Singer Paul Hewitt and guitarist Doug Thompson who both worked at the Austin Motors were putting together their own group in 1959 along with drummer Terry Bond (born 22 March 1943, Birmingham) and bass guitarist Mark Johnson. In search of a good lead guitarist, they learned that the Rockin' Berries were disbanding and so invited Chuck Botfield to join them. Botfield agreed providing that the new group would also call themselves the Rockin' Berries. Doug Thompson made a deal with the owners of the disused Palace Theatre in Redditch that the Rockin' Berries would play there and keep the door takings in return for cleaning the place up. The arrangement proved so successful that The Rockin' Berries started playing there regularly along with many other local groups.
Meanwhile, original Rockin' Berries bass guitarist Tim Munns had joined up with another former school friend Geoff Turton and singer Bob Lawton in a line-up known as "The Chimes". They were moderately successful locally - even winning a Birmingham Parks Band Competition. Tim Munns re-joined the Rockin' Berries at the request of Chuck Botfield when Mark Johnson left the band to pursue a full-time career. By this time, the Berries were very well-known locally as they were now fronted by two vocalists; Paul Hewitt (now with the stage-name of Bobby Thompson) and Jimmy Powell - easily one of the most powerful singers in the West Midlands. The complete line-up of the Rockin' Berries at this time was Chuck Botfield (lead guitar), Doug Thompson (rhythm guitar), Tim Munns (bass), Terry Bond (drums), Dennis Ryland (tenor saxophone), Paul Hewitt and Jimmy Powell (vocals).
In November 1961, the Rockin' Berries were offered some bookings in Germany which they accepted but Paul Hewitt did not want to go so local singer Clive Lea (born 16 February 1942, Birmingham), joined the group as his replacement. Clive Lea lived in Longbridge and had won the "Elvis of the Midlands" contest while being backed by his own group The Phantoms. Lea was quite well known around Birmingham at the time as a singer and impressionist.
Upon returning from their tour of Germany, the Rockin' Berries were auditioned by TV pop music promoter Jack Goode who was scouting for the Decca Record Company. The group failed to secure a contract but Goode showed interest in signing singer Jimmy Powell. As the Rockin' Berries had a return engagement in Germany, they returned there but when offered an extension to stay longer, the group was divided over the prospect of remaining and the outcome was that Doug Thompson, Dennis Ryland and Jimmy Powell returned to Birmingham leaving the others to carry on in Germany. Jimmy Powell would take up Jack Goode's offer of a recording contract and become the first "Brumbeat" recording star in 1962 (see Jimmy Powell). Doug Thompson embarked on a new career and became well known around Birmingham as a music promoter and booking agent.
The remaining Rockin' Berries needed a replacement vocalist to complete their engagement and Chuck Botfield remembered that his former schoolfriend Geoff Turton was playing guitar in a group back in Birmingham called the Swinging Chimes. When contacted, Geoff Turton agreed to join the Rockin' Berries in Germany and it was soon discovered that Turton also posessed a unique falsetto vocal style that was used by the group to their advantage when performing songs such as Frank Ifield's I Remember You and Sherry by the Four Seasons. In this way, the group was unusual in that it had two lead vocalists in Clive Lea and Geoff Turton. Another line-up change also occurred at this time when Tim Munns left to be replaced by bass guitarist Roy Austin (born 27 December 1943, Birmingham) from Sir Hiltons Road, West Heath. He was previously in a local group called The Eko's. Tim Munns went on to work for Kinks manager Larry Page and later re-joined Jimmy Powell in his band "The Five Dimensions".
When the Rockin' Berries returned to Birmingham, they were contacted by Decca Records who had been sent a demonstration tape of songs by the group. The Rockin' Berries were signed up and went to London to record with Decca Records releasing two singles, the second of which Itty Bitty Pieces got them a TV appearance on Ready Steady Go! but neither single was a hit. Despite this, the publicity generated served to increase their following and the group refined their stage shows by introducing comedy which included impersonations from Clive Lea. After a year they were dropped by Decca and then signed to the Pye subsidiary Piccadilly by talent scout John Schroeder who also became their manager. Their first release on this label I Didn't Mean To Hurt You, was a minor hit and featured Geoff Turton's distinctive falsetto vocal which became a band trademark.
The Rockin' Berries appeared at London's famous Marquee Club where they were seen by American record producer Kim Fowley who would play an influential role in the careers of a number of Midlands groups. Fowley was impressed by the Rockin' Berries and decided that they should record a version of a song written by famous composers Goffin & King called He's In Town as performed by The Tokens in the USA. Re-recorded by the Rockin' Berries and released as a single in October of 1964, the song went to No. 3 in the charts.
