Dance With Me
112 & Beanie Sigel Lyrics

Bad Boy
Introducing the label responsible for this song.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Let's dance
Encouraging people to dance.

Yo, everybody report to the dance floor
Asking people to come and dance.

Report to the dance floor
Asking people to come and dance.

Bad Boy baby
Referring to Bad Boy's performers.

112, Beanie Sigel
Introducing the performers of this specific song.

Here we go!
Starting the song off.

God damn, guess who stepped up in the place?
The performer is stepping on stage and is asking others to notice him.

The kid with two rubbers on his waist
Referring to having two guns.

Two steppin' to the base
Two stepping is a dance move that he is doing, the base is the music that is playing in the club.

And I don't usually step up in the place I usually pull that lead out, ready to get a lead out
He usually comes ready to fight.

But damn, since I stepped up in the place
He's trying to impress the women and be more social.

I'm try'na touch you, squeeze you, tell you what's the case
He's trying to be flirty and build a connection with a woman.

Before I bust, you squeeze, outta telly and a case of Cris'
He's trying to persuade and intrigue a woman to spend the night.

I'm tryin' to take you to the telly, bust in ya ff'
He wants her to follow him to a hotel room and have sex.

Tryin' to lure me out on the dance floor
He's trying to lead a woman onto the dance floor.

I'm tryin' to get it twirly on the dance floor
He wants to dance with her.

Everything remains the same, might spit-talk to it
Nothing is changing, he will keep talking his game.

Then "Change The Game", might Crip-Walk to it
He might change up and walk like a Crip.

But never Harlem shake it, Harlem make it, Harlem break it
He refuses to dance the Harlem Shake, unwilling to compromise his style in order to be like everyone else.

Dawg, I ain't hardly made this
He's saying that he's been in the music business for a long time.

You talkin' to one of Roc's finest
He's one of the top performers for the Roc label.

And do rewind this; it's Bad Boy's finest!
Asking someone to listen to this song again and saying that this is one of the best songs from Bad Boy label.

Yo, yo, yo, yo,
Introducing the next section.

Bad Boy Motherfuckers
Referring to the performers on the Bad Boy label.

This is the remix (Won't stop)
This version of the song is a remix.

112 (Can't Stop)
Performers of this song.

Def Jam, Bad Boy, yeah
Referring to the labels behind the producer and the performer.

This is the remix, Ludacris come on
Introducing Ludacris.

Ludacris like 'em shaken not stirred (yeah)
Ludacris prefers wild and crazy women.

Wakin' up blurred (uh-huh)
Ludacris drinks and smokes until he passes out.

Walk butt-naked (what) talk, speech slurred (that's right)
After a long night of drinking he's saying that he tends to do weird things.

Necks get squeezed and I can't breathe (come on)
Ludacris is aggressive and kinky in bed.

Stop then SWITCH; next, get me (that's right)
Ludacris likes to switch his moves up mid-sex.

Hon', you kinda taste like lemon meringue (lemon meringue)
Ludacris is complimenting a woman he recently had relations with.

So nice I add spice with the cinnamon thang
He likes the girl so much he's trying to find new ways to spice things up.

Make ya pull your own hair out
Ludacris is very good in bed.

Make ya body go flat, get the spares out
He's talking about having sex so hard that a woman can't take it anymore.

Well, smack lips, smack hips, make 'em back flip (that's right)
He's saying he's such a good lover that it makes girls do acrobatic moves.

Cake mix, fingerlickin'-like tactics, tongue gymnastics
Describing his excellent sex skills.

Good head make ya eyes roll back
He's so good in bed women are unable to keep their eyes open.

'12 on the track so you can't hold back
He's confident in his singing abilities.

Hot bread and butter, peach and cream (come on)
Using food metaphors to describe having sex with someone.

I only reach for the peach if it's peachy clean (that's right)
He's implying that he only goes for the clean girls.

I only reach for your spot and release the steam (come on)
He's forewarning that he won't hold back during sex.

A-town, we release the kings (yeah, this is the remix)
Ludacris is from Atlanta and he's proud to represent it.

Let me tell you what I wanna do (yeah)
He's trying to be romantic.

Let me show you that I'm feelin' you (uh-huh)
He's expressing his feelings.

Wanna sex, wanna ride with you (come on)
He wants to have sex and spend time with her.

Wanna kiss, wanna put my lips all over you (I like this)
He wants to be intimate.

Can't get enough of you (come on)
He's attracted to her.

Always thinkin' of you (yeah)
He's infatuated with her.

So sweet, so very wet, so good girl you make me sweat
He finds the girl very attractive.

Girl I'm talkin' 'bout peaches and cream (say what)
As a metaphor for sex.

I need it 'cause you know that I'm a fiend
He's saying that he needs sex.

Gettin' freaky in my Bentley limousine
He's sexing a girl in his fancy car.

It's even better when it's with ice cream (uh huh)
Using ice cream as a metaphor for something sexual.

Know what I mean?
Asking if she understood what he meant.

Never thought that I would be (yeah)
He's saying that he didn't think that he would be addicted to women.

So addicted to you (come on)
He's addicted to the girl he's talking too.

On top, underneath, on the side of you
He's describing all the ways he wants to have sex with her.

Better yet baby, inside of you (feel me?)
He's saying that he wants to penetrate her.

Love the way you juice flowin' down (yeah)
He's saying that he likes how she is during sex.

And I can feel it all around (come on)
He's saying he feels really good.

In the front, in the back of you (yeah)
Describing more positions he wants to have sex in.

Ooh I love the taste you, girl you know what I'm talkin' 'bout
He likes the taste and sensations he's experiencing during sex.

Don't stop 'cause you know I can't get enough (come on)
He likes what is going on and doesn't want it to stop.

Wanna taste it in the mornin' when I'm wakin' up (come on)
He wants to have sex with her in the morning.

Like peach cobbler in my stomach when I eat it up (come on)
He's using food metaphors again.

Got your legs around my neck so I can't get up
He's describing a move he's doing during sex.

See, them boys 112, we from the A, A! (ATL)
The performers are from Atlanta.

And when it comes to eatin' peaches shorty, we don't play, play!
A metaphor for oral sex.

So all the ladies in the house if ya peach's the shit
Asking women if they're good at performing oral sex.

Put ya hands in the air, represent ya clit, get it?
He's asking women who are good at oral sex to raise their hands.

This is the dance break
Announcing that the music is transitioning into a dance break.

This the remix
Reminding the listeners it is the remix song.

Just want you to just,
He just wants the listeners to party and dance.

Just, just, just bounce to this
A request to listen to the rhythm and dance.

Yeah, come on
A vocal affirmation.

Can I get a lick?
He's asking if someone wants to try his drink.

Come on, yeah, can I get a lick?
He is asking again for someone to try his drink.

Bad Boy baby, Mario Winans
Introducing Bad Boy artists Mario Winans.

P. Diddy
Referring to the producer behind the music.

Q, Mike, Slim, Daron, 112
Introducing the performers of the song.

This is the remix
Reminding the listeners that this is a remix.