King Sunny Adé (Sunday Adeniyi, born 1946) is by far the most popular perfo… Read Full Bio ↴King Sunny Adé (Sunday Adeniyi, born 1946) is by far the most popular performer of Nigerian Jùjú music. With his band, King Sunny Ade and His African Beats, King Sunny Ade became an international star across Africa during the mid-1980s, touring and gaining a significant audience in the United States and Europe as well. He is known as the Minister of Enjoyment.
Born to a Nigerian royal family in Ondo, Ade left grammar school to pursue his career, which began with Moses Olaiya’s Federal Rhythm Dandies, a highlife band. He left to form The Green Spots in 1967. He formed a record label in 1974, fed up with being exploited by a major label. Beginning with Juju Music, Ade began gaining a wide following as Mango Records, a subsidiary of Island Records, released his albums. He was soon billed as the African Bob Marley, and headlined concerts in the US. Soon after, Nigerian imports (mostly pirated copies) of his massive back catalog began flooding the Western market. Island, concerned about sales and Adé’s refusal to include more English in his repertoire, cut him loose after his third LP, 1984’s Aura.
By the end of the 1980s, Ade’s star began to dim, and his albums sold less, though he continued to garner critical acclaim and widespread popularity in Africa. 1998’s Odu, a collection of traditional Yoruba songs, was nominated for a Grammy Award. He has also become one of the most powerful people in Nigeria, running multiple companies in several industries.
Born to a Nigerian royal family in Ondo, Ade left grammar school to pursue his career, which began with Moses Olaiya’s Federal Rhythm Dandies, a highlife band. He left to form The Green Spots in 1967. He formed a record label in 1974, fed up with being exploited by a major label. Beginning with Juju Music, Ade began gaining a wide following as Mango Records, a subsidiary of Island Records, released his albums. He was soon billed as the African Bob Marley, and headlined concerts in the US. Soon after, Nigerian imports (mostly pirated copies) of his massive back catalog began flooding the Western market. Island, concerned about sales and Adé’s refusal to include more English in his repertoire, cut him loose after his third LP, 1984’s Aura.
By the end of the 1980s, Ade’s star began to dim, and his albums sold less, though he continued to garner critical acclaim and widespread popularity in Africa. 1998’s Odu, a collection of traditional Yoruba songs, was nominated for a Grammy Award. He has also become one of the most powerful people in Nigeria, running multiple companies in several industries.
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Classics, Vol. 2: Ekilo Fomo Ode & the Way Forward
King Sunny Ade Lyrics
Ejire Ara Isokun Ejiré ara Isokun omo Edunjobi Bin bá bi ejiré o inu…
Ekilo Fomo Ode Awo re gungun lobirin le ṣe Awo gẹlẹdẹ lobirin le mọ Bi…
eni binu wa O jo 'ni wa aa o be enikan se ota…
Kosun Tadie Wan ran ′mọ lọ'ja Ko lo r′ori ọkà oni nọyin wa Wan…
Rod Publicity To ba fe polowo oja lona to ma mo wo…
Clarice
on Moti Mo
This was very helpful, thanks.
Iwaju
on Ekilo Fomo Ode
Each individual does their thing