The next Rockin' Berries single What In The World's Come Over You was less successful and reached No. 23 but the next single Poor Man's Son again made the top ten in May of 1965. The song featured a lead vocal from Clive Lea and was a cover of a song by the US group The Reflections. At this time, bass player Roy Austin left the Rockin' Berries and was replaced by Bobby Thompson from Liverpool who had played in Rory Storm & The Hurricanes, a group that had at one time included Beatles drummer Ringo Starr. By coincidence, Thompson had the same name as was used on stage by one-time Rockin' Berries singer Paul Hewitt.
A Rockin' Berries album entitled In Town was released in 1964 and got to No. 15 in the album charts but the group seemed to have reached their peak in chart terms and subsequent single releases comprised of more cover versions. The group was certainly at a disadvantage from not having internal songwriters but as the hits became fewer, they concentrated on a career in cabaret which included comedy routines featuring Clive Lea's impersonations of Norman Wisdom and George Formby.
By the time of the Rockin' Berries last hit The Water Is Over My Head in 1966, the pop music scene had changed and the era of the beat groups was over. The band was by this time one of the UK's top cabaret acts who were heavily in demand for bookings all over the country. One of the more notable engagements for the group took place when they were invited to and performed at 1967's Royal Variety Performance attended by The Queen and Prince Phillip.
At the height of the psychedelic era, the song Yellow Rainbow was recorded by members of the Rockin' Berries and was apparently composed by Roy Wood of The Move who may have also contributed backing vocals. Unfortunately, the recording was never released although it was certainly commercial enough to have made the charts at the time.
In 1968 Geoff Turton left the band and briefly joined the Birmingham group Sight And Sound but with encouragement from manager John Schroeder, soon embarked on a fairly successful solo career (see Jefferson). Yorkshire singer/impressionist Terry Webster joined the Rockin' Berries in 1970 to replace Clive Lea who left to start a solo career as an impressionist and later joined local comedy group The Black Abbotts as replacement for Russ Abbott. The remainder of the Rockin' Berries continued to perform in cabaret as a music/comedy act although drummer Terry Bond later moved into management and was replaced by Keith Smart, previously from Roy Wood's chart-topping group Wizzard (see The Move).
Despite numerous other personnel changes (which include occasional appearances with Geoff Turton), the Rockin' Berries along with remaining original member Chuck Botfield, continue to be a popular attraction on the cabaret and nostalgia circuit to this day.
He's In Town
The Rockin' Berries Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He's back in town
Girl I knew just what was wrong
When you weren't home
Each time I phoned all week long
And now
I see it in your eyes
when you're thinking of him
Can't be disguised
I was afraid he'd come back some day
And I'd be the one to lose
I knew when you saw him
you wouldn't ignore him
And he'd be the one you'd choose
So you don't have to tell me
He's in town
He's back in town
No you don't have to tell me
He's in town
He's back in town
He's in town
The Rockin' Berries's song He's in Town is a story of a woman whose former lover returns to town and the impact it has on her current relationship. The singer of the song, who is the current partner of the woman, suspects something was wrong when she wasn't answering her phone all week long. Eventually, he realizes that the woman is thinking of her ex-lover, which threatens their current relationship. The singer was afraid that someday the ex-lover would return and win her over, and sadly, his fears came true.
The song explores themes such as loss, heartbreak, and the struggle to move on from past relationships. The singer is saddened by the fact that he has lost the woman he loves to someone from her past. The song is melancholic and conveys the sadness of the singer.
In conclusion, the song's lyrics depict a heartbreaking tale of a man losing his lover to her past relationship. The lyrics also showcase how difficult it can be to move on from past experiences, especially past relationships.
Line by Line Meaning
He's in town
He's back in town
Girl I knew just what was wrong
I noticed something was off with you
When you weren't home
When you were not around
Each time I phoned all week long
Every time I called you during the week
And now
Currently
I see it in your eyes
I can tell from your expression
The look that you have
The expression you wear
when you're thinking of him
When he is on your mind
Can't be disguised
Cannot be hidden
I was afraid he'd come back some day
I feared he would show up again
And I'd be the one to lose
And I would be the one to suffer
I knew when you saw him
I realized that when you saw him
you wouldn't ignore him
You would not neglect him
And he'd be the one you'd choose
And you would prefer him over me
So you don't have to tell me
You do not need to inform me
Lyrics © Sony/ATV Music Publishing LLC
Written by: CAROLE KING, GERRY GOFFIN
Lyrics Licensed & Provided by LyricFind