Musica ad Rhenum has, since its founding in 1992, created a devoted followi… Read Full Bio ↴Musica ad Rhenum has, since its founding in 1992, created a devoted following in the musical world. The intensely personal and highly emotional style which characterizes the performances of the group has earned them a special place on the early music scene. "Exhilarating", "controversial", "virtuoso" and "cutting-edge" are words which critics have used to describe the highly-charged atmosphere the group has created in concert at festivals and halls throughout Europe, North and South America, Iceland, Israel and Japan.
Blending an informed historical perspective with a lively artistic spirit, balancing the intentions of the composer against the needs of the creative performer, Musica ad Rhenum aims to make an impact on the audience; to move, amuse and delight them, through the music itself. The essence of the artistic experience, the meeting of minds separated by centuries, the moving of passions felt by hearts now turned to dust, needs no frivolous trappings, no gimmicks. Musica ad Rhenum is convinced, and has convinced audiences around the world, that Baroque music is as strong, expressive and free as the performers themselves, and as relevant to the world today as it was when first composed.
With more than 30 CDs on the market, with prizes and recommendations to their credit and repeated invitations to perform in the most prestigious venues, Musica ad Rhenum has proven its merit. The group has performed at festivals in York, London, Graz, Antwerpen, Madrid, Berlin and Utrecht, and on the concerts series of Concertgebouw Amsterdam, Frick Museum New York, Wigmore Hall London, Philharmonie Berlin and both Musikhaus and Musikverein Vienna. The core activity of the group is the performance of 18th-century chamber music: most recently the group has specialised in French music, which they approach with the enthousiasm, style and sense of fun which characterizes all their work. Their success with this repertoire can perhaps be judged by their 2004 recording of the complete chamber music of François Couperin, which has been highly praised in the press and has sold more than 20,000 copies. However, Musica ad Rhenum is not soley a chamber music group. Traverso-player and founder Jed Wentz also conducts the orchestral formation in large-scale works, and recent recordings and staged performances of operas by Mozart, Purcell and Handel have been hailed by critics for their verve and freshness. Whether the repertoire be intimate chamber music or grand, tragic opera, a concert by Musica ad Rhenum is not soon to be forgotten.
Blending an informed historical perspective with a lively artistic spirit, balancing the intentions of the composer against the needs of the creative performer, Musica ad Rhenum aims to make an impact on the audience; to move, amuse and delight them, through the music itself. The essence of the artistic experience, the meeting of minds separated by centuries, the moving of passions felt by hearts now turned to dust, needs no frivolous trappings, no gimmicks. Musica ad Rhenum is convinced, and has convinced audiences around the world, that Baroque music is as strong, expressive and free as the performers themselves, and as relevant to the world today as it was when first composed.
With more than 30 CDs on the market, with prizes and recommendations to their credit and repeated invitations to perform in the most prestigious venues, Musica ad Rhenum has proven its merit. The group has performed at festivals in York, London, Graz, Antwerpen, Madrid, Berlin and Utrecht, and on the concerts series of Concertgebouw Amsterdam, Frick Museum New York, Wigmore Hall London, Philharmonie Berlin and both Musikhaus and Musikverein Vienna. The core activity of the group is the performance of 18th-century chamber music: most recently the group has specialised in French music, which they approach with the enthousiasm, style and sense of fun which characterizes all their work. Their success with this repertoire can perhaps be judged by their 2004 recording of the complete chamber music of François Couperin, which has been highly praised in the press and has sold more than 20,000 copies. However, Musica ad Rhenum is not soley a chamber music group. Traverso-player and founder Jed Wentz also conducts the orchestral formation in large-scale works, and recent recordings and staged performances of operas by Mozart, Purcell and Handel have been hailed by critics for their verve and freshness. Whether the repertoire be intimate chamber music or grand, tragic opera, a concert by Musica ad Rhenum is not soon to be forgotten.
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53Neuvième Concert, intitulé 'Ritratto dell'amore': I. Le Charme. Gracieusement et gravement1:36Musica ad Rhenum
55Neuvième Concert, intitulé 'Ritratto dell'amore': III. Les Grâces. Courante Française2:19Musica ad Rhenum
56Neuvième Concert, intitulé 'Ritratto dell'amore': IV. Le-je-ne-sçay-quoy. Gayement1:49Musica ad Rhenum
58Neuvième Concert, intitulé 'Ritratto dell'amore': VI. La noble Fierté. Sarabande. Gravement2:17Musica ad Rhenum
59Neuvième Concert, intitulé 'Ritratto dell'amore': VII. La Douceur. Amoureusement2:06Musica ad Rhenum
60Neuvième Concert, intitulé Ritratto dellamore: VIII. l'Et Coetera ou Menuets2:29Musica ad Rhenum
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Couperin: Concerts Royaux - Les Goûts-Réunis
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