Life
Waldteufel (German for forest devil) was born in Strasbourg to a Jewish Alsatian family of musicians. His father Louis had a respected orchestra, and his brother Léon was a successful musician. When Léon won a place to study violin performance at the Conservatoire de Paris, the entire family followed him there. It was in Paris that Émile would spend the rest of his life.
Waldteufel studied the piano at the Conservatoire de Paris from 1853 to 1857. Among his fellow pupils was Jules Massenet. During his time at the conservatory, Louis Waldteufel's orchestra became one of the most famous in Paris, and Émile was frequently invited to play at important events. At the age of 27, Émile became the court pianist of the Empress Eugénie. After the Franco-Prussian War had dissolved the Second French Empire, the orchestra played at Presidential balls at the Élysée. At this time only a few members of the French high society knew of Émile; he was nearly 40 before he became better known.
In October 1874 Waldteufel played at an event that was attended by the Prince of Wales and future King Edward VII of the United Kingdom. The Prince was enthralled by Waldteufel's "Manolo" waltz, and was prepared to make Waldteufel's music known in Britain. A long-term contract with the London-based editor Hopwood & Crew followed. Part of the company belonged to Charles Coote, director of the Coote & Tinney’s Band, the first dance orchestra in London. Through these means, Waldteufel's music was played at Buckingham Palace in front of Queen Victoria. Waldteufel dominated the music scene in London and became world-famous. During this period he composed his best known works, many of which are still heard today around the world. He became well known for the waltz "Les Patineurs" or the "Ice Skaters", composed in 1882.
Waldteufel gave concerts in several European cities, such as London in 1885, Berlin in 1889 and the Paris Opéra Balls in 1890 and 1891. He continued his career as conductor and writing dance music for the Presidential Balls until 1899 when he retired.
In 1915 Waldteufel died at the age of 77 in Paris. His wife Célestine Dufau, a former singer, had died during the previous year. They had two sons and a daughter.
Waldteufel conducted with a stick rather than the then-customary violin bow. His compositions were first created at the piano and later orchestrated. The typical Waldteufel orchestra consisted of strings and a doubled woodwind section, two cornets, four horns, three trombones, and a tuba, along with some percussion instruments.
Waldteufel's music can be distinguished from Johann Strauss II's waltzes and polkas in that he used subtle harmonies and gentle phrases unlike Strauss's more robust and 'masculine' approach. The noted 19th century American bandmaster and dancing instructor Allen Dodworth referred to the long legato melody lines of Waldteufel's compositions as "Hymn-tune waltzes", adding "They are beloved of pianists on account of the great rest they give to the hands, which is why they cling to them with loving laziness". It was considered that Waldteufel's music was not revolutionary, which explained why his waltzes fell out of favor as the age of Impressionism came to Paris.
(wikipedia)
Les Patineurs Op.183
Émile Waldteufel Lyrics
Jump to: Overall Meaning ↴
Dünya güzel bi yer
Ama insanlar var
İnsanlarrr
Aslında hahaha
Dünya güzel bi yer
Ama insanlar var
İnsanlar varrr
Aslında dünya güzel bi yer
Benimde hortumladığım milyonları, evimde koyabilecek papuç kutum olsa
Yada kankaları topladığım beyaz bi gemicik düşün içinde hem havuz hemde havuz rusu olsa
Aslında dünya güzel bi yer
Saçma sapan bi dizide bölüm başı yüz bin alan baş rol oyuncusu olsam
Yada T.V de futbol yorumcusu olup desem aslanım bak bu gol olur ama sorun şudur ofsayt
Aslında dünya güzel bi yer
Medyada sevilen bi adamsan Şimdi bak aynaya kendini adam san
Neyse konu adam olmak değil gereksiz konuşmaya girer bu cümle sonuçta paran var
Palavra abra kadabra bi anda ezilen halk bi yanda bakanlar
(Bakarlar) sonrasana sana mı banamı ceplerindeki paramı tomarla akar lan!
Şimdi sıra sende hakkını ara
Aslında sorunda burada takılı kalan
Aslen dünya güzel bi yer
Bi daha gelmicen o yüzden salla arama boşuna hakkını falan
Sana öğretilen bu Anıl sus yada konuş içinde kalmasın için için kus piçin biri tuş
Yapar ama arsız adamlar yürütür yolları
Meclis yasama yargı yürütme organı
Bu oyundan bi sen bi ben gidicez yok olup tek tek tek tek
Hiç konuşma bizler sessizce düşücez çukura tek tek tek
Aslında hahaha
Dünya güzel bi yer
Ama insanlar var
İnsanlar
Aslında hahaha
Dünya güzel bi yer
Ama insanlar var
İnsanlar varrr
The lyrics of Émile Waldteufel's song "Les Patineurs Op.183" provide a poetic reflection on the complexities of human interactions and the beauty of the world we live in. The repetitive lines "Aslında hahaha, Dünya güzel bi yer, Ama insanlar var, İnsanlarrr" convey a sense of irony, acknowledging both the beauty of the world and the presence of people, who can sometimes complicate things.
The verses continue with whimsical scenarios and desires, such as imagining being able to house the millions one has earned or having a white yacht with a pool and a Russian maid. These fantasies highlight the contrast between materialistic aspirations and the simplicity of the world's beauty.
The lyrics then delve into the realm of entertainment and media, envisioning being a lead actor in a TV series or a football commentator, emphasizing the superficiality and allure of fame and success. The mention of being a beloved figure in the media underscores the superficiality of societal values and the importance placed on wealth and status.
The final verses of the song take a more critical turn, addressing social issues and the power dynamics at play. There is a call to action, urging individuals to stand up for their rights and not be passive observers in the face of injustice. The mention of the government branches - legislative, judiciary, and executive - hints at the systemic nature of societal problems and the need for collective action to effect change.
In conclusion, the lyrics of "Les Patineurs Op.183" by Émile Waldteufel encapsulate a mix of satire, social commentary, and introspective reflection on the intricacies of human nature and the world we inhabit. Through playful imagery and blunt truths, the song encourages listeners to question societal norms, value the beauty of the world, and take a stand against injustice.
Writer(s): Andre Leon M. N. Rieu, Emile Charles Waldteufel
Contributed by Amelia K. Suggest a correction in the comments below.
@claudedelataille9978
J ai appris à danser la valse sur ce morceau..j avais 7 ans...je ne l ai jamais oublié...Merci pour ce post... !!!
@fleurdesiles2319
Ma fille de deux ans l'écoute pour dormir le soir 🥰
@camillarigamonti3447
Stupendo, leggiadro, magico, romantico, brillante, affascinante. Vedo i ballerini dei film danzare e i Russi pattinare sui laghi ghiacciati.
Immagini create da questo stupendo autore Waldteufel !! Grazie.
@madeleineguilleme1947
merveilleux. Excellent d'écouter lorsqu'on a le blues
@010bobby
My favorite waltz..excellent rendition..
@marcela77777
Thank you for this beautiful waltz, I have old notes from my grandfather who played it on the violin...
@etoiledemer7472
LUV 😍😍😍😍
@MehmetBoysal
The conductor he is in bliss!
@scottferris6309
A great big "well done" to this orchestra! This really is nice work!
@jeandeblaize4175
SIMPLE, MAIS
tellement beau
tellement entraînant
tellement éternel