Yeah
Usher / Lil' Jon / Ludacris Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Peace up, A-Town down
Yeah, yeah! Okay, okay!
(Usher, Usher, Usher, Usher)
Lil' Jon

Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (What it do shawty?)
Let's go!

Up in the club with my homies, trying to get a lil' V-I
Keep it down on the low-key (low-key)
You should know how it feels (hey!)
I saw this shorty, she was checking up on me
From the game she was spitting in my ear
You would think that she know me (know me)
I decided to chill (okay!)
Conversation got heavy (hey)
She had me feeling like she's ready to blow (watch out)
Oh (watch out)
She's saying "Come get me" (come get me)
So I got up and followed her to the floor
She said, "Baby, let's go"
When I told her (let's go)
I said

(Yeah!) Yeah!
Shorty got down low and said "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me
(Yeah!) Yeah!
Her and my girl, used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah

So she's all up in my head now
Got me thinking that it might be a good idea to take her with me
'Cause she's ready to leave (ready to leave now)
(Let's go)
And I gotta keep it real now
'Cause on a one to ten, she's a certified twenty
But that just ain't me, hey
'Cause I don't know, if I take that chance
Just where's it gonna lead
But what I do know is the way she dance
Makes shorty alright with me (hey, hey, hey)
The way she get low
I'm like "Yeah", just work that out for me
She asks for one more dance, and I'm like "Yeah"
How the hell am I supposed to leave? (Let's go, bring the beat back!)
And I say

(Yeah!) Yeah!
Shorty got down low and said "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me
(Yeah!) Yeah!
Her and my girl, used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah (hey, hey, Luda!)

Watch out, my outfit's ridiculous
In the club looking so conspicuous
And rraww, these women all on the prowl
If you hold the head steady, I'ma milk the cow (yeah!)
And forget about game, I'ma spit the truth (what?)
I won't stop 'til I get 'em in they birthday suit (yeah!)
So gimme the rhythm and it'll be off with their clothes
Then bend over to the front and touch your toes
I left the Jag and I took the Rolls
If they ain't cutting, then I put 'em on foot patrol (let's go)
How you like me now?
When my pinky's valued over three hundred thousand
Let's drink, you the one to please (yeah)
Ludacris fill cups like double D's (yeah!)
Me and Ursh' once more, and we leaves 'em dead (hey)
We want a lady in the street but a freak in the bed that say

(Yeah!) Yeah!
Shorty got down low and said "Come and get me"
(Yeah!) Yeah!
I got so caught up, I forgot she told me
(Yeah!) Yeah!
Her and my girl, used to be the best of homies
(Yeah!) Yeah!
Next thing I knew, she was all up on me screaming
Yeah, yeah, yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah, yeah, yeah

Take that and rewind it back
Lil Jon got the beat that make your booty go
Take that, rewind it back
Usher got the voice to make your booty go
Take that, rewind it back
Ludacris got the flow to make your booty go




Take that, rewind it back
Lil Jon got the beat that make your booty go

Overall Meaning

The song ‘Yeah!’ is an R&B/hip-hop club banger, characterized by its upbeat tempo and catchy lyrics. The song features the combined talents of Usher, Lil Jon, and Ludacris. The song starts with the line “Peace up, A-Town down,” which is a reference to Atlanta, Georgia, where both Lil Jon and Usher are from. The song then goes on to talk about how the artist is trying to get a little V-I (code for vodka and orange juice) and ends up meeting a girl who he decides to follow to the dance floor.


The song celebrates the nightclub culture and the fun that comes with it. The song doesn’t shy away from sexual references, but the lyrics are playful and flirty, rather than crass or explicit. The song is known for its catchy chorus, with the repetition of the word “Yeah!”


Overall, the song employs suggestive imagery, playful banter, and catchy beats to create an unforgettable club anthem that never fails to get people dancing. The song has become a cultural phenomenon, with its catchy lyrics and upbeat sound, making it a favorite of both hip-hop and R&B fans around the world.


Line by Line Meaning

Peace up, A-Town down
Acknowledging Atlanta as a home base and showing respect to those from there.


Yeah, yeah! Okay, okay!
Affirmative noises of agreement to amplify energy and show enthusiasm for what is to come.


(Usher, Usher, Usher, Usher)
Reminding listeners of the performer, Usher's, involvement in the song.


Yeah, yeah, yeah, yeah, yeah, yeah
Excitement and anticipation building within the song and the club environment.


Let's go!
Encouraging the listener to get hyped up and ready for what comes next.


Up in the club with my homies, trying to get a lil' V-I
Describing the setting and objective of the night in question, which is to party and have fun with friends while possibly seeking romantic connections.


Keep it down on the low-key (low-key)
Not drawing attention to oneself and keeping a low profile while still enjoying the club's atmosphere and music.


You should know how it feels (hey!)
A shoutout to those listening who can relate and have experienced similar scenarios of clubbing and partying.


I saw this shorty, she was checking up on me
Noticing a woman showing interest and attention to the performer, forming a connection that prompts the performer to keep her in his focus.


From the game she was spitting in my ear
Engaging in playful and flirtatious conversation that evokes sexual imagery and desire between the performer and the woman in question.


You would think that she know me (know me)
Expressing surprise at how quickly the woman is drawn to the performer, as if they already have a close and intimate relationship.


I decided to chill (okay!)
Taking a step back from the intensity of the interaction and gauging whether or not to pursue further.


Conversation got heavy (hey)
Continuing to engage in conversation with the woman and delving into more personal and intimate subjects related to sexuality and attraction.


