Whitney Woerz is an American singer-songwriter based in New York City, New … Read Full Bio ↴Whitney Woerz is an American singer-songwriter based in New York City, New York. She is currently signed with 10:22/Island Records, a sub-label of Universal Music Group. Her music career began with a poem written to a social media friend with suicidal thoughts. Light, positivity, and mental health continue to be prominent themes in her music.
Letting out jazzy runs, hypnotic hooks, and an unfiltered operatic scream from the gut, Whitney Woerz sparks a physical reaction with every performance in the studio and on stage. With over 135 million YouTube views, 20 million streams, and acclaim from Billboard, Vanyaland, and more, she traces her 2020 10:22pm/Island Records debut back to one such moment and a life-changing realization…
“I fell to the floor,” she recalls. “I discovered my voice, my sound, and my genre in one take. I realized I didn’t have to play by any rules. I could just sing what came naturally. Rather than just touching on it, I’m bringing out what’s underneath the feelings and the sadness. If you analyze my lyrics, they’re real. It’s music that might help you learn something about yourself.”
Whitney discovered herself through music. Singing before she could talk, she enrolled in vocal lessons as early as kindergarten before participating in her first musical, Joseph and the Amazing Technicolor Dreamcoat, a year later. Falling in love with performance, she continued to hone her voice through rigorous traditional training. Studying opera, lyrical, classical, and jazz, her range encompassed an expansive swath of styles.
Facing turmoil in school, she retreated into her art.
“In my hometown, everybody was skinny with straight blonde hair and played sports,” she says. “If you weren’t playing at a high level, you weren’t cool. I got bullied because I did performing arts. Can you believe that? At the time, I was bigger than everyone else and had curly hair. It could be really tough.”
She siphoned that struggle into songs. Retreating to Nashville with GRAMMY® Award-winning producer Glenn Rosenstein [Madonna, U2, Talking Heads], she recorded her independent Behind The Smile EP in 2016. Written after a friend admitted to suicidal intent during an online chat, the single “Ghost Story” took off as an anthem of encouragement and empowerment. Citing the song as “one of the most significant moments of my life, because my friend said it saved her,” the accompanying video went viral with 10 million-plus views. Bring Change 2 Mind—the organization founded by Academy® Award nominee Glenn Close—sought her out as an ambassador. Maintaining this momentum, “Love Me Not” racked up over 60 million YouTube views and 4.5 million Spotify streams in 2018. Along the way, she shared the stage with everyone from Jason Mraz and Jesse McCartney to Nina Nesbitt in addition to performing on The Today Show as Elvis Duran’s “Artist of the Month.” During 2019, she fully realized her sonic identity. Striking a balance between jazz phrasing, lo-fi production, and pop power, Whitney introduces a singular style on Sad Love.
“It’s pop fused with jazz influences and urban elements,” she explains. “It’s left-of-center, and it nods to everything I love. I grew up practicing opera. The theatricality is in there. I love standards by Ella Fitzgerald, Frank Sinatra, and Billie Holiday, so it has some of those elements. It’s quirky like me. I feel like what I’m doing now really represents who I am.”
The lead single and title track “Sad Love” tiptoes between airy keys and a glitchy beat as her soothing vocals give way to a sassy bridge. Meanwhile, her voice ascends to towering heights with an impassioned refrain, “Baby, that’s sad love,” backed by a revival-style call-and-response.
“I was with the only boyfriend I’ve ever had for my junior year of high school,” she remarks. “I was way too in love with him. He became my life. I didn’t even matter anymore. One day, he came over and he told me he didn’t love me anymore. Then, a few months later when I wrote ‘Sad Love,’ I wasn’t healed all the way. But, then I realized I wouldn’t be anywhere if he didn’t break my heart. I became so powerful in my mind that I took all of me back. I finally became myself again. It’s an oxymoron, but the sadness brought me to self-love. You have to break before you can grow.”
Elsewhere on the EP as her journey carried on, lithe guitar wraps entwine with swells of strings as her angelic delivery emanates through “Philophobia.” Once again, she makes a stark confession, “Philophobia means ‘fear of falling in love.’ I’m admitting that I’m scared of meeting my match, getting attached, and giving my heart without getting it back’.” The droning production of “Weirdos” gives way to a schizophrenic performance as her voice flutters between hushed verses and fits of triumphant as she declares, “The odd are getting even.”
“If you’re weird, embrace it,” she continues. “That’s the message of the song. Weird is the new cool. It’s our turn. Back in the day, I was bullied for theater and singing. I’m taking an awful time in my life and adding light again.”
In the end, Whitney might just move you emotionally, physically, and spiritually.
“I want you to take away positive energy, encouragement, and unconditional love,” she leaves off. “That’s the most important thing to me. I want to be a light in the world by being real.”
Letting out jazzy runs, hypnotic hooks, and an unfiltered operatic scream from the gut, Whitney Woerz sparks a physical reaction with every performance in the studio and on stage. With over 135 million YouTube views, 20 million streams, and acclaim from Billboard, Vanyaland, and more, she traces her 2020 10:22pm/Island Records debut back to one such moment and a life-changing realization…
“I fell to the floor,” she recalls. “I discovered my voice, my sound, and my genre in one take. I realized I didn’t have to play by any rules. I could just sing what came naturally. Rather than just touching on it, I’m bringing out what’s underneath the feelings and the sadness. If you analyze my lyrics, they’re real. It’s music that might help you learn something about yourself.”
