes
And believe it might come true
Baby let's pretend
We could always be together
But for now just let me
Spend the night with you
Somehow, someday
Things are gonna be so different
Don't cry
Some way
I promise it will be all right
So now that we're all alone
I couldn't bear
To ever take you home
Oh no
[Chorus]
Baby let's pretend
We could always live together
But for now just let me
Spend the night with you
So take me now
My love can't wait
We're almost there now darlin'
Darlin' hold me, hold me
Hold me
[Chorus]
Baby let's pretend
We could always live together
But for now just let me
Spend the night with you
The Raspberries's song Let's Pretend is a love song about two people who cannot be together due to external circumstances, but they want to believe that they can spend one night together and pretend that they can be together forever. The lyrics suggest that the singer has a deep desire to be with the person they're singing to, and it keeps them awake at night. The phrase "that's the way it ought to be" suggests that the singer believes that they are meant to be together. However, they cannot be together because of what other people might say or think. Despite this obstacle, the singer and their love interest could run away and be together. The chorus emphasizes the idea of pretending, which shows the desperate hope of the singer.
The second verse of the song speaks about the possibility of things changing in the future and how the singer believes that things will be different someday. The lyrics go on to suggest that the singer and their lover will always be together even if they cannot be together right now. The phrase "don't cry" suggests that the singer's lover is upset about their current situation. The verse ends with the singer expressing that they don't want to take their lover home, probably indicating that they don't want the night to end.
Overall, Let's Pretend is a nostalgic song about the longing for something that may never be possible. It portrays a situation in which two people could be together, but societal expectations and limitations restrict them from doing so. The song's tone is romantic yet yearning, with the chorus repeating the desire to pretend and be together forever.
Line by Line Meaning
I can't sleep nights
I am unable to sleep at night
Wishing you were here beside me
I desire your presence next to me
Can't help feeling
I cannot stop feeling
That's way it ought to be
That is the way it should be
You know we could run (run, run) away
We are capable of running away
And i couldn't bear to hear
I cannot tolerate hearing
The things they'd say
The things that they would say
Oh no
Expressing disapproval or anxiety
Baby let's pretend
Let's imagine
That tonight could live forever
That this night could last eternally
If we close our eyes
If we shut our eyes
And believe it might come true
And have faith that it could become a reality
We could always be together
We could remain together forever
But for now just let me
But for the moment allow me to
Spend the night with you
Spend this night with you
Somehow, someday
One way or the other, someday
Things are gonna be so different
Things will eventually change significantly
Don't cry
Do not shed tears
Some way
One way or another
I promise it will be all right
I assure you that everything will be alright
So now that we're all alone
Now that we are alone
I couldn't bear
I do not want to tolerate
To ever take you home
Taking you home is unacceptable
So take me now
Take me at this moment
My love can't wait
My love is impatient
We're almost there now darlin'
We are getting closer, my darling
Darlin' hold me, hold me
Embrace me, my darling
[Chorus]
The chorus repeats multiple lines of the song
Baby let's pretend
Let's imagine
We could always live together
We could remain together forever
But for now just let me
But for the moment allow me to
Spend the night with you
Spend this night with you
Lyrics © Warner Chappell Music, Inc.
Written by: ERIC CARMEN
Lyrics Licensed & Provided by LyricFind