311 mix rock, rap, reggae and funk into their own unique sound. After years of consistent touring, 311 have developed a reputation as one of the hardest working, most influential and most entertaining live bands in the U.S.
311 have released ten studio albums, one live album, one greatest hits album and three dvd's - and have sold over 8.5 million albums in the U.S. Seven of their albums have reached the Top 10 on Billboard's Top 200 Sales Chart...and 9 of their singles have reached the Top 10 on Billboard's Alternative Rock Radio Chart (including the #1 singles Down, Love Song & Don't Tread On Me. Along with Amber, All Mixed Up, Come Original, Creatures For Awhile, Hey You, and Sunset in July).
311’s newest album, Universal Pulse, released in Summer 2011, was produced by Bob Rock, mixed by Chad Sexton and debuted at #7 on Billboard’s Top 200 Album Chart.
The band's celