Songs: Ohia
Songs: Ohia was largely a solo project for singer-songwriter Jason Molina (December 30, 1973 – March 16, 2013). Critics and fans alike have found considerable difficulty in trying to define the band's sound, usually settling on more general labels such as indie rock and folk-rock. Most are quick to draw comparisons to Neil Young and Will Oldham, (the latter of which Molina has collaborated with, alongside Alasdair Roberts, as the Amalgamated Sons of Rest). Read Full BioSongs: Ohia was largely a solo project for singer-songwriter Jason Molina (December 30, 1973 – March 16, 2013). Critics and fans alike have found considerable difficulty in trying to define the band's sound, usually settling on more general labels such as indie rock and folk-rock. Most are quick to draw comparisons to Neil Young and Will Oldham, (the latter of which Molina has collaborated with, alongside Alasdair Roberts, as the Amalgamated Sons of Rest). Molina died aged 39 on March 16, 2013, in Indianapolis as a result of alcohol abuse-related organ failure. Henry Owings, a friend of the musician, published an article on his online music magazine Chunklet that said Molina had struggled with alcoholism for most of the decade leading up to his death.
Molina was born in Lorain, Ohio and attended Oberlin College. After playing bass guitar in various heavy metal bands in and around Cleveland, Ohio, Molina made the decision to become a solo artist, recruiting other musicians as needed. He made several home recordings under various names, including Songs: Albian, Songs: Radix, and Songs: Unitas, which he distributed himself at live performances. Molina's first release under the Songs: Ohia moniker came in 1996 as a single on Palace Records, Nor Cease Thou Never Now. This was followed by the 1997 full-length album Songs: Ohia (known among fans as the Black Album), released on the Bloomington, Indiana-based label Secretly Canadian, the label on which Molina has remained since. Though the band is still virtually unknown in the mainstream, 2002's Didn't It Rain garnered widespread critical acclaim with the indie community throughout the United States, and is arguably the group's most popular album. He also released Axxess and Ace and The Ghost both in 1999. 2000 saw the release of the "passionate" album The Lioness and the very sparse Ghost Tropic.
The release of Magnolia Electric Co. in 2003 marked a shift in direction for Songs: Ohia. Several major differences set this album apart from previous Songs: Ohia releases. Firstly, the album, recorded with renowned producer/engineer Steve Albini, is the most upbeat and straightforward rock album in the Songs: Ohia catalogue. Every song was recorded live in the studio with a full band. The album's sound draws heavily from the Southern rock and folk-rock of the 1960s and 70s, as well as, to some degree, Molina's heavy metal roots (British metal pioneers Black Sabbath are often cited as one of Jason Molina's biggest influences). For the first time, Magnolia Electric Co. sees Molina relinquishing vocal duties on two of the eight tracks; Lawrence Peters lends his voice to "The Old Black Hen", while fellow Secretly Canadian artist Scout Niblett takes over on "Peoria Lunch Box Blues" (both songs were written by Molina).
From 2003 on Molina buried the moniker Songs: Ohia, to go on under the name Magnolia Electric Co. which he used he for his full band records up until his death. Jason Molina died March 16th 2013 of natural causes at age 39.
http://www.last.fm/music/Magnolia+Electric+Co./+wiki
Molina was born in Lorain, Ohio and attended Oberlin College. After playing bass guitar in various heavy metal bands in and around Cleveland, Ohio, Molina made the decision to become a solo artist, recruiting other musicians as needed. He made several home recordings under various names, including Songs: Albian, Songs: Radix, and Songs: Unitas, which he distributed himself at live performances. Molina's first release under the Songs: Ohia moniker came in 1996 as a single on Palace Records, Nor Cease Thou Never Now. This was followed by the 1997 full-length album Songs: Ohia (known among fans as the Black Album), released on the Bloomington, Indiana-based label Secretly Canadian, the label on which Molina has remained since. Though the band is still virtually unknown in the mainstream, 2002's Didn't It Rain garnered widespread critical acclaim with the indie community throughout the United States, and is arguably the group's most popular album. He also released Axxess and Ace and The Ghost both in 1999. 2000 saw the release of the "passionate" album The Lioness and the very sparse Ghost Tropic.
