They are influenced musically by progressive rock bands such as King Crimson, Yes, Dream Theater, and Genesis, as well as heavy metal bands such as Iron Maiden. The band also identifies The Police, The Beatles, Pink Floyd, and Led Zeppelin as primary influences. However, there really isn't a style of popular music that Umphrey's does not cover. Artists covered in concert by Umphrey's range from Lionel Richie to Metallica to Toto to Snoop Dogg to Paul Simon.
Formed at the University of Notre Dame in South Bend, Indiana in December 1997 by guitarist/vocalist Brendan Bayliss, bassist Ryan Stasik, keyboardist Joel Cummins, and drummer Mike Mirro, Umphrey's McGee combined members of Tashi Station and Stomper Bob, two popular Notre Dame rock bands.
In mid-1998, the band released their debut album complete with a tongue-in-cheek title, Greatest Hits Vol. III. The group decided to record an album immediately because it was easier to get live gigs with an official CD. Long out of print, the album contains many of Umphrey's future concert warhorses, such as Divisions and All in Time.
Shortly after the release of the album, the band added a fifth member, percussionist Andy Farag. Farag's father became the band's agent, and a second pressing of Greatest Hits Vol. III featured Farag in the album's inner sleeve and credits. By the end of the year, Umphrey's McGee, along with peers Ali Baba's Tahini, were one of the most popular bands in the South Bend/Notre Dame area. They began performing outside of the area at colleges and house parties, allowing listeners to tape and trade their music freely. By 1999, the band had gained notoriety outside of Indiana, especially with the release of the live album Songs for Older Women, which featured live tracks recorded over a two-night stand in November 1998.
The addition of Jake Cinninger in September 2000 helped bring the band's musical dynamic to a new level. Cinninger, an accomplished guitarist, brought a distinct heaviness to the Umphrey's sound, as well as a large repertoire of original music, much of which comprised the bulk of the catalog from his previous band, Ali Baba's Tahini. The band also adopted several songs written by Ali Baba's Tahini frontman Karl Engelmann (who now fronts Asheville-based rock band Mother Vinegar). Another live album, One Fat Sucka, was released shortly after, containing live performances recorded in the summer and fall of 2000.
Around 2001, the band began practicing intense improvisational exercises. One of their first productive jam sessions took place in a hotel in the "Jimmy Stewart Ballroom" during the wedding of fan/website designer Jeremy Welsh. Therefore, the band began to call their onstage improvisational excursions "Jimmy Stewart." This form of improvisation differs in approach from the methods utilized by many of their jam band peers and has been extensively outlined by "McL" in the "Jimmy Stewart writeup" on the fan message board known as "The Bort" at www.umphreaks.com.
2002 saw the release of the band's first proper recording, Local Band Does OK. That summer, Umphrey's was invited to play the first annual Bonnaroo Music Festival which took place in rural Manchester, TN, and featured over 30 bands performing in front of nearly 100,000 people. Umphrey's played to their largest audience to date and ended up selling more CDs than any other artist on the bill including Widespread Panic, Trey Anastasio, and Norah Jones.
In October 2002 drummer Mike Mirro announced he was leaving to attend medical school. After hundreds of tapes were reviewed by percussionist Andy Farag, the band settled on the first one they received, which was from Kick the Cat drummer Kris Myers, who has a masters degree in jazz drumming from DePaul University.
In 2004, the band released the critically-acclaimed album Anchor Drops, recorded in several different studios throughout the Chicago area. Shortly before the release of the album, the band scored a distribution deal for both Anchor Drops and Local Band Does OK, and for the first time, Umphrey's music was available in stores all over the country. Anchor Drops received rave reviews from several high-profile magazines. Umphrey's was booked to play the Bonnaroo Music Festival once again in June but unlike their 2002 performance, this time they would play a coveted late-night spot. The band performed to over 20,000 people, many of whom had never heard the band before. Shortly after in July, Umphrey's was declared by Rolling Stone Magazine to "have become odds-on favorites in the next-Phish sweepstakes."
In April 2006, Umphrey's released their fourth studio effort, Safety in Numbers. They appeared on the late night TV program Jimmy Kimmel Live in May and were featured at many of the major U.S. festivals throughout the summer, playing 129 shows before a three-night stand in Chicago for New Year's Eve. The Bottom Half, an album of leftover tracks from the Safety in Numbers sessions, was released a year later in April, 2007. It was supported with tours of the U.S., Europe, and Japan.
A live double-album titled Live at the Murat was released in October, 2007. The album was recorded over 2 nights at the Egyptian Room in the Murat Centre in Indianapolis, Indiana on April 6-7, 2007. It received a 4-star review from Rolling Stone Magazine. The album also won a Jammy for best live album. Another live double album release came in June 2008, when the band put out Jimmy Stewart 2007. The album consisted entirely of live, improvised "Jimmy Stewart" sessions recorded in 2007.
