Homeshake
When you walk alone, you’re never lost. At least, that’s the operating principle behind Homeshake, the recording project of Peter Sagar. Over his first three albums, Sagar followed his own idiosyncratic vision, a journey that’s taken him from sturdy guitar-based indie-pop to, on 2017’s Fresh Air, a bleary-eyed take on lo-fi R&B. Now, with Helium, Sagar is putting down roots in aesthetic territory all his own. Landscape that he once viewed from a distance now forms the bedrock of his sound Read Full BioWhen you walk alone, you’re never lost. At least, that’s the operating principle behind Homeshake, the recording project of Peter Sagar. Over his first three albums, Sagar followed his own idiosyncratic vision, a journey that’s taken him from sturdy guitar-based indie-pop to, on 2017’s Fresh Air, a bleary-eyed take on lo-fi R&B. Now, with Helium, Sagar is putting down roots in aesthetic territory all his own. Landscape that he once viewed from a distance now forms the bedrock of his sound, and from here, he looks back out at the world as if through a light fog, composing songs that feel grounded and intimate, even as they explore a dispersed feeling of isolation.
It’s a feeling that comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Sagar began writing Helium shortly after completing Fresh Air, and in the middle of what he calls a “binge” reading of Haruki Murakami. It’s not hard to picture the narrator of these songs as a distinctly Murakamian character: He moves through time by himself, bemused by and insulated from a world he doesn’t quite seem to have been made for. Everyone Sagar encounters here — including himself — seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream.
Which isn’t to say that Sagar is unmoored in his own world. In fact, much of Helium is the result of what he calls “a much clearer mental state” than the one he’d experienced shortly following Fresh Air’s completion. “I had a better idea of the sound that was working for this record and what it was turning into as I was writing the songs,” he says. That’s owing in part to the album’s genesis. Where his previous three records were recorded directly to one-inch tape in a local studio, Helium was recorded and mixed by Sagar alone in his apartment in Montreal’s Little Italy neighborhood between April and June of this year. Freed of the rigid editing process he’d endured before, he was able to lose himself in pursuit of tone and texture. “I didn’t have to book time, compete for good hours, wait on availability. I did a lot of it at home in the middle of the night,” he says. “It made me get more obsessive about details.”
A budding interest in ambient and experimental music — particularly Visible Cloaks, DJ Rashad, and Jlin — pushed him to tinker with the micro-sounds that surround the songs here. It’s a process he found creatively invigorating; even the tinkling boom-bap of Young Thug informs “All Night Long.” It’s a far cry from the chorus-laden guitars of his earlier work. “Ever since I started introducing synthesizers into my music, I’ve gotten more interested in texture,” he says. “I’d hit a creative dead end [with guitars], so synths took over.” The warm chords of a Roland Juno 60 form the album’s base, and gave him a clean palette with which to work. “No tape hiss, no humming power outlets and shitty mixing boards,” as he puts it. “Everything just came out nice and pure.”
Still, for all the growth it demonstrates and the ways it luxuriates in its discoveries, Helium is at its core a record that isn’t beholden to any particular set of sounds, textures, or instruments to get its point across. In that sense, it feels closer to the bone, at once assured of its vision and remarkably vulnerable. It’s perhaps our purest view yet of Homeshake’s home country.
It’s a feeling that comes through not only in the gauziness of the production, but also in the vulnerability of the songs themselves. Sagar began writing Helium shortly after completing Fresh Air, and in the middle of what he calls a “binge” reading of Haruki Murakami. It’s not hard to picture the narrator of these songs as a distinctly Murakamian character: He moves through time by himself, bemused by and insulated from a world he doesn’t quite seem to have been made for. Everyone Sagar encounters here — including himself — seems to be a step removed from present reality, whether by technology (“Anything At All”), solitude (“Just Like My”), or sweet fantasy (“Like Mariah”). The record is stitched together by a series of instrumental interludes, synthesizer explorations whose haziness adds to the suspicion that this is all an uncanny dream.