Whitney discovered herself through music. Singing before she could talk, she enrolled in vocal lessons as early as kindergarten before participating in her first musical, Joseph and the Amazing Technicolor Dreamcoat, a year later. Falling in love with performance, she continued to hone her voice through rigorous traditional training. Studying opera, lyrical, classical, and jazz, her range encompassed an expansive swath of styles.
Facing turmoil in school, she retreated into her art.
“In my hometown, everybody was skinny with straight blonde hair and played sports,” she says. “If you weren’t playing at a high level, you weren’t cool. I got bullied because I did performing arts. Can you believe that? At the time, I was bigger than everyone else and had curly hair. It could be really tough.”
She siphoned that struggle into songs. Retreating to Nashville with GRAMMY® Award-winning producer Glenn Rosenstein [Madonna, U2, Talking Heads], she recorded her independent Behind The Smile EP in 2016. Written after a friend admitted to suicidal intent during an online chat, the single “Ghost Story” took off as an anthem of encouragement and empowerment. Citing the song as “one of the most significant moments of my life, because my friend said it saved her,” the accompanying video went viral with 10 million-plus views. Bring Change 2 Mind—the organization founded by Academy® Award nominee Glenn Close—sought her out as an ambassador. Maintaining this momentum, “Love Me Not” racked up over 60 million YouTube views and 4.5 million Spotify streams in 2018. Along the way, she shared the stage with everyone from Jason Mraz and Jesse McCartney to Nina Nesbitt in addition to performing on The Today Show as Elvis Duran’s “Artist of the Month.” During 2019, she fully realized her sonic identity. Striking a balance between jazz phrasing, lo-fi production, and pop power, Whitney introduces a singular style on Sad Love.
“It’s pop fused with jazz influences and urban elements,” she explains. “It’s left-of-center, and it nods to everything I love. I grew up practicing opera. The theatricality is in there. I love standards by Ella Fitzgerald, Frank Sinatra, and Billie Holiday, so it has some of those elements. It’s quirky like me. I feel like what I’m doing now really represents who I am.”
The lead single and title track “Sad Love” tiptoes between airy keys and a glitchy beat as her soothing vocals give way to a sassy bridge. Meanwhile, her voice ascends to towering heights with an impassioned refrain, “Baby, that’s sad love,” backed by a revival-style call-and-response.
“I was with the only boyfriend I’ve ever had for my junior year of high school,” she remarks. “I was way too in love with him. He became my life. I didn’t even matter anymore. One day, he came over and he told me he didn’t love me anymore. Then, a few months later when I wrote ‘Sad Love,’ I wasn’t healed all the way. But, then I realized I wouldn’t be anywhere if he didn’t break my heart. I became so powerful in my mind that I took all of me back. I finally became myself again. It’s an oxymoron, but the sadness brought me to self-love. You have to break before you can grow.”
Elsewhere on the EP as her journey carried on, lithe guitar wraps entwine with swells of strings as her angelic delivery emanates through “Philophobia.” Once again, she makes a stark confession, “Philophobia means ‘fear of falling in love.’ I’m admitting that I’m scared of meeting my match, getting attached, and giving my heart without getting it back’.” The droning production of “Weirdos” gives way to a schizophrenic performance as her voice flutters between hushed verses and fits of triumphant as she declares, “The odd are getting even.”
“If you’re weird, embrace it,” she continues. “That’s the message of the song. Weird is the new cool. It’s our turn. Back in the day, I was bullied for theater and singing. I’m taking an awful time in my life and adding light again.”
In the end, Whitney might just move you emotionally, physically, and spiritually.
“I want you to take away positive energy, encouragement, and unconditional love,” she leaves off. “That’s the most important thing to me. I want to be a light in the world by being real.”
Digital Booklet: NOW That's What I Call Music! Vol. 76
Whitney Woerz Lyrics
We have lyrics for these tracks by Whitney Woerz:
6 Second Love There's always a person that you don't know but you…
A Little Bit More fire escapes mixtapes and i don't and i don't and i don't…
Bigger Man Whoa-oh-oh-oh-oh Whoa-oh-oh-oh I have always took my seat Sc…
Care speak up speak up if you want what i want so…
Ghost Story Young girl Why you cryin' Sit me down Comfort my aches and p…
Idea of Her You like the idea of her Just the thought of beauty…
Jet Black Heart Everybody′s got their demons Even wide awake or dreaming I'm…
Little Bit More fire escapes mixtapes and i don't and i don't and i don't…
Loss and Love im okay i lie my eyes open wide didnt breathe loss…Love Me Not V1: she's madness but her name …
Monsters Oh How have we evolved monsters? Oh We were kids We were yo…
Renegades Run away-ay with me Lost souls in revelry Running wild and r…
Retrograde Feel stuck in the same old place When the world keeps…
Sad Love Roses were blue when I was with you And I never…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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