Einsatz
榊原ゆい Lyrics
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眩暈の中 ナニガミエタ？
君の奏でる狂詩(ウタ)は
死への招待狀(invitation)
眠り覚ます闇 深く蠢く
絡み合う運命と心に爪を裁てる
死への賛美歌(The hymn to death)
Dryness is cured and it is as former.
Is nothing needed if filled with it？
廻り出す 終りの見えない
鈍い痛みとともに 幕が上がってゆく
幻覚(ユメ)と現が交わる
蕩ける中 ナニガミエル？
君が映した歴史(カコ)は死への序曲(ウヴェアテューレ)
生溫い鼓動 鷲摑みする
呪われし十字架と祈りに砕かれる
死の舞踏會(The ball of death)
Present I really can do what?
One useless only by wishing he wants to return
蹲り 目を覆う暇もない
操り人形(marionette)
せめて鎖(イト)を斷ち切るんだ
Present I really can do what?
One useless only by wishing he wants to return
蹲り 目を覆う暇もない
操り人形(marionette)
せめて鎖(イト)を斷ち切って
Dryness is cured and it is as former.
Is nothing needed if filled with it？
廻り出す 終りの見えない
鈍い痛みとともに 幕が上がってゆく
The lyrics to 榊原ゆい's song Einsatz speak about the harshness of reality and the inevitability of death. The opening lines "現実(リアル)が罅割れてゆく 眩暈の中 ナニガミエタ？" depict the fragmenting nature of reality, leaving the singer disoriented and questioning what they are seeing. The following lines referring to a "狂詩(ウタ)" played by the subject, suggest that the singer is seeing something that others might not be able to perceive or understand. However, this "狂詩" is an "invitation to death" or "死への招待状" that can be seen as a metaphor for the inevitability of one's mortality.
The following verse "幻覚(ユメ)と現が交わる 蕩ける中 ナニガミエル？" speaks about the blurring of the line between dreams and reality, leaving the singer confused about what is real and what is not. The reference to "歴史(カコ)は死への序曲(ウヴェアテューレ)" suggests that the singer can see a history that leads towards death, implying that death is a natural progression.
The repeated chorus "Present I really can do what? One useless only by wishing he wants to return" seems to suggest a sense of helplessness or despair that the singer is encountering in their present situation. They feel stuck as a "操り人形(marionette)" who must break their "鎖(イト)" or chains if they have any hope for freedom. The closing lines "廻り出す 終りの見えない 鈍い痛みとともに 幕が上がってゆく" suggest that the curtain is rising, indicating that the end is near and the pain that is felt will never end.
Line by Line Meaning
現実(リアル)が罅割れてゆく
Reality's cracks are growing
眩暈の中 ナニガミエタ？
What did I see in this dizziness?
君の奏でる狂詩(ウタ)は
死への招待狀(invitation)
The poem you play is an invitation to death
眠り覚ます闇 深く蠢く
絡み合う運命と心に爪を裁てる
死への賛美歌(The hymn to death)
Darkness awakens and writhes deeply
Cutting into the intertwined destiny and heart
Hymn to the death
Dryness is cured and it is as former.
The aridity is healed and all is as before
Is nothing needed if filled with it？
Is fulfillment all that's necessary?
廻り出す 終りの見えない
鈍い痛みとともに 幕が上がってゆく
Something begins with no visible end
While a dull pain continues the curtain rises
幻覚(ユメ)と現が交わる
蕩ける中 ナニガミエル？
Dream and reality intersect
What do I see in this intoxication?
君が映した歴史(カコ)は死への序曲(ウヴェアテューレ)
The history you depicted is a prelude to death
生溫い鼓動 鷲摑みする
呪われし十字架と祈りに砕かれる
死の舞踏會(The ball of death)
A lukewarm pulse struck like a eagle
Broken by the cursed cross and prayer
The ball of death
Present I really can do what?
One useless only by wishing he wants to return
蹲り 目を覆う暇もない
操り人形(marionette)
せめて鎖(イト)を斷ち切るんだ
What can the present really do?
One stuck wishing to go back is useless
No time to crouch or cover eyes
A puppet to others
At least cut away the chains
Present I really can do what?
One useless only by wishing he wants to return
蹲り 目を覆う暇もない
操り人形(marionette)
せめて鎖(イト)を斷ち切って
What can the present really do?
One stuck wishing to go back is useless
No time to crouch or cover eyes
A puppet to others
At least cut away the chains
Dryness is cured and it is as former.
The aridity is healed and all is as before
Is nothing needed if filled with it？
Is fulfillment all that's necessary?
廻り出す 終りの見えない
鈍い痛みとともに 幕が上がってゆく
Something begins with no visible end
While a dull pain continues the curtain rises
Writer(s): 榊原 ゆい, 与猶 啓至, 榊原 ゆい, 与猶 啓至
Contributed by Max W. Suggest a correction in the comments below.
@white-cc
時よ止まれ、君は誰よりも美しいから
@instantramen4588
And then he went "Eine Faust Finale" and the crowd threw their popcorn and got up and started clapping!! 👏👏
@maier
I did, last night in fact. 🙏
@kiyotaka5243
Einsatzは、言わばクラシックやプログレロックの定番とも言える組曲の第1楽章みたいなものですよね。
そこからGregorioが第２楽章と言うように繋がりますよね。コード進行も酷似してますし。
Einsatz is looks like Classic or Progressive Rock suite of 1st.
and then,Gregorio is 2nd chapter.
code note is similar.
@user-rj8mp2jp8h
毎日聞いてる
@matteste
The Sun, since time immemorial, his brother-stars in song had rivaled
Bolting ‘long a path predestined, with thunder echoing in his wake
And with swiftness - swiftness beyond measure - his perpetual cycle fought
His path ravaged, to ashes scorched
Unknown, peerless supremacy by heav'ns wrought
Equal in beauty to the first of your days.
Beri'ah
Eine Faust – Ouvertüre
@burnout02urza
Me: "T-that's not fair! Now he's just making up new powers as he goes al - AAAGGHHH!"
@justas423
@@burnout02urza is that a reference to something?
@burnout02urza
@@justas423 You mean the poem? It's the activation chant for the protagonist's ultimate form / ability.
@justas423
@@burnout02urza no your reply