Nigel Hayes
As a teenager, Nigel Hayes began DJ-ing and soon started his own weekly jaz… Read Full Bio ↴As a teenager, Nigel Hayes began DJ-ing and soon started his own weekly jazz-funk/rare groove party Tasty Jam which featured guests such as Gilles Peterson, Norman Jay, Nicky Holloway and Jasper the Vinyl Junkie. A short stint in Rimini, Italy followed where Nigel played the Blue Note, Cellophane and his own boat parties, Rimini Afterhours. But it was his move to Glasgow where he quickly secured residencies at the Sub Club with Harri, Rain with Nick Peacock, The Arches and The Tunnel that established Nigel on the DJ circuit. He inaugurated the New York house/disco/soul flavored Liberty City with fellow Bomba Records colleague Colin Gate of Deep Sensation.
This time also saw the start of Nigelβs recording career when he and Lars Sandberg (AKA Funk dβVoid) formed Chaser with the jazz/techno chart-topper βSides of Ironβ on Soma as their debut. They then scored the award-winning film βDead Eye Dickβ for Film on Four and followed up with the Soma EP βLife in Loisaidaβ.
Simultaneously, Nigel was working with Prescription/Fragile recording artist Abacus (Austin Bascom, A:xus). They debuted as Charly Brown on Chicagoβs Guidance Records with βTwilight Zoneβ/βSub Clubβ followed by βFreaked Outβ/βMy Planet Rocksβ. After a few live performances in Glasgow, he made the big leap across the pond to New York City.
While managing the record store Dance Tracks in New York, Nigel continued to record for Guidance Records, played underground parties, and did regular guest spots on WNYU 89.1FM. Soon after, he and Lars recorded Chasersβ debut album βGame Onβ which was released in 1999 and garnered critical acclaim in the music press and received major support from DJs such as Gilles Peterson, Ross Allen, Bob Jones, Jazzanova and Ashley Beedle. It also landed them a remix for Marcel on Nuphonic, inclusions on Compost Recordsβ βFuture Sound of Jazzβ series, Schemaβs βBreak n Bossaβ and Darren Emersonβs βGlobal Undergroundβ. They also performed numerous live sets including their debut at Barcelonaβs Sonar Festival for an audience of 10,000 and Roskilda in Copenhagen. They are currently working on their second album for Soma.
Since his relocation to London, Nigel has recorded as The Prophet for Black Jesus with two singles: βLook to the Lightβ and βWhen You Find Loveβ. He has launched his own label Twilight, for which he has recorded as Mutant Jazz with βShades of Redβ, Charleyβs Vault with βHear My Answerβ/βLike I Like Itβ and Caligula with βI Want Youβ. Charleyβs Vault has been included on several compilations including the βMixmag October 2000β and βTyrantβ.
In October 2000, Nigel released his first solo album for Sunshine Enterprises in Vienna. βBut Is It Art?β has since topped the Austrian radio playlists and has amassed major press support. The first single βI Am The Instrumentβ/βShriekβ has been receiving play from all the right people. He has also released βQue Pasaβ/βFonky Musicβ the debut release for American record label Contrast Recordings.
Two years after his stunning debut βBut Is It Art?β on Sunshine Enterprises and after moving from London to Barcelona Nigel Hayes is back again on the plateau with his full length album : βItβs your moveβ.
βItβs your moveβ features 11 tracks of gorgeous, lush music, embracing elements of house, funk, dub, Latin, Afro and jazz, all woven into a rich tapestry. It has a richness of sound enhanced by the use of live musicians given the space and time to express themselves. But at the center of it all stands the figure of Hayes shaping the sound and pushing things forward like an orchestral conductor. Nigel delivered the goods again! βItβs your moveβ, includes single tracks such as βAugustusβ, βMoving Onβ and βManipulationβ.
Since October 2003 Nigel is member of the resident DJ-pool at the Passage, Viennaβs club #1 in these days and he is still playing internationally in places such as the U.S.A., Canada, Germany, Russia, Austria, France, Sweden, Iceland, Belgium, Finland, Norway, Denmark, Spain, Hungary, Bulgaria, Slovakia and Czech Republic.
This time also saw the start of Nigelβs recording career when he and Lars Sandberg (AKA Funk dβVoid) formed Chaser with the jazz/techno chart-topper βSides of Ironβ on Soma as their debut. They then scored the award-winning film βDead Eye Dickβ for Film on Four and followed up with the Soma EP βLife in Loisaidaβ.
Simultaneously, Nigel was working with Prescription/Fragile recording artist Abacus (Austin Bascom, A:xus). They debuted as Charly Brown on Chicagoβs Guidance Records with βTwilight Zoneβ/βSub Clubβ followed by βFreaked Outβ/βMy Planet Rocksβ. After a few live performances in Glasgow, he made the big leap across the pond to New York City.
While managing the record store Dance Tracks in New York, Nigel continued to record for Guidance Records, played underground parties, and did regular guest spots on WNYU 89.1FM. Soon after, he and Lars recorded Chasersβ debut album βGame Onβ which was released in 1999 and garnered critical acclaim in the music press and received major support from DJs such as Gilles Peterson, Ross Allen, Bob Jones, Jazzanova and Ashley Beedle. It also landed them a remix for Marcel on Nuphonic, inclusions on Compost Recordsβ βFuture Sound of Jazzβ series, Schemaβs βBreak n Bossaβ and Darren Emersonβs βGlobal Undergroundβ. They also performed numerous live sets including their debut at Barcelonaβs Sonar Festival for an audience of 10,000 and Roskilda in Copenhagen. They are currently working on their second album for Soma.
Since his relocation to London, Nigel has recorded as The Prophet for Black Jesus with two singles: βLook to the Lightβ and βWhen You Find Loveβ. He has launched his own label Twilight, for which he has recorded as Mutant Jazz with βShades of Redβ, Charleyβs Vault with βHear My Answerβ/βLike I Like Itβ and Caligula with βI Want Youβ. Charleyβs Vault has been included on several compilations including the βMixmag October 2000β and βTyrantβ.
In October 2000, Nigel released his first solo album for Sunshine Enterprises in Vienna. βBut Is It Art?β has since topped the Austrian radio playlists and has amassed major press support. The first single βI Am The Instrumentβ/βShriekβ has been receiving play from all the right people. He has also released βQue Pasaβ/βFonky Musicβ the debut release for American record label Contrast Recordings.
Two years after his stunning debut βBut Is It Art?β on Sunshine Enterprises and after moving from London to Barcelona Nigel Hayes is back again on the plateau with his full length album : βItβs your moveβ.
βItβs your moveβ features 11 tracks of gorgeous, lush music, embracing elements of house, funk, dub, Latin, Afro and jazz, all woven into a rich tapestry. It has a richness of sound enhanced by the use of live musicians given the space and time to express themselves. But at the center of it all stands the figure of Hayes shaping the sound and pushing things forward like an orchestral conductor. Nigel delivered the goods again! βItβs your moveβ, includes single tracks such as βAugustusβ, βMoving Onβ and βManipulationβ.
Since October 2003 Nigel is member of the resident DJ-pool at the Passage, Viennaβs club #1 in these days and he is still playing internationally in places such as the U.S.A., Canada, Germany, Russia, Austria, France, Sweden, Iceland, Belgium, Finland, Norway, Denmark, Spain, Hungary, Bulgaria, Slovakia and Czech Republic.
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