Don't Let Go
Weezer/Musicfire.in Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

Ooh, whoa whoa, ooh, whoa whoa

Any time that you want
I'll be here in your arms
Silently holding on
To the girl with the charms

But if there comes a day
You should turn your heart away
I'll be down on my knees
Begging for that girl to stay

Don't let go
Ooh, whoa whoa
Don't let go
Ooh, whoa whoa

Anything you desire
I will set at your feet
With a kiss in the air
For the Gods to receive

But if there comes a day
You should turn your heart away
I'll be down on my knees
Begging for that girl to stay

Confrontations in my mind
Got me running out of time

Don't let go
Ooh, whoa whoa
Don't let go
Ooh, whoa whoa

But if there comes a day
You should turn your heart away
I'll be down on my knees
Begging for that girl to stay

Confrontations in my mind
Got me running out of time
Don't let go
Ooh, whoa whoa
Don't let go
Ooh, whoa whoa
Don't let go




Ooh, whoa whoa
Don't let go

Overall Meaning

The song Don't Let Go by Weezer/Musicfire.in is a declaration of love and devotion. The singer promises to always be there for the girl with the charms, holding her silently in his arms whenever she wants. He is willing to do anything for her, even if it means putting everything he has at her feet and begging her to stay if she ever decides to turn her heart away. The chorus is a plea for her not to let go, regardless of any confrontations or doubts in the singer's mind.


The lyrics of this song speak to the common human experience of wanting to be loved and needed. The singer relinquishes his power and control to the woman he loves, making her the priority in his life. This vulnerability and willingness to put his heart on the line shows his genuine feelings for her. The repetition of "don't let go" in the chorus emphasizes the fragility of the relationship, urging the girl to hold on to him and their love.


In summary, the song Don't Let Go is a declaration of love and devotion that speaks to the universal human experience of wanting to be loved and needed. The singer promises to always be there for the girl with the charms, willing to do anything for her and begging her to stay should she ever turn away. The chorus is a plea for her not to let go, despite any doubts or confrontations in their relationship.


Line by Line Meaning

Any time that you want
Whenever you need me, I will be here for you.


I'll be here in your arms
I will hold you close and comfort you when you need it.


Silently holding on
I will be here for you, without any words or actions, just my presence.


To the girl with the charms
This is dedicated to the girl who has captured my heart with her unique qualities and personality.


But if there comes a day
However, if there is a point in time when things change between us...


You should turn your heart away
...and you decide that you no longer feel the same about me.


I'll be down on my knees
I will humble myself and plead with you to stay.


Begging for that girl to stay
I will ask you to remain with me in any way possible.


Anything you desire
You can have whatever you want, and I will give it to you selflessly.


I will set at your feet
I will place everything you want right in front of you.


With a kiss in the air
And with a gesture of love and respect, I offer this to you.


For the Gods to receive
As an offering to the divine, to show how far I am willing to go for you.


Confrontations in my mind
My inner conflicts and struggles with uncertainty and fear are plaguing me.


Got me running out of time
These issues are consuming me and causing me to feel like I am quickly losing my grip.


Don't let go
Despite my fears, I am begging you to stay with me always.


Ooh, whoa whoa


Don't let go


Ooh, whoa whoa


Don't let go


Ooh, whoa whoa




Lyrics © Wixen Music Publishing
Written by: Rivers Cuomo

Lyrics Licensed & Provided by LyricFind
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Most interesting comments from YouTube:

@aphextwinkie410

I wanna gush for a minute about Twenty One Pilots and their attention to artistry. They aren't just making music, they're making pieces of visual art as well that vibrate colors and the colors are so palpable you can hear them in the music. Every time these guys have started a new era they made the vibe clear, and they made the color scheme just as clear.

The first video for Vessel was Holding Onto You. It was black-and-white, and used skeleton motifs and had felt very grounded and connected. The entire Vessel era was much of the same, with a huge emphasis placed on the group's newfound fan base and welcoming new members to their corner of music. It felt familial and the Holding Onto You video felt like much of the same in a strange, macabre way.

For Blurryface, Fairly Local's music video set the tone. Tyler and Josh were together for only a small portion of the video. In the rest they were isolated and trapped in some frozen purgatory. The only splashes of color were Tyler's beanie, Josh's hair, and some red lights during Tyler's second verse. Tyler wore the black paint for the first time ever in that music video, and the whole thing felt cold and isolated. That cold, snowy house felt lived in, and the moments of reprise were minimal as lights flickered and snow whipped up around the duo. And of course we cannot forget the inverted microphone which has remained a motif in their work.

Jumpsuit roared into high gear when introducing us to the Trench era. This desolate cliff side setting made the red of the bishop's clothes and the white horse he rode in on stand out. The bishop felt villainous, but as the banditos surrounded Tyler and the bishop, the sudden spreading of yellow flower petals gave a feeling of hope against what would otherwise a tale of hopelessness. Trench embodies this feeling, with themes of escape and rebellion, and the colors of yellow clashing against the harsh reds we once knew made the whole album breathe with an incredible story in its lungs.

