The band was formed in 1973 in London, United Kingdom on the initiative of vocalist, songwriter and keyboardist John Foxx (born Dennis Leigh). Originally known as Tiger Lily, the first lineup included Foxx plus Chris Cross (bass guitar), Billy Currie (keyboards/violins), Stevie Shears (guitar) and Warren Cann (percussion). The group released one single in 1974, a cover of "Ain't Misbehaving," before changing their name to Ultravox!, the exclamation point being a reference to the krautrock band Neu! that was produced by Conny Plank (who later produced some Ultravox albums). On the strength of their live act, they signed to Island Records in 1976, releasing their eponymous debut album in February 1977.
In common with many other bands which would go on to form Britain's punk and New Wave movements, Ultravox drew inspiration from the art-school side of glam rock, from bands such as Roxy Music and the New York Dolls, as well as from David Bowie and Brian Eno's early pop-fueled albums. Their eponymous debut album was self-produced by the band, yet Brian Eno (whose next job after these sessions was working with Bowie on 'Low') co-produced two songs and Steve Lillywhite also contributed. Sales were disappointing, and neither 'Ultravox!' nor the associated single "Dangerous Rhythm" managed to enter the U.K. charts.
Ultravox returned later in 1977 with the punkier 'Ha!-Ha!-Ha!'. Although sales of both the album and its lead single "ROckwrok" (which, despite a chorus featuring the lines "Come on, let's tangle in the dark/Fuck like a dog, bite like a shark", was played on BBC Radio 1) were still unimpressive, they had a growing fan-base. Steve Shears was sacked, later deciding to form the new band Faith Global. Although most of 'Ha!-Ha!-Ha!' was dominated by guitars and electric violin, the final track, "Hiroshima Mon Amour," was a prototypical synth pop song which gave a hint to the band's new direction. It remains a critical and fan favourite of the group's early incarnation, and it was even performed by the group on the 'Old Grey Whistle Test'. In 1978, the group quietly dropped the exclamation mark, becoming simply "Ultravox".
Their third album, 1978's Systems of Romance, was recorded under the ear of Conny Plank at his studio in rural Germany and featured new guitarist Robin Simon. It also failed commercially and Island dropped the band. After a US tour in 1979, John Foxx left to pursue a solo career whilst Robin Simon left to join the band Magazine. Musically, the album was a distinct development from the band's previous work and provided a blueprint for Ultravox's subsequent work, bringing synthesisers to the forefront of the group's sound. Island released a compilation of highlights from the group's first three albums in 1979, Three Into One, which was until the mid-1990s the most widespread of Ultravox's early releases.
Midge Ure, an already accomplished musician, was asked to join the band. He had achieved minor success with semi-glam outfit Slik and Glen Matlock's more punk-inspired The Rich Kids, although in 1979 he was temporarily playing with hard rock band Thin Lizzy. Midge Ure and Billy Currie had met in the Visage project, a studio project fronted by Steve Strange. Midge therefore replaced John Foxx for their next album, which would become their most successful to date, taking the already influential Ultravox sound and giving it a commercial appeal it had previously lacked.
Recorded in London and mixed by Conny Plank and the band once more in Germany,
Vienna was released on the new label Chrysalis Records in 1980, achieving a substantial hit with the title track (inspired by Carol Reed's The Third Man), which was accompanied with a distinctive video. It topped out at number two (Joe Dolce's "Shaddap You Face" infamously kept it from the top spot) on the UK Top 40 in 1981. The album reached number five, and was soon followed by Rage in Eden (1981), the band returning to Conny Plank's studio for what turned out to be a difficult recording session.
Ultravox teamed up with legendary producer George Martin for 1982's Quartet, which became their most successful album in the USA.
After touring with their 1984 Lament, and appearing at Live Aid, Warren Cann was fired and pursued a career in acting in the USA. The remaining members, along with Big Country's Mark Brzezicki, resurfaced with U-Vox in 1986 before going their separate ways the following year. Billy Currie and singer/guitarist Tony Fenelle reformed the band in 1992 to record Revelation, and Sam Blue lent his voice to their final release, Ingenuity (1996).
The band's international legion of followers yearned for some sort of reconcilliation. Both Billy Currie and Midge Ure pursued solo careers after the band were put officially on ice by Currie in 1996, Ure continuing to peform solo versions of Ultravox hits live.
Fans were therefore delighted when an announcement came in November 2008 that the 'classic' Cann/Cross/Currie/Ure line-up were to reform and play a fourteen-date UK tour entitled Return To Eden in April 2009. With Vienna and Rage In Eden being remastered and re-released and plans for a greatest hits compilation to accompany the tour, Ultravox are now set for a return to prominence.
After their successful 'Return to Eden Tour', Ultravox signed a deal with Universal Records and talk of new studio albums heated up. On February 21st 2011, a new EP, Moments from Eden, came out.
The band's latest album is 2012's 'Brilliant', featuring the 80s line-up of Midge Ure, Billy Currie, Chris Cross, and Warren Cann. Picking up a strong fan response, their recent touring has brought them to big crowds alongside rockers Simple Minds.
Website: http://www.ultravox.org.uk
All In One Day
Ultravox Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Counting down and counting down
And waiting for the minute
We could touch a world
Where every heart had love to offer
Heart-felt passion building around
Feel the love, feel the love
From where apathy reigns
For a dying world
All in one day
All in one day
When the hands reached out
Across an ocean
Everywhere
All in one day
All in one day
When the people came
And stood together
Everywhere
All in one day
All in one day
When the hands reached out
Across an ocean
Everywhere
All in one day
All in one day
When the people came
And stood together
Everywhere
Everywhere
The lyrics to Ultravox's song "All In One Day" describe the sudden and transformative change that can occur when people come together with a shared purpose. The first verse speaks of the anticipation leading up to this moment and the desire to create a world where every heart has love to offer. The second verse touches on the difficulties of the world and how apathy reigns in many places. But despite this, there is a heart-felt passion building around, and people are sharing the strain to create a better world.
The chorus repeats the phrase "all in one day" and speaks of how this change can happen rapidly and suddenly. When people reach out to each other across oceans and stand together, amazing things can happen. The repetition of "everywhere" at the end of every verse underscores the universality of this message - this kind of change can happen anywhere, at any time. The song is a call to action, an exhortation to believe in the power of people to bring about positive change in the world.
Line by Line Meaning
Strange how the change came all in a day
It is unusual how everything transformed quickly in a day.
Counting down and counting down
Anticipating anxiously for the event to happen.
And waiting for the minute
Looking forward to the exact moment when everything changes.
We could touch a world
The opportunity to make a great impact on the world.
Where every heart had love to offer
A world where everyone is capable of sharing love.
Heart-felt passion building around
Emotions of intense feelings of enthusiasm are developing.
Feel the love, feel the love
Embrace the love that is present.
Sharing the strain
Uniting and dividing the burden equally.
From where apathy reigns
Coming together even when indifference is the norm.
For a dying world
For a world that is in a state of degradation.
When the hands reached out
Symbolizing the reaching out and helping hand shown to others.
Across an ocean
Showing how unity can cross geographical boundaries.
When the people came
Sharing the moment of coming together to make a difference.
And stood together
Standing united, not letting differences divide them.
Everywhere
Happening in places across the world.
Lyrics © Universal Music Publishing Group
Written by: CHRISTOPHER THOMAS ALLEN, MIDGE URE, WILLIAM CURRIE
Lyrics Licensed & Provided by LyricFind
Philip Kassabian
on The Frozen Ones
A great Ultravox song.
Philip Kassabian
on Dancing With Tears in My Eyes
A great and emotional song.