The Who developed from an earlier group, the Detours, and established themselves as part of the pop art and mod movements, featuring auto-destructive art by destroying guitars and drums on stage. Their first single as the Who, "I Can't Explain", reached the UK top ten, followed by a string of singles including "My Generation", "Substitute" and "Happy Jack". In 1967, they performed at the Monterey Pop Festival and released the US top ten single "I Can See for Miles", while touring extensively. The group's fourth album, 1969's rock opera Tommy, included the single "Pinball Wizard" and was a critical and commercial success. Live appearances at Woodstock and the Isle of Wight Festival, along with the live album Live at Leeds, cemented their reputation as a respected rock act. With their success came increased pressure on lead songwriter Townshend, and the follow-up to Tommy, Lifehouse, was abandoned. Songs from the project made up 1971's Who's Next, which included the hit "Won't Get Fooled Again". The group released the album Quadrophenia in 1973 as a celebration of their mod roots, and oversaw the film adaptation of Tommy in 1975. They continued to tour to large audiences before semi-retiring from live performances at the end of 1976. The release of Who Are You in 1978 was overshadowed by the death of Moon shortly after.
Kenney Jones replaced Moon and the group resumed activity, releasing a film adaptation of Quadrophenia and the retrospective documentary The Kids Are Alright. After Townshend became weary of touring, the group split in 1982. The Who occasionally re-formed for live appearances such as Live Aid in 1985, a 25th anniversary tour in 1989 and a tour of Quadrophenia in 1996–1997. They resumed regular touring in 1999, with drummer Zak Starkey. After Entwistle's death in 2002, plans for a new album were delayed. Townshend and Daltrey continued as the Who, releasing Endless Wire in 2006, and continued to play live regularly.
The Who's major contributions to rock music include the development of the Marshall stack, large PA systems, use of the synthesizer, Entwistle and Moon's lead playing styles, Townshend's feedback and power chord guitar technique, and the development of the rock opera. They are cited as an influence by hard rock, punk rock and mod bands, and their songs still receive regular exposure.
The Who is one of the most influential rock bands of the 20th century. Their appearances at Monterey and Woodstock helped give them a reputation as one of the greatest live rock acts and they have been credited with originating the "rock opera". The band has sold over 100 million records worldwide.
The group's contributions to rock include the power chord, windmill strum and the use of non-musical instrument noise such as feedback. The band influenced fashion from their earliest days with their embrace of pop art and the use of the Union Jack for clothing. The guitar-smashing incident at the Railway Hotel in 1964 is one of Rolling Stone magazine's "50 Moments That Changed the History of Rock 'n' Roll".
Pink Floyd began to use feedback from their early shows in 1966, inspired by the Who, whom they considered a formative influence. Shortly after arriving in London in 1966, Jimi Hendrix visited Marshall's music shop demanding an amp setup like Townshend's and manipulated electronic noises in ways that Townshend had pioneered. The Beatles were fans and socialised with Moon in particular during the mid-1960s. In 1965, Paul McCartney said the Who "are the most exciting thing around" and was inspired to write "Helter Skelter" in the group's "heavy" style; John Lennon borrowed the acoustic guitar style in "Pinball Wizard" for "Polythene Pam".
The loud volume of the band's live show influenced the approach of hard rock and heavy metal. Proto punk and punk rock bands such as the MC5, the Stooges, the Ramones, the Sex Pistols, the Clash and Green Day cite the Who as an influence. The Who inspired mod revival bands, particularly the Jam, which helped other groups influenced by the Who become popular. The Who influenced hard rock bands such as Guns N' Roses. In the mid-1990s, Britpop bands such as Blur and Oasis were influenced by the Who. The Who have also influenced pop punk band Panic! at the Disco.
The Who has inspired many tribute bands; Daltrey has endorsed the Whodlums, who raise money for the Teenage Cancer Trust. Many bands have covered Who songs; Elton John's version of "Pinball Wizard" reached No. 7 in the UK.
One Life's Enough
The Who Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
There's a scene
Indelible, it hangs before my eyes
Indelible, it hangs before my eyes
In our teens, incredibly
In our teens, incredibly
Together with no ties
Together with no ties
That was a life enough for me
That was a life enough for me
One life's enough for me
One life's enough for me
Throw back your head
Throw back your head
Let your body curve
Let your body curve
Into the long grass of the bed
Into the long grass of the bed
Pull me down into your hair
Pull me down into your hair
And I'll push and swerve
And I'll push and swerve
As we both gasp in the evening air
As we both gasp in the evening air
Yeah
Yeah
Throw back your head
Throw back your head
Let your body curve
Let your body curve
Into the long grass of the bed
Into the long grass of the bed
Pull me down into your hair
Pull me down into your hair
And I'll push and swerve
And I'll push and swerve
As we both gasp in the evening air
As we both gasp in the evening air
The lyrics to The Who's song "One Life's Enough" are a reflection on a simpler time in the singer's life. They look back on a memory from their teenage years, a time when they were free and unencumbered by responsibilities and commitments. The scene is described as indelible, a moment that is burned into their mind forever.
The singer recalls being with someone - presumably a romantic partner - with no ties. They were together in a carefree way, without any of the weight that comes with adulthood. The simplicity of that time is something that the singer longs for, as they proclaim that "that was a life enough for me, one life's enough for me."
The second half of the song shifts the focus to a more physical experience. The singer urges their partner to throw their head back and let go, allowing themselves to be lost in the moment. They describe the sensation of being pulled down into their partner's hair, caught up in the passion of the moment as they "both gasp in the evening air."
Line by Line Meaning
There's a scene
There is a particular memory
Indelible, it hangs before my eyes
It's unforgettable and still fresh in my mind
In our teens, incredibly
It happened when we were teenagers and it was unbelievable
Together with no ties
We were together without any obligations or commitments
That was a life enough for me
That moment was enough for me to feel fulfilled
One life's enough for me
I don't need more than one life to experience true happiness
Throw back your head
Tilt your head backwards
Let your body curve
Relax and sink into the bed
Into the long grass of the bed
Enjoy the comfort of the bed
Pull me down into your hair
Get closer to me
And I'll push and swerve
I'll move around actively
As we both gasp in the evening air
We both feel alive and breathe deeply
Yeah
Expression of agreement or satisfaction
Lyrics © BMG Rights Management, Spirit Music Group
Written by: PETE TOWNSHEND
Lyrics Licensed & Provided by LyricFind
JJ
on Won't Get Fooled Again - Original Album Version
It was Racist
Philip Kassabian
on Anyway, Anyhow, Anywhere
The Who have so many great songs it's difficult to even describe.
Philip Kassabian
on See Me, Feel Me
Yet another excellent song by The Who one of the best bands of the 1960's.
Philip Kassabian
on I Can't Explain
A really good song by The Who.
Philip Kassabian
on I Can See for Miles
A song that definitely gets stuck in your head.
Philip Kassabian
on My Generation
An amazing song by The Who.