Finally, we have Scaled and Icy. Relatively unassuming at first, but the presence of blue is very important. A light color that pairs very well with the beat to give off a bouncey feeling. However, right at the final chorus when Tyler almost seems to transport the camera into this swirling rainbow of vibrant pinks and yellows, and the song and music video roar to a crazed and upbeat finish, you feel happy and upbeat in a way that maybe no other twenty one pilots album has achieved. There is still a sinister edge to all of it, especially the bits with the Tyler and Josh clones and Trash, but this song is an undeniable ear worm. Scaled and Icy embodies the burst of energy and color that this video is, and the sinister edge that the group is known for still appears here and on the album as well.

TLDR; Twenty One Pilots manage to be just as great at art and visual storytelling in these music videos as they are with the music itself.



@alpret8031

When I get home
You better not be there, we're placing bets you won't
Shed your modesty
And the only thing to leave behind is your own skin
On the floor
Don't you shy away
Manifest a ceiling when you shy away
Searching for that feeling
Just like an "I love you" (ooh, ooh)
That isn't words (ooh, ooh)
Like a song he wrote, that's never heard
Don't you (sh)
When you get home
You barely recognize the pictures they put in a frame
'Cause you shed your modesty
Don't circle the track
Take what you have
And leave your skin on the floor
Don't you shy away
Manifest a ceiling when you shy away
Searching for that feeling
Just like an "I love you" (ooh, ooh)
That isn't words (ooh, ooh)
Like a song he wrote, that's never heard
When I get home
Boy, you better not be there, you're long gone
Shed your modesty
Don't circle the track
Just break the cycle in half
And leave your skin on the floor
Don't you shy away
Manifest a ceiling when you shy away
Searching for that feeling
Just like an "I love you" (ooh, ooh)
That isn't words (ooh, ooh)
Like a song he wrote
That's never heard
That's never heard
And I love you
There isn't words
Like a song he wrote
That's never heard
Don't you shy away



@doingrandomstuffwithminiz1524

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All comments from YouTube:

@SoKrispyMedia

We had a killer time doing the Visual Effects for this video! So pumped to see the final product!

@Trubactor

First

@omegadoesstuff6681

Yall did this WOW

@yadsewnde8699

It's awesome I tell you. Great job

@TheMangolorian

You guys smashed it. I am honestly so impressed. Will you guys be doing a behind the scenes video showing the process? As someone who is interested and am looking to possibly join the industry I’d love to see how you guys approach it

@camsheet4649

I love you

101 More Replies...

@aphextwinkie410

I wanna gush for a minute about Twenty One Pilots and their attention to artistry. They aren't just making music, they're making pieces of visual art as well that vibrate colors and the colors are so palpable you can hear them in the music. Every time these guys have started a new era they made the vibe clear, and they made the color scheme just as clear.

The first video for Vessel was Holding Onto You. It was black-and-white, and used skeleton motifs and had felt very grounded and connected. The entire Vessel era was much of the same, with a huge emphasis placed on the group's newfound fan base and welcoming new members to their corner of music. It felt familial and the Holding Onto You video felt like much of the same in a strange, macabre way.

For Blurryface, Fairly Local's music video set the tone. Tyler and Josh were together for only a small portion of the video. In the rest they were isolated and trapped in some frozen purgatory. The only splashes of color were Tyler's beanie, Josh's hair, and some red lights during Tyler's second verse. Tyler wore the black paint for the first time ever in that music video, and the whole thing felt cold and isolated. That cold, snowy house felt lived in, and the moments of reprise were minimal as lights flickered and snow whipped up around the duo. And of course we cannot forget the inverted microphone which has remained a motif in their work.

Jumpsuit roared into high gear when introducing us to the Trench era. This desolate cliff side setting made the red of the bishop's clothes and the white horse he rode in on stand out. The bishop felt villainous, but as the banditos surrounded Tyler and the bishop, the sudden spreading of yellow flower petals gave a feeling of hope against what would otherwise a tale of hopelessness. Trench embodies this feeling, with themes of escape and rebellion, and the colors of yellow clashing against the harsh reds we once knew made the whole album breathe with an incredible story in its lungs.

Finally, we have Scaled and Icy. Relatively unassuming at first, but the presence of blue is very important. A light color that pairs very well with the beat to give off a bouncey feeling. However, right at the final chorus when Tyler almost seems to transport the camera into this swirling rainbow of vibrant pinks and yellows, and the song and music video roar to a crazed and upbeat finish, you feel happy and upbeat in a way that maybe no other twenty one pilots album has achieved. There is still a sinister edge to all of it, especially the bits with the Tyler and Josh clones and Trash, but this song is an undeniable ear worm. Scaled and Icy embodies the burst of energy and color that this video is, and the sinister edge that the group is known for still appears here and on the album as well.

TLDR; Twenty One Pilots manage to be just as great at art and visual storytelling in these music videos as they are with the music itself.

@okaymate-

yeah no offence but i cba to read all that

@Bigchungusroadto500

Whoa...

@charliewilliams3849

Liking this because the amount of time it must’ve taken to type that

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