Hotei is best known internationally for his song "Battle Without Honor or Humanity" , which has been used in numerous films, commercials, and video games, most notably Quentin Tarantino's feature film Kill Bill.
Born to a Korean father and a Japanese/Russian mother, Hotei first began playing the guitar in junior high school. In high school, his band Blue Film finished runners up in a school contest to Death Penalty, a band led by Kyosuke Himuro. Hotei was expelled shortly before graduation. The reason was that, when warned about his long hair he replied “Jesus had long hair!” Shortly after, he went to Tokyo where one day he received a phone call from Himuro. The two had never really known each other but hit it off and went on to hold auditions for a new band, which in 1981 became the six-member BOØWY. The band became major stars in Japan, in 1985 played the Marquee in London, and in 1986 had their first million seller, Beat Emotion.
When the band broke up in 1988, Hotei established himself as a solo star, as did Himuro. Hotei also made two albums with Koji Kikkawa as Complex, both of which went to number one in the national charts. Hotei frequently records overseas and has collaborated with many foreign musicians, including playing on The Stranglers Hugh Cornwell’s 1993 solo album, on stage with David Bowie at Nippon Budokan in 1996, and at the closing ceremony of the Atlanta 1996 Centennial Olympic Games with Michael Kamen.
He later recorded “Guitar Concerto” with Kamen. He has also worked with Andy Mackay of Roxy Music, guitarist Chris Spedding and Mike Edwards of Jesus Jones. Hotei also sometimes plays in Europe, including a number of major festivals. His regular drummer in recent years, Zachary Alford, has previously played with Bruce Springsteen and David Bowie. Hotei's 1998 album Supersonic Generation, recorded in part with Apollo 440 and Ofra Haza, was released in 14 European countries.
In addition to many bestselling solo albums, Hotei composed and performed the score for Hiroyuki Nakano’s Samurai Fiction, as well as starring in the film. He composed the score to Terry Gilliam’s feature film Fear and Loathing in Las Vegas together with Ray Cooper. Hotei's song “Battle Without Honor or Humanity” was used in the Quentin Tarantino’s feature film Kill Bill, the PlayStation 2 version of Dance Dance Revolution SuperNOVA,and Michael Bay’s feature film Transformers. Hotei recorded a cover of John Lennon’s “Happy Xmas (War Is Over)” for Merry Axemas, an instrumental guitar Christmas album featuring tracks from guitarists including Jeff Beck, Joe Perry, Eric Johnson, Steve Vai and Steve Morse.
The Nintendo DS game Osu! Tatakae! Ouendan features his song "Thrill". The game's sequel, Moero! Nekketsu Rhythm Damashii, features another Hotei song, "Bambina". (Both songs are cover versions.) Hotei is featured in “Grace” on the Apocalyptica album Worlds Collide. The song is featured in the game NHL 09.
My Ordinary Days
布袋寅泰 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
...壊れる
焦げたトーストくわえつつ
捜すジャケット
9時から
宣伝会議(ミーティング)だから
Cloudy 今まさに
Rain drop こぼれ落ちそうな
最近なぜなのか
Garden 遊ぶリスが ちょっと
羨ましくなる
怠(おこた)りなく着々とこなす
日常業務(ルーティーン)
...壊れる
科学雑誌の"ナスカの地上絵"特集
眺めるランチ・タイム
Cloudy 心にも
Rain drop こぼれ落ちそうな
帰り道 ラッシュアワー
Birthday 近づいた
Girl friend 思い出して 笑おう
靴を踏まれても
Monday Tuesday Wednesday
やがて一日が過ぎ
Thursday Friday Saturday
明日(あす)へ
河のように 時はただ流れ
そして人生は 続く
夜更けの着信 手が止まる
登録抹消 してもなお
忘れ去れぬ人 なぜ今また...
逢いたくて 手を伸ばすけれど
(It's too late, sorry Time up!
It's over, baby Hurry up!)
君は遠い 時の彼方
(It's too late, sorry Time up!
It's over, baby Hurry up!)
傷ついて 学んだ優しさ
(It's too late, sorry Time up!
It's over, baby Hurry up!)