Umphrey's McGee completed work on their next studio album, Mantis, in late 2008. Recorded mainly in Manny Sanchez’s I.V. Lab Studios in Chicago, the band members began by presenting each other with CDs containing hundreds of musical ideas they’d composed over the past dozen years, which were then shifted and trimmed down to the concise tracks that appear on the album. The band’s longtime sound caresser, Kevin Browning, edited and mixed the album's material.
Mantis became available for pre-order on October 27, 2008. Along with the pre-order announcement came information that unique bonus content would be available and more content would unlock depending on how many pre-orders were placed. This unusual method of distribution has been hailed as the "perfect way to implement a pre-order campaign" by Reuters.com.
Mantis was released on January 20, 2009. The album marked Umphrey’s second decade together as a band and was the first Umphrey’s album to consist entirely of material never previously performed on the road.
Miami Virtue
Umphrey's McGee Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I was unprepared, never thought before I did
And now as I look back I can't believe it
I told lies, needed proof, I was further from the truth
So I locked myself in the corner of my room
Yeah I thought maybe my view could be better
I never knew what I did, it would all come back
I'd be forced to sift through all the misdirection
I relied on my youth, I could make up an excuse
And collected scars, yeah, I thought that I could choose
And my way would be destined to deliver
You never have as long as you want
So don't get caught up in the
We never could take back time that we're wasting
I only hope that you've been listening
But I doubt you could repeat a thing
Yeah I've been in that seat before
It's always easy to ignore
When no one wants or needs advice
From someone they don't think is right
And just cause I've been wrong before
It doesn't mean I don't want more for
You live in the long-term world and it's hard to endure
(But ya) Do cause you've already seen and
You know the routine now
(We) Maybe could meet in the middle
It's not too difficult
(To) Cause we're both just stuck with spinning wheels
The odds aren't any easier on either side
And just because you say it doesn't make it right
Don't think I ever could repay you
But it's still my life
I hope I never have to say or go forever a day without you
(You) Live in the long-term world and it's hard to endure (But ya)
(Do) Cause you've already seen and
You know the routine now
(We) Maybe could meet in the middle
It's not too difficult
(To) Cause we can't take back this wasted time, but
(You) Never have as long as you want so don't get caught up
(But ya)
(Do) Yeah you've already seen and it's not any easier but
(We) Maybe could meet in the middle
It's not too difficult
(To) Cause we can't take back this wasted time
The lyrics of "Miami Virtue" by Umphrey's McGee reflect on the mistakes and regrets of the past and the struggle to move on and make better choices in the present. The opening lines take us back to the singer's youth and how they made mistakes without thinking of the consequences. They then come to realize that those lies and misdirections have caught up with them and they are forced to face them.
Throughout the song, the singer acknowledges their faults and the pain that comes with self-realization. They also express the desire for the listener to learn from their mistakes and not waste their time as they did. The chorus encourages the idea of meeting in the middle and learning from each other's experiences in order to make better choices and overcome the difficulties and challenges of life.
Line by Line Meaning
When I was young, still a kid
Recollection of the singer's young age and naivete.
I was unprepared, never thought before I did
Speaker's acknowledgment of their lacking in preparation and decision-making.
And now as I look back I can't believe it
Speaker's realization of their past actions and shock at their previous behavior.
I told lies, needed proof, I was further from the truth
Recognition of the artist's history of dishonesty and lack of veracity.
So I locked myself in the corner of my room
Metaphorical description of the artist distancing themselves from their past behavior and self-reflection.
Yeah I thought maybe my view could be better
Hypothesis of the singer's potential for change and improvement.
I never knew what I did, it would all come back
Speaker's ignorance of the consequences of their previous actions.
I'd be forced to sift through all the misdirection
Acknowledgment of the artist's need to reevaluate and confront their past mistakes.
I believed in
Continuation of the previous line, with a focus on the artist's past beliefs and actions.
I relied on my youth, I could make up an excuse
Acknowledgment of the artist's tendency to rely on their young age as an excuse for their behavior.
And collected scars, yeah, I thought that I could choose
Recognition of the singer's past mistakes and the damage that they caused to themselves and those around them.
And my way would be destined to deliver
Self-assurance of the artist's past actions and confidence in their abilities.
You never have as long as you want
Recollection of the fleeting nature of time and the importance of making the most of it.
So don't get caught up in the
Cautionary statement and emphasis on not getting bogged down in trivial matters.
We never could take back time that we're wasting
Acknowledgment of the singer's inability to go back and change their past mistakes and the importance of making the most of the present.
I only hope that you've been listening
Speaker's hope that their message has been received and understood by the listener.
But I doubt you could repeat a thing
Speaker's doubt in the listener's ability to retain and recall their message.
Yeah I've been in that seat before
Acknowledgment of the singer's past experiences and ability to empathize with the listener.
It's always easy to ignore
Statement on the nature of ignoring advice and the difficulty of getting through to others.
When no one wants or needs advice
Continuation of the previous line, with an emphasis on the importance of being receptive to advice and the shared human experience.
From someone they don't think is right
Further exploration of why people may ignore advice, with an emphasis on perceived authority or credibility of the source.
And just cause I've been wrong before
Speaker's acknowledgment of their own imperfections and past mistakes.
It doesn't mean I don't want more for
Continuation of the previous line, with a focus on the singer's desire and hope for self-growth and improvement.
You live in the long-term world and it's hard to endure
Statement on the challenges of living in the long-term, particularly the difficulty of enduring challenges and hardships.
(But ya) Do cause you've already seen and
Encouragement to persevere despite the challenges, given the listener's previous experiences.
You know the routine now
Assurance that the listener is experienced and savvy enough to navigate the challenges of living in the long-term.
(We) Maybe could meet in the middle
Suggestion of compromise and cooperation to overcome challenges and obstacles along the way.
It's not too difficult
Reassurance that the process of compromise and cooperation is achievable and not overly arduous.
(To) Cause we're both just stuck with spinning wheels
Acknowledgment of the difficulty of making progress and moving forward, with the implication that the listener and speaker are in the same boat.
The odds aren't any easier on either side
Statement on the universality of adversity and obstacles.
And just because you say it doesn't make it right
Recognition of the importance of listening and open-mindedness, with a warning against dogmatism or inflexibility.
Don't think I ever could repay you
Acknowledgment that the listener has been helpful and informative, but that the debt cannot truly be repaid.
But it's still my life
Statement on the artist's autonomy and ability to make their own decisions and choose their own destiny.
I hope I never have to say or go forever a day without you
Expression of the artist's gratitude and appreciation for the listener, with a hope that their relationship will not end suddenly or painfully.
(To) Cause we can't take back this wasted time, but
Reminder that time is fleeting and cannot be recovered, with an implicit urging to make the most of the present.
(You) Never have as long as you want so don't get caught up
Continuation of the previous line, with a focus on the importance of not getting caught up in trivial matters or wasting time.
(Do) Yeah you've already seen and it's not any easier but
Encouragement to persevere despite challenges and obstacles, given the listener's previous experiences.
(We) Maybe could meet in the middle
Suggestion of compromise and cooperation to overcome challenges and obstacles along the way.
It's not too difficult
Reassurance that the process of compromise and cooperation is achievable and not overly arduous.
(To) Cause we can't take back this wasted time
Emphasis on the importance of making the most of the present and not wasting time on trivial matters or fruitless endeavors.
Lyrics © Round Hill Music Big Loud Songs
Written by: BRENDAN H BAYLISS, JACOB ALLEN CINNINGER, JOEL N CUMMINS, ANDY SANHOURI FARAG, KRISTOPHER ALLEN MYERS
Lyrics Licensed & Provided by LyricFind
HaNdYmAn 420
When I was young, still a kid
I was unprepared, never thought before I did
And now as I look back I can't believe it
I told lies, needed proof, I was further from the truth
So I locked myself in the corner of my room
Yeah I thought maybe my view could be better
I never knew what I did, it would all come back
I'd be forced to sift through all the misdirection
I believed in
I relied on my youth, I could make up an excuse
And collected scars, yeah, I thought that I could choose
And my way would be destined to deliver
You never have as long as you want
So don't get caught up in the
We never could take back time that we're wasting
I only hope that you've been listening
But I doubt you could repeat a thing
Yeah I've been in that seat before
It's always easy to ignore
When no one wants or needs advice
From someone they don't think is right
And just cause I've been wrong before
It doesn't mean I don't want more for
You live in the long-term world and it's hard to endure
(But ya) Do cause you've already seen and
You know the routine now
(We) Maybe could meet in the middle
It's not too difficult
(To) Cause we're both just stuck with spinning wheels
The odds aren't any easier on either side
And just because you say it doesn't make it right
Don't think I ever could repay you
But it's still my life
I hope I never have to say or go forever a day without you
Cause you've already seen and
You know the routine now
(We) Maybe could meet in the middle
It's not too difficult
Cause we can't take back this wasted time, but
(You) Never have as long as you want so don't get caught up
(But ya)
(Do) Yeah you've already seen and it's not any easier but
(We) Maybe could meet in the middle
It's not too difficult
(To) Cause we can't take back this wasted time
Chris Garcia
Just discovered these guys! Can't wait to discover more music like this! So relaxing and completely different from what I am used too.
POskio66
Love Jake's backup vocals on this!!!
leschnose14
damn this song continues to grow on me. cant wait to get one live.....well done umphreys.
MusicSim8
Love it, one of those songs that gets better every listen. Very 80'sesque Genesis/Yes sounding. Me gusta
Jim Thompson
Great song. Fan since 2000 & enjoy watching the boys grow.
Brandon Bakke
Thisnew disc is going to be amazing. Can't wait for 9/13. Booth Love FTW!
Zack Moisey
I can't believe anybody's hating on this song. It's great..can't wait to see what they can do with it live!
Jordan Thielman
Diggin' This new sound for sure, I'm curious to see how they are going to jam on this song live.
Rmill216
I cant wait for the album to drop!
George Bartz
Its different but Im really liking it. Looking forward to DBS. Hopefully we can get a live preview of this song in DC next month!