1) The Sessions was a ba… Read Full Bio ↴More than one artist exists with this name:
1) The Sessions was a band from Vancouver, Canada consisting of Josh Helgason, Tristan Norton, Tobias Jesso and Martin Kottmeier. The Sessions were expected to accomplish big things due to their ever increasing popularity and notoriety, which was mostly contained to their hometown of Vancouver, Canada due to their lack of major touring. They did, however, make single appearances in some distant lands such as Rothenburg, Germany - Montreal, Canada - and Los Angeles, San Diego, San Francisco and Las Vegas in the USA.
In the winter of 2005/2006 the band entered a competition along with 7,600 other bands from around the world. It's an annual battle-of-the-bands called Emergenza and this was the first year Emergenza had opened it's doors to North American bands, having previously only accepted European bands. By the summer of 2006 the band had won it's way through intense and suspenseful battles across Canada winning the west coast battle in Vancouver, the western Canadian battle in Calgary and finally the national finals in Montreal Canada which sent The Sessions off to Rothenburg, Germany. They would win the grand prize, a month in a recording studio called The Roasting House Studios in Malmo, Sweden as well as Ernie Ball Music Man guitars. They became the first North American band to win the competition, and then they were faced with one of the hardest decisions of their lives.
Producer Bob Rock had offered to take the band under his wing proposing to produce their debut album and allow them to maintain ownership of their masters. They had to choose between a month in one of Sweden's best recording studios with keen producers and potentially heavy promotion and touring in Europe, or forfeiting their grand prize win to work with one of history's most celebrated producers of all time, the man who produced Metallica's Black Album, Mötley Crüe's Dr. Feelgood and many more hugely successful and critically acclaimed albums. After much deliberating the group forfeited their prize. The opportunity to record with Bob Rock and also to keep the rights to their songs seemed to be the best option. At the time, no one thought of or mentioned the option of keeping the awarded month-long studio time in Sweden and inviting Bob Rock in to produce there, which may have been a win win win situation for The Sessions, Emergenza and Bob Rock.
Highlights following Emergenza included playing at separate parties of The Killers, Hot Hot Heat and The Bravery, (During their show at The Killers party Killers tour manager Jeremy Bates exclaimed "Who are these guys?" to Sessions manager Graham Pence and met with the band following their performance offering encouragement. During their show at Hot Hot Heat's party, at Vancouver's Republic night club, Steve Bays and Dustin Hawthorne watched The Sessions from the bar concealed in hoodies; months later the two HHH members would join The Sessions for a very intoxicated and spirited performance on stage in Las Vegas.), recording with Bob Rock in Vancouver's The Warehouse Studio, playing several charity events and memorable shows in the tourist haven of Whistler, BC as well as in Victoria, BC. Amid these high times was deteriorating creative compatibility and escalating tension among The Sessions, and by the time their Rock produced record was released for the public on iTunes, entitled "The Sessions Are Listed As In Relationship", a play on the marital status options provided by cultural phenomenons such as Facebook, the band ironically had broken up.
The closest the group came to signing a record deal was with Epic Records in late 2006. Stacy Jones, former Veruca Salt drummer and American Hi-Fi frontman, working as an A&R guy for Epic Records was set on signing The Sessions to an Epic deal, and talks with lawyers were underway, but the deal never happened.
In May 2008, The Sessions split apart.
THE SESSIONS (Canada)
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2) An ambient duo from Poland
https://thesessions1.bandcamp.com/
Let Me In
The Sessions Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
my love for you a flowing tide
you did not love with grudging heart,
but loved us all with arms spread wide.
Let me not measure love's return
but love you, Lord, with all my soul
let my small love be lost in you,
Teach me to love as Mary loved,
the Virgin-Mother of her Lord
you shared with her your agony,
two hearts, two hearts made one by sorrow's sword.
These lyrics to The Sessions's song Let Me In are a beautiful prayer to God asking for more love, and surrendering oneself completely to Him. The singer wishes to love God more and more, and likens their love to a flowing tide - a beautiful metaphor that suggests an infinite and perpetual love.
The lyrics also describe how God's love is selfless and all-encompassing. He did not love with a grudging heart, but rather with open and outstretched arms, welcoming and embracing all those who come to Him. The singer wishes to follow in His path and not measure love's return, but instead love God with all their soul, fully surrendering themselves to Him.
The second stanza talks about surrendering oneself to God's love completely - the singer's small love is insignificant compared to the vastness of God's love, but in losing oneself in Him, they will find true and complete love. The final stanza talks about the Virgin Mary, who loved God deeply and shared in His suffering. The singer asks to be taught to love as Mary loved, to be filled with compassion and understanding, and to have their heart made one with God's through sorrow and pain.
Overall, the lyrics to Let Me In are a stirring prayer of devotion and surrender to God's love, encouraging the listener to open their hearts and let His love flow into their lives.
Line by Line Meaning
Lord, let me love you more and more,
I pray to God to let me love Him increasingly with each passing day
my love for you a flowing tide
My love for God is not a stagnant state, but rather, it flows like a tide
you did not love with grudging heart,
God loved humanity with an open and selfless heart, without any reluctance or resentment
but loved us all with arms spread wide.
God's love for humanity is all-encompassing, symbolized by the wide-spread arms
Let me not measure love's return
I should not calculate or expect love in return for my own
but love you, Lord, with all my soul
But rather, I should love God with my whole being
let my small love be lost in you,
Let my small love be overwhelmed and engulfed by God's love
and found once more as love made whole, as love made whole.
In this way, my love will be complete and made whole again
Teach me to love as Mary loved,
I seek to learn how to love like the Virgin-Mother Mary loved
the Virgin-Mother of her Lord
Mary is known as the Virgin-Mother of Lord Jesus, to whom she gave birth
you shared with her your agony,
God shared the suffering and pain of his Son, Jesus, with Mary
two hearts, two hearts made one by sorrow's sword.
Mary and God's hearts were united through the profound agony experienced through Jesus' crucifixion
Lyrics © O/B/O APRA AMCOS
Written by: SJ, James Quinn
Lyrics Licensed & Provided by LyricFind
mrjames19601
great song.
Paleo Aram
1965 The Sessions – "Let Me In" b/w "Bouncing Bass" (Single)
Ritchie Blackmore on Guitar.
hiroshi dhr
guitar:Ritchie Blackmore
RedGibsonsRock
It is indeed. Been liking this one since I first heard it in 1999 on the "Take It!" CD.
Gerald Thorburn
Sharing much appreciated, Operatorplease.