The release of Magnolia Electric Co. in 2003 marked a shift in direction for Songs: Ohia. Several major differences set this album apart from previous Songs: Ohia releases. Firstly, the album, recorded with renowned producer/engineer Steve Albini, is the most upbeat and straightforward rock album in the Songs: Ohia catalogue. Every song was recorded live in the studio with a full band. The album's sound draws heavily from the Southern rock and folk-rock of the 1960s and 70s, as well as, to some degree, Molina's heavy metal roots (British metal pioneers Black Sabbath are often cited as one of Jason Molina's biggest influences). For the first time, Magnolia Electric Co. sees Molina relinquishing vocal duties on two of the eight tracks; Lawrence Peters lends his voice to "The Old Black Hen", while fellow Secretly Canadian artist Scout Niblett takes over on "Peoria Lunch Box Blues" (both songs were written by Molina).
From 2003 on Molina buried the moniker Songs: Ohia, to go on under the name Magnolia Electric Co. which he used he for his full band records up until his death. Jason Molina died March 16th 2013 of natural causes at age 39.
http://www.last.fm/music/Magnolia+Electric+Co./+wiki
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Farewell Transmission
Songs: Ohia Lyrics
The whole place is dark
Every light on this side of the town
Suddenly it all went down
Now we'll all be brothers of the fossil fire of the sun
Now we will all be sisters of the fossil blood of the moon
Someone must have set us up
Now they'll be working in the cold grey rock,
Now they'll be working in the hot mill steam,
Now they'll be working in the concrete
In the sirens and the silences now all the great set up hearts -
All at once start to beat
After tonight if you don't want us to be a secret out of the past
I will resurrect it, I'll have a good go at it
I'll streak his blood across my beak and dust my feathers with his ashes
I can feel his ghost breathing down my back
I will try and know whatever I try, I will be gone but not forever
I will try and know whatever I try, I will be gone but not forever
The real truth about it is no one gets it right
The real truth about it is we're all supposed to try
There ain't no end to the sands I've been trying to cross
The real truth about it is my kind of life's no better off
If I've got the maps or if I'm lost
We will try and know whatever we try,
We will be gone but not forever
Come on let's try will try and know whatever we try,
We will be gone but not forever
The real truth about it is there ain't no end to the desert I'll cross
I've really known that all along
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Mama here comes midnight with the dead moon in its jaws
Must be the big star about to fall
Long dark blues
Will o the wisp
The big star is falling
Through the static and distance
A farewell transmission
Listen
Lyrics © SC PUBLISHING DBA SECRETLY CANADIAN PUB., Kobalt Music Publishing Ltd.
Written by: Jason Molina
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
spaceburgers
they say you have two deaths; the day your heart stops beating, and the day some one says your name for the last time.
Matthew Pajdzik
Fuck
J S
Jesus will never stop saying our names
Chop Wood
@David Morash not Jason
Will Marshall
Pretty crazy!
Jmeister14
this fucked me up
Kreutz
This song was recorded with 12 people in one room, live, unrehearsed, and in one take.
Steve Philbrick
@Work Account There are quite a few videos (and the aforementioned book) about Jason Molina's recording process. He would write out the chord changes, and any singer would obviously have "when to sing" on their hand-written cheatsheet, but the live part, mostly unrehearsed is how he recorded. If they didn't get the song in just a couple of takes, then he would move on...often never to return to the song. Kind of amazing, if you ask me.
Sam Raynard
This one comment has created a seven year conversation.
Veinytriumphant barstard
@Corin Tibbetts-Harlow how do you synchronise singing with back up singers 'unrehearsed' genuis. read the book. it's out.