James Carter cuts a mysterious figure to jazz insiders. Another unquestiona… Read Full Bio ↴James Carter cuts a mysterious figure to jazz insiders. Another unquestionably gifted player, the multi-instrumentalist suffered from the breakdown of Atlantic Records' jazz department in 2000. Present Tense (Emarcy, 2008) marked a welcome return to disc after three years, and he showcased material from the album during his late set on the Madeira stage. Carter captivated the audience with cheerful charisma in the opening moments, before launching into a Sidney Bechet tune on which his vivacious soprano wove an intricate web of dazzling ideas. He quickly established a penchant for volatile, expressive howls and honks that were perfectly placed within the context of every solo alongside many more innovative sonic devices. Tracks from the album such as "Bossa JC," "Bro. Dolphy" (a leading feature on bass clarinet) and the gut-busting "Hymn of the Orient" were all given similar treatment. Apart from the startling degree of virtuosic control on each instrument he picked up, Carter's magnanimity also shone. All members of the band were given unlimited opportunity to display their considerable skills, with the saxophonist even sitting out on a ballad so young trumpeter Curtis Taylor could take the lead. With this triumphant return to touring, James Carter has reminded the jazz world of his place at the zenith of leading saxophonists.