Ratzinger was the creative force behind Wumpscut, occasionally employing the help of others as guest artists. Ratzinger cites the influence of such bands as Leæther Strip as his reason for making the transfer from DJing to recording music.
The release of the song "Soylent Green", which is named after the 1973 movie and also contains audio samples from the German dubbed version, first attracted attention to Wumpscut. Since its release in 1993, it has become a frequently played song at events and clubs in the gothic and industrial subcultures and its associated splinter groups, both in Germany and the United States.
So far Ratzinger has published numerous recordings and remixes for other artists. Wumpscut is also very well known for elaborate box set releases including limited versions of a CD or LP release in a box with additional and often also limited bonus material (bonus tracks,energy drinks, posters, pins, stickers, bags, flags, etc.). Wumpscut albums are reissued regularly with variant artworks and occasionally bonus tracks. Standalone merchandise is also available such as caps, mugs, etc.
Studio Albums
* Music for a Slaughtering Tribe (1993)
* Music for a Slaughtering Tribe II (1997 - features revised track order and remix CD)
* Bunkertor 7 (1995) (released as 'Bunker Gate 7' in USA)
* Embryodead (1997)
* Boeses Junges Fleisch (1999) (released as 'Eevil Young Flesh' in USA)
* Wreath of Barbs (2001)
* Bone Peeler (2004)
* Evoke (2005)
* Cannibal Anthem (2006)
* Body Census (2007)
* Schädling (2008)
* Fuckit (2009)
* Siamese (2010)
* Schrekk & Grauss (2011)
* Women And Satan First (2012)
* Madman Szpital (2013)
* Bulwark Bazooka (2014)
* Blutspuker Tavern (2015)
* Wüterich (2016)
Compilations
* Mesner Tracks (1996)
* Born Again (1997)
* Dried Blood of Gomorrha (1997)
* Blutkind (2000)
* Liquid Soylent (2002)
* Preferential Legacy - Music For A German Tribe (2003)
* Killer Archives (2006)
* Innerfire (2017)
Singles and EPs
* Dried Blood (1994)
* Gomorra, (1994)
* Totmacher (1999) (released as 'Deadmaker' in USA)
* Ich Will Dich (1999) (released as 'I Want You' in USA)
* Deliverence (2001)
* Wreath of Barbs (2002) (initially 2 CD singles - issued in 2003 as single CD)
* Blondi (2005)
* Jesus Antichristus & Die Liebe (2006)
Demos and Limited Releases
* Defcon (1991) (self-released cassette)
* Small Chambermusicians (1992) (self-released cassette)
* Smell the Disgusting Sweet Taste of Dried Blood (1994) (limited vinyl single)
* The Oma Thule Single (1995) (limited vinyl single)
Bam Bam
:Wumpscut: Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bambam
Tati bambam
The lyrics of Wumpscut's song Bambam explore the themes of eternal life and the desire to fully know and consume human flesh. The opening line "Wir haben die Ewigkeit" (We have eternity) sets the tone for the song, suggesting a supernatural or otherworldly perspective. The lyrics then suggest that the singer is interested in getting to know someone's flesh intimately, using the phrase "um dein Fleisch kennenzulernen" (to get to know your flesh). The repetition of "Bambam" and "Tati bambam" throughout the song adds to the sense of urgency and intensity surrounding this desire.
The lyrics of Bambam can be interpreted in a number of ways. Some listeners might see them as a metaphor for sexual desire or obsession, while others might interpret them more literally as a kind of cannibalistic craving. One key element of the lyrics is the idea of eternity, which raises questions about the nature of desire and the consequences of pursuing it without limits. Overall, the lyrics of Bambam are dark and unsettling, and they provoke strong reactions from many listeners.
Line by Line Meaning
Wir haben die Ewigkeit, um dein Fleisch kennenzulernen
We have eternity to become familiar with your flesh
Bambam
Sound effect used for emphasis
Tati bambam
Repetition of the sound effect Bambam for added emphasis
Contributed by Gabriel W. Suggest a correction in the comments below.