Which isn’t to say that Sagar is unmoored in his own world. In fact, much of Helium is the result of what he calls “a much clearer mental state” than the one he’d experienced shortly following Fresh Air’s completion. “I had a better idea of the sound that was working for this record and what it was turning into as I was writing the songs,” he says. That’s owing in part to the album’s genesis. Where his previous three records were recorded directly to one-inch tape in a local studio, Helium was recorded and mixed by Sagar alone in his apartment in Montreal’s Little Italy neighborhood between April and June of this year. Freed of the rigid editing process he’d endured before, he was able to lose himself in pursuit of tone and texture. “I didn’t have to book time, compete for good hours, wait on availability. I did a lot of it at home in the middle of the night,” he says. “It made me get more obsessive about details.”
A budding interest in ambient and experimental music — particularly Visible Cloaks, DJ Rashad, and Jlin — pushed him to tinker with the micro-sounds that surround the songs here. It’s a process he found creatively invigorating; even the tinkling boom-bap of Young Thug informs “All Night Long.” It’s a far cry from the chorus-laden guitars of his earlier work. “Ever since I started introducing synthesizers into my music, I’ve gotten more interested in texture,” he says. “I’d hit a creative dead end [with guitars], so synths took over.” The warm chords of a Roland Juno 60 form the album’s base, and gave him a clean palette with which to work. “No tape hiss, no humming power outlets and shitty mixing boards,” as he puts it. “Everything just came out nice and pure.”
Still, for all the growth it demonstrates and the ways it luxuriates in its discoveries, Helium is at its core a record that isn’t beholden to any particular set of sounds, textures, or instruments to get its point across. In that sense, it feels closer to the bone, at once assured of its vision and remarkably vulnerable. It’s perhaps our purest view yet of Homeshake’s home country.
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Every Single Thing
by Homeshake
(Hey, are you even paying attention to me right now?)
Every single thing that I shouldn't do
Seems to come so natural
I don't know 'bout you
Feeling so out of touch
Staying inside too much
Introducing all these hands but I'm out of luck
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Is there anything you need?
Make you feel more comfortable
Put your mind at ease
So what do I do instead?
When I think about every single thing
Nodding through my head
Keeping me inside
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Lyrics © Kobalt Music Publishing Ltd., SC PUBLISHING DBA SECRETLY CANADIAN PUB.
Written by: Peter J. Sagar
Lyrics Licensed & Provided by LyricFind
by Homeshake
(Hey, are you even paying attention to me right now?)
Every single thing that I shouldn't do
Seems to come so natural
I don't know 'bout you
Feeling so out of touch
Staying inside too much
Introducing all these hands but I'm out of luck
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Is there anything you need?
Make you feel more comfortable
Put your mind at ease
So what do I do instead?
When I think about every single thing
Nodding through my head
Keeping me inside
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to you
Thought it'd be easier
For me to think of her
I was dreaming as you spoke and not listenin' to
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Every single thing
Lyrics © Kobalt Music Publishing Ltd., SC PUBLISHING DBA SECRETLY CANADIAN PUB.
Written by: Peter J. Sagar
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Abusing Tylenol
Just go to sleep homie...
She’s probably not thinking of you
Nicolas Zanardo
Get ya, just lost another girl within 3 years (two years ago I listened to this song once a day during a month), and now I’m back to warm myself up from this lost love
Mario 1212
Damn felt that
DumbSkitKed
You've done this for like every Sad song I listen to.... I get it
angie almaguer
AbusingTylenol she wasnt
Majou
dog at the end: hey, are you even paying attention to me right now?
YUXIN PENG
hhhhhhaahha
Emily Solis
Majou im dead💀💀💀💀😹😹😹
katarina
the dog is so confused hahah
Bella Sativa
honestly, I'm the dog in life