1. A soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. In the UK they were known as "The Detroit Spinners" to avoid confusion with British band The Spinners. The band's roots lay in Detroit, where they formed as a doo wop group during the late '50s. Throughout the '60s, the Spinners tried to land a hit by adapting to the shifting fashions of R&B and pop. By the mid-'60s, they had signed with Motown Records, but the label never gave the group much consideration. "It's a Shame" became a hit in 1970, but the label continued to ignore the group, and dropped the band two years later. Unsigned and featuring new lead singer Phillipe Wynne, the Spinners seemed destined to never break into the big leagues, but they managed to sign with Atlantic Records, where they began working with producer Thom Bell. With his assistance, the Spinners developed a distinctive sound, one that relied on Wynne's falsetto and the group's intricate vocal harmonies. Bell provided the group with an appropriately detailed production, creating a detailed web of horns, strings, backing vocals, and lightly funky rhythms. Between 1972 and 1977, the Spinners and Bell recorded a number of soul classics, including "I'll Be Around," "Could It Be I'm Fallin in Love," "Mighty Love," "Ghetto Child," "Then Came You," "Games People Play," and "The Rubberband Man." Wynne left in 1977 and the Spinners had hits for a few years after his departure, but the group will always be remembered for its classic mid-'70s work. Originally, called the Domingoes, the Spinners formed when the quintet were high school students in the Detroit suburb of Ferndale in 1957. At the time, the group featured Bobbie Smith, Pervis Jackson, George W. Dixon, Billy Henderson, and Henry Fambrough. Four years later, they came to the attention of producer Harvey Fuqua, who began recording the group -- who were now called the Spinners -- for his Tri-Phi Records. The band's first single, "That's What Girls Are Made For," became a Top Ten R&B hit upon its 1961 release and featured Smith on vocals. Following its release, Dixon was replaced by Edgar "Chico" Edwards. Over the next few years, the group released a series of failed singles, and when Tri-Phi was bought out by Motown in the mid-'60s, the Spinners became part of the larger company's roster. By that time, Edwards had been replaced by G.C. Cameron. Though the Spinners had some R&B hits at Motown during the late '60s, including "I'll Always Love You" and "Truly Yours," they didn't have a genuine crossover success until 1970, when Stevie Wonder gave the group "It's a Shame." Motown never concentrated on the Spinners, and they let the group go in 1972. Before the band signed with Atlantic Records, Phillipe Wynne replaced Cameron as the group's lead vocalist. Wynne had previously sung with Catfish and Bootsy Collins. At Atlantic Records, the Spinners worked with producer Thom Bell, who gave the group a lush, seductive sound, complete with sighing strings, a tight rhythm section, sultry horns, and a slight funk underpinning. Wynne quickly emerged as a first-rate soul singer, and the combination of the group's harmonies, Wynne's soaring leads, and Bell's meticulous production made the Spinners the most popular soul group of the '70s. Once the group signed with Atlantic, they became a veritable hit machine, topping the R&B and pop charts with songs like "I'll Be Around," "Could It Be I'm Falling in Love," "One of a Kind (Love Affair)," "Ghetto Child," "Rubberband Man," and "You're Throwing a Good Love Away." Not only were their singles hits, but their albums constantly went gold and charted in the Top 20. Wynne left the band to pursue a solo career in 1977; he was replaced by John Edwards. Though none of Wynne's solo records were big hits, his tours with Parliament-Funkadelic were well-received, as were his solo concerts. In October 1984, he died of a heart attack during a concert in Oakland, CA. The Spinners, meanwhile, had a number of minor hits in the late '70s, highlighted by their disco covers of "Working My Way Back to You" and the medley "Cupid/I've Loved You for a Long Time." During the early '80s, they had several minor hits before fading away from the charts and entering the oldies circuit, reprising their earlier material for 1999's new studio effort At Their Best. Long time founding members Billy Henderson and Pervis Jackson have since deceased.
2. The Spinners were a folk group from Liverpool, England, that formed in September 1958. The group was unusual for its time in having a multiracial membership.
They variously had four albums in the UK Albums Chart between September 1970 and April 1972. One of them, Spinners Live Performance (1971), spent three months in the listing and peaked at No. 14.
The band began as a skiffle group with a mainly American repertoire, until they were prompted by Redd Sullivan, a seaman, to include sea shanties and English folk songs. They started out as the Gin Mill Skiffle Group, which included guitarist Tony Davis and washboard player Mick Groves. The group played the Cavern Club, Liverpool for the first time on Friday 18 January 1957, with the Muskrat Jazz Band and the Liverpool University Jazz Band. They played there on a number of occasions on Friday 24 May; Sunday 26 May; Wednesday 5 June; Wednesday 3 July and Friday 16 August 1957. In September 1958 they became the Spinners. They founded a folk club in Liverpool, the 'Triton Club', but soon were performing in London at places such as 'the Troubadour'. Their first album, Songs Spun in Liverpool, was recorded by Bill Leader from live performances. In 1962 Peter Kennedy of the English Folk Dance & Song Society recorded an album with them called Quayside Songs Old & New. In 1963 Philips Records signed them, and they recorded eight more albums over the next eight years. They signed for EMI Records in the early 1970s.
They became popular by reviving some of the greatest folk music and singing new songs in the same vein. Although sounding like traditional English folk songs, some of their material was in fact composed by Jones, such as "The Ellan Vannin Tragedy" and "The Marco Polo". One of their best known songs, particularly in their native Liverpool, was "In My Liverpool Home", written by Peter McGovern in 1962. Cliff Hall also introduced traditional Jamaican songs to their repertoire. One of their albums was called Not Quite Folk.
They produced over forty albums, and made numerous concerts and TV appearances. In 1970, they were given their own television show on BBC One that ran for seven years. They also had their own show on BBC Radio 2. They retired in 1988, after thirty years together, although they led the community singing at the 1989 FA Cup Final and played some Christmas shows in the early 1990s. Members of the group still perform, although Cliff Hall retired to Australia, where he died in 2008.
Their version of the Ewan MacColl song, "Dirty Old Town", was included in the Terence Davies' 2008 memoir/documentary of Liverpool, Of Time and the City. A biography of the group 'Fried Bread and Brandy-O' (the title of their signature tune) was written by Liverpool journalist David Stuckey (with a foreword by Pete Seeger) to coincide with their 25th anniversary, and published by Robson Books.
In 2009 The Liverpool Barrow Boys from Songs Spun in Liverpool was included in Topic Records 70 year anniversary boxed set Three Score and Ten as track 19 on the 6th CD.
Band members
Tony Davis (born 24 August 1930, Blackburn, Lancashire, England, died 10 February 2017)
Mick Groves (born Salford, Lancashire, England)
Cliff Hall (born Clifford Samuel Hall, 11 September 1925, Oriente Province, Cuba, died 26 June 2008, Adelaide, South Australia)
Hughie Jones (born Liverpool, England)
3. The Spinners were a female punk band from Turkey, active in the late 80's and early 90's. They released a demo called “Lalala” in 1991.
Didn't I Blow Your Mind
The Spinners Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Didn′t I do it, baby, didn't I do it, baby
Gave you a love you never knew, girl
Didn′t I do it, baby, didn't I do it, baby
I tried so many times and that's no lie
It seems to make you laugh each time I cry
Didn′t I blow your mind this time, didn′t I?
Didn't I blow your mind this time, didn′t I?
I thought that heart of yours was true, girl. whoa
Didn't I do it, baby (baby), didn′t I do it, baby
But this time I'm really needed you girl, hey
Didn′t you know it, baby(baby bay), didn't you know it, baby
Ten times or more yes, I walk out the door, oh
Get this into your head, there'll be no more
Didn′t I blow your mind this time, didn′t I?
Didn't I blow your mind this time, didn′t I?
Didn't I do it, baby(baby bay), didn′t I do it, baby
Didn't I do it, baby(baby bay), didn′t I do it, baby
Ten times or more yes, I walk out the door
Get this into your head, there'll be no more
Didn't I blow your mind this time, didn′t I?(I don′t wanna leave you)
(I don't wanna leave you, oh)
Didn′t I blow your mind this time, didn't I?
Didn′t I blow your mind this time, didn't I?
(You makes me feel, like a)
(Man)Didn′t I blow your mind this time, didn't I?
Didn't I blow your mind this time, didn′t I?
Didn′t I blow your mind this time, didn't I?
Didn′t I blow your mind this time, didn't I?
Didn′t I blow your mind this time, didn't I?
Didn′t I blow your mind this time, didn't I?
The Spinners' song "Didn't I Blow Your Mind" is a classic soul ballad that speaks to the pain of unrequited love. The lyrics are an expression of a man's desperate attempt to win the heart of his lover, who seems to be indifferent to his efforts. He reminds her of all the love he has given her, and all the sacrifices he has made to keep their relationship going, hoping that she will realize how much he cares for her.
The repeated refrain "Didn't I blow your mind this time, didn't I?" is a plea for recognition of his efforts, and an affirmation of the depth of his love. He wonders if his devotion will ever be enough for her to reciprocate his feelings.
The song features The Spinners' trademark harmonies and lush orchestration, and is a perfect example of their unique brand of soul music. The lead vocals are filled with emotion and longing, and the lyrics are a heartfelt expression of the pain of unrequited love.
Line by Line Meaning
I gave my heart and soul to you girl
I devoted everything I had to you, my love
Didn't I do it, baby, didn't I do it, baby
Didn't I give you everything and more?
Gave you a love you never knew, girl
I showed you a love that you had never experienced before
I tried so many times and that's no lie
I attempted to make it work countless times, and it's the truth
It seems to make you laugh each time I cry
You seem to find pleasure in my pain
Didn't I blow your mind this time, didn't I?
Did I not surprise you with my love and devotion this time?
I thought that heart of yours was true, girl. whoa
I believed that your love was genuine, oh girl
But this time I'm really needed you girl, hey
I needed you more than ever this time, hey girl
Didn't you know it, baby(baby bay), didn't you know it, baby
Were you not aware of how much I needed you, my love?
Ten times or more yes, I walk out the door, oh
I left many times out of frustration, oh
Get this into your head, there'll be no more
Understand that it won't happen again
Didn't I do it, baby(baby bay), didn't I do it, baby
Didn't I provide for you and fulfill your needs, my love?
Didn't I blow your mind this time, didn't I?
Did I not leave you in awe this time?
I don't wanna leave you
I don't want to leave you, my love
(You makes me feel, like a)
(You make me feel like a)
(Man)Didn't I blow your mind this time, didn't I?
(Man) Wasn't I able to impress you with my love and affection?
Didn't I blow your mind this time, didn't I?
Did I not surprise you with my love and devotion this time?
Didn't I blow your mind this time, didn't I?
Did I not leave you in awe this time?
Didn't I blow your mind this time, didn't I?
Did I not surprise you with my love and devotion this time?
Didn't I blow your mind this time, didn't I?
Did I not leave you in awe this time?
Didn't I blow your mind this time, didn't I?
Did I not leave you in awe this time?
Writer(s): Thom Bell, William Hart
Contributed by Adalyn D. Suggest a correction in the comments below.