孤独から 誰も救えないまま
Time is The Wiz
哀しい記憶も
愛しい想い出になるよ
時は魔術師だから
Time is The Wiz
あの頃の君が
まだ何処かで待っていると
思ってしまう...馬鹿だね
扉(ドア)を開けろ 闇の中で
探し当てろ 次の夢を
Cloudy 心にも
Rain drop こぼれ落ちそうな
真夜中に ネジを巻く
アンティーク・アラームが
Tomorrow 鳴り響けば 仕事
辞めて旅に出よう
Monday Tuesday Wednesday
やがて一日が過ぎ
Thursday Friday Saturday
明日(あす)へ
河のように 時はただ流れ
そして人生は 続く
Spring Summer Autumn
ありきたりの夜でも
Winter Happy Xmas 歌おう
河が運ぶ 泥のような夢
積もる人生がいいね
Monday Tuesday Wednesday
やがて一日が過ぎ
Thursday Friday Saturday
明日(あす)へ...
The lyrics of 布袋寅泰's song "My Ordinary Days" paint a vivid picture of the everyday routine and emotions experienced by the singer. The song starts with the description of the singer's antique alarm clock that seems to break three times a week, symbolizing the imperfections and challenges faced in daily life. The scene continues with the singer eating burnt toast while searching for their jacket, signaling a rushed and busy morning before a meeting. The cloudy weather and impending rain evoke a sense of urgency and unease, highlighting the pressure and stress of modern life.
As the lyrics progress, the singer reflects on the envy they feel towards playful squirrels in the garden, a moment of longing for simplicity and freedom amidst their relentless daily routine. The mention of a science magazine article on the Nazca lines during lunchtime hints at a desire for intellectual stimulation and curiosity in the midst of mundane tasks. The approaching birthday and memories of a past relationship with a girlfriend add a touch of nostalgia and bittersweetness to the narrative.
The chorus delves into themes of longing, regret, and the passage of time. The singer expresses a desire to reach out to someone they miss, but it is too late, emphasizing the inevitability of change and the inability to turn back the clock. The reference to time as a magician who can turn sad memories into cherished ones adds a layer of introspection and acceptance of life's complexities. The lyrics convey a profound sense of loneliness and resignation, as the singer realizes that some wounds cannot be healed and some experiences remain etched in memory.
The final verses suggest a yearning for new beginnings and a break from the monotony of daily life. The imagery of turning the knob on an antique alarm clock at midnight symbolizes a desire to escape the constraints of routine and embark on a new journey. The repetition of days of the week and the metaphor of time flowing like a river reinforce the cyclical nature of life and the eternal forward march of time. The song concludes with a call to embrace the ordinary nights of spring, summer, autumn, and even winter, finding joy in the accumulation of life experiences and dreams.
Overall, "My Ordinary Days" by 布袋寅泰 encapsulates the struggle to find meaning and connection in the midst of routine, the beauty of memories that linger, and the hope for a brighter tomorrow despite the inevitable passage of time.
Line by Line Meaning
アンティークの目覚ましは週に3度
My antique alarm clock goes off three times a week
...壊れる
and it's starting to break down
焦げたトーストくわえつつ
Holding burnt toast in my mouth
捜すジャケット
I search for my jacket
9時から
I have a meeting at 9
宣伝会議(ミーティング)だから
It's an advertising meeting
Cloudy 今まさに
Under a cloudy sky right now
Rain drop こぼれ落ちそうな
Seems like raindrops are about to fall
空の下 急ぎ足
Hastily walking under the sky
最近なぜなのか
Lately, for some reason
Garden 遊ぶリスが ちょっと
I'm slightly envious of the playful squirrel in the garden
羨ましくなる
It makes me envious
怠(おこた)りなく着々とこなす
Efficiently and steadily completing daily routines
日常業務(ルーティーン)
My everyday tasks and routines
...壊れる
Beginning to crumble
科学雑誌の"ナスカの地上絵"特集
Read a feature about the Nazca Lines in a science magazine
眺めるランチ・タイム
Gazing at my lunchtime
Cloudy 心にも
Cloudy weather in my heart as well
Rain drop こぼれ落ちそうな
Feels like tears are about to fall
帰り道 ラッシュアワー
Heading home during rush hour
Birthday 近づいた
My birthday is approaching
Girl friend 思い出して 笑おう
Thinking of my girlfriend and smiling
靴を踏まれても
Even if my shoes get stepped on
Monday Tuesday Wednesday
Days pass by
やがて一日が過ぎ
A day eventually ends
Thursday Friday Saturday
As we move towards tomorrow
明日(あす)へ
Heading towards tomorrow
河のように 時はただ流れ
Time flows like a river
そして人生は 続く
And life goes on
夜更けの着信 手が止まる
Late-night call, my hand pauses
登録抹消 してもなお
Even if I erase contacts
忘れ去れぬ人 なぜ今また...
Why do memories of that unforgettable person resurface now...
Lyrics © Sony/ATV Music Publishing LLC
Written by: YUKINOJO MORI
Lyrics Licensed & Provided by LyricFind