Décalé Gwada
Jessy Matador Lyrics

El matador de la selesla kimpala kimpala
The author of this song is a 'matador' who belongs to a place called Selesla and is making music in a genre called kimpala kimpala.

décalé gwada vou alé ou pa vou alé dansé
The song is called 'Décalé Gwada,' inviting the listener to come and dance to its tune.

O lo cotomo colo colo colo colo cotomo colo
The author is showcasing their musical skills by singing intricate sounds such as 'cotomo' and 'colo.'

a si komo kaché komo kaché komo kaché a zigidin
Through the sounds of 'komo kaché' and 'zigidin,' the song builds up its rhythm and beat.

Chélébouka, chélébouka chéléboukatou, kdzéguédéee
The lyrics present made-up and fun-sounding words like 'chélébouka' and 'kdzéguédéee' to add to the playful nature of the song.

Tda,toumé, tda toumé, tsa,mtsa ka zéguedé taktak dzégué taktak
Similar to the previous line, the song introduces more made-up words like 'tda,' 'toumé,' and 'zéguedé taktak dzégué taktak' to build up its playful nature even further.

On est là pour faire le show
The song is about putting on a show for the audience.

Est-ce que vous voulez chauffer
The artist is asking whether the audience wants to get hyped up for the show ahead.

On est pour metre l'ambience
The artist's aim is to create a lively and fun atmosphere for everyone to enjoy.

Est-ce que vous voulez danser
The artist encourages the audience to dance and enjoy the music.

Alez décalé-gwada sou,sou
The lyrics repeat the song's title and encourage the audience to move their bodies and dance to its rhythm.

Ka décalé-gwada,décalé-gwada
The phrase 'ka décalé-gwada' further emphasizes the song's title while encouraging everyone to dance to it.

On va,décalé-gwada sou,sou ka décalé-gwada,décalé-gwada
The artist continues the chant for the audience to 'décalé-gwada' by repeating it over and again in several variations of the same phrase.

Méé Haa é saka maché doudou
The song introduces a new line, 'Haa é saka maché doudou,' a new phrase that plays on the song's playful and fun nature.

Hein,koba peti calin partou
The artist presents a playful line, introducing a 'calin,' or a hug, to further enhance the flirty nature of the song.

É saka maché doudou
The phrase, 'É saka maché doudou,' is repeated over and again in the song to further emphasize its playfulness and fun nature.

Koba peti doudou
The artist continues with the flirty theme of the song by mentioning a 'peti doudou,' or small toy, as a term of endearment.

Alé konami,tsonami,konami Tsonami,konamie,tsonami, ko
The song introduces a new set of phrases, 'konami' and 'tsonami,' to build up its rhythm and beat.

Ha caméra,caméra filmé Ha caméra,caméra zoumé Ha caméra,camera filmé Caméra tourné,caméra zoumé
The artist uses the phrases 'caméra filmé' and 'caméra zoumé' to describe how they are filmed and zoomed in with a camera during the show.

Alez tourné bébé A tourné bébé, a tourné bébé
The song invites everyone to turn and move, repeatedly chanting the phrase 'tourné bébé.'

A daléla daléla Daléla daléla, daléla henn
The song introduces a set of repetitive chants like 'daléla daléla' and 'daléla henn' to build up the audience's energy and engagement.

A chokanawa, choké A chokanawa, kodiwiii Ko chokanawa choké Chokanawa choké Alé konawa choo, kanawa choo Kanawa choo, kodiwiii Ko cho, kanawa cho kanawa cho
Similar to the previous line, the artist uses a set of repetitive phrases like 'chokanawa' and 'kanawa choo' to add to the song's playful nature.

Tout le monde On va laissé passé Ka na fatigué Kalikoté Faut pa te facher
The song uses phrases like 'On va laissé passé' to encourage everyone to relax and enjoy the show without getting angry or frustrated.

Toi la,toi la,toi la, toi la
The author highlights a person in the audience, repeatedly calling out 'Toi la,' as a form of engagement and interaction with the listeners.

Tu a koa Toi la,toi la,toi la,toi la Tu a koa
The phrase 'Tu a koa' is used here to ask the person what they are up to or what they want to do next.

Alé piton, alé piton, alé piton
The author invites everyone to come forward and dance by saying 'Alé piton, alé piton.'

Alé montre moi ta tete de piton
The song encourages everyone to come forward and show their 'tete de piton.'

Faut pas fuire Ya pa serpent Alé montre ta tete de piton Alé piton, alé piton
The author encourages everyone not to be afraid by saying there are no snakes around, repeating the phrases 'Alé montre ta tete de piton' and 'Alé piton.'

On va r'gardé Gauche,droite Centre,pied Alé dansé le dindon Dansé le dindon Dansé le dindon
The song describes a dance routine in which the audience moves their bodies and limbs to the left, right, center, and to their feet, while repeating the phrase 'Dansé le dindon.'

Kabata zouuu Mamahéé safé mal Mamahé esala pasi Mamahé safé mal Mamahé
The song introduces a new line, 'Kabata zouu,' and repeats 'Mamahé' several times, using it as a chant and to build up its beat and rhythm.

Kéyo ko sokanilé Yéba yéba yéba hé Kitoko lamou sapa hié Yéba,yabé, yabé hé
The author introduces another set of repetitive phrases like 'Kitoko lamou sapa hié' and 'Yéba yéba yéba hé' to add to the song's energy and playful nature.

On va démaré C'est gagné Yéba, yéba, yaba, héé
The song uses the phrase 'On va démaré' to indicate the start of something, while saying 'C'est gagné' to indicate a victory or success. The phrase 'Yéba, yéba, yaba, héé' is used repeatedly to enhance the song's playful nature at the end.