She had me feeling like she's ready to blow (watch out)
Suggesting that the performer is overwhelmed by the sexual tension and desire that the woman is expressing, making him feel like she is ready to have sex with him right then and there.


Oh (watch out)
A warning to himself and the audience that things are getting intense and to be cautious and aware of what comes next.


She's saying "Come get me" (come get me)
Inviting the performer to physically and sexually engage with her, expressing her desire and sexual attraction openly.


So I got up and followed her to the floor
Acting on the woman's invitation, the performer becomes more physically intimate with her and interacts directly on the dance floor.


She said, "Baby, let's go"
Directly leading the performer to a sexual encounter and further encouraging physical intimacy.


When I told her (let's go)
Showing the performer's eagerness to engage in sexual activity with the woman, responding positively to her advances.


Shorty got down low and said "Come and get me"
Emphasizing the woman's sexual confidence and desire for the performer, physically positioning herself in a way that allows for easier and more overt sexual advances.


I got so caught up, I forgot she told me
The performer's attention becomes so focused on the sexual interaction that he forgets the specifics of the woman's initial invitation and intentions.


Her and my girl, used to be the best of homies
An unexpected revelation that the woman he is engaging with and his significant other were once very close and friendly, which creates conflict and tension in the situation.


Next thing I knew, she was all up on me screaming
Describing the intensity of the sexual encounter that intensifies quickly and loudly, drawing attention from others in the club.


Watch out, my outfit's ridiculous
Boasting and bragging about the performer's fashionable and stylish clothing in a way that shows off confidence and style.


In the club looking so conspicuous
Standing out in the club, so much so that others are drawn to the performer and he is easy to spot in the crowd.


And rraww, these women all on the prowl
Attracting the attention of many women in the club who are seeking sexual and romantic connections with the performer.


If you hold the head steady, I'ma milk the cow (yeah!)
Using a metaphor of sexual intimacy and pleasure, and implying that if women are willing and open to sexual advances, the performer will take full advantage of the situation to get what he wants.


And forget about game, I'ma spit the truth (what?)
Instead of playing games, the performer is directly and honestly expressing his sexual desires and intentions to quickly move towards sexual activity.


I won't stop 'til I get 'em in they birthday suit (yeah!)
Asserting his dominance and sexual confidence, stating that he will not stop until he is able to get women naked and engaged in sexual activity.


So gimme the rhythm and it'll be off with their clothes
Claiming that if he has the proper musical rhythm and beat, he can easily entice women to remove their clothing and engage in sexual activity with him.


Then bend over to the front and touch your toes
Describing the physical limitations and positions he will engage with women, getting them into a position of bending over and allowing for further physical intimacy.


I left the Jag and I took the Rolls
Boasting about success and wealth, having recently replaced his lesser car with a more expensive model.


If they ain't cutting, then I put 'em on foot patrol (let's go)
Choosing to ignore or reject women who he does not find attractive or who do not respond positively to his advances, describing it as putting them on foot patrol and moving on to other women instead.


How you like me now?
Asking rhetorically how others perceive his success and sexual prowess, suggesting that they are impressed and in awe.


When my pinky's valued over three hundred thousand
Indicating extreme wealth and success through the value of a single piece of jewelry, shown as a way to further boast and impress.


Let's drink, you the one to please (yeah)
Asking for a drink and offering to please whomever he is with or whoever he next encounters in order to continue the cycle of sexual interaction and pleasure seeking.


Ludacris fill cups like double D's (yeah!)
Comparing the size of cups, commonly used for drinking and serving, to the size and proportion of breasts, showing off his sexual confidence and bravado by conflating sex with alcohol consumption.


Me and Ursh' once more, and we leaves 'em dead (hey)
Working together with Usher, the performer and his partner are able to seduce and draw in women with such efficiency that they metaphorically leave them dead or thoroughly satisfied and unable to resist further advances.


We want a lady in the street but a freak in the bed that say
Describing the ideal combination of public respectability and sexual exploration, looking for women who are willing to engage in sexual activity but still maintain a level of dignity in public settings.


Take that and rewind it back
A call to repeat the previous musical and lyrical sequence, encouraging listeners to continue dancing and engaging with the song.


Lil Jon got the beat that make your booty go
Praising the musical abilities of Lil Jon and emphasizing that his beats are what are driving the energy and excitement in the club.


Usher got the voice to make your booty go
Complimenting Usher's vocals and implying that they have a similar impact on the audience, further amplifying the energy and excitement of the song and club environment.


Ludacris got the flow to make your booty go
Praising the musical abilities of Ludacris and emphasizing the rhythmic impact of his lyrics and presence, encouraging further dancing and engagement with the song.


Lil Jon got the beat that make your booty go
Repeating the praise of Lil Jon's musical abilities and once again encouraging listeners to continue dancing and engaging with the song in a physical way.




Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Christopher Bridges, James Phillips, Jonathan Smith, LaMarquis Jefferson, Patrick Michael Smith, Sean Garrett

Lyrics Licensed & Provided by LyricFind
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Comments from YouTube:

@shewlyzaman4088

April 2024 anyone?

@Ibrahimdxz11

Me

@emmahentila2336

Heyy

@shewlyzaman4088

@@Ibrahimdxz11 heyy

@shewlyzaman4088

@@emmahentila2336 what's up

@bouslhnesrine5791

Right here🎉

55 More Replies...

@undeadgrrhh

Even the aliens recognize this beat.

@ifellinlegos5491

the aliens will come to earth and all you will hear is
"yeah yeah yeah"

@izadoraboeiradasilva8190

Oi

@uHeckmann

this beat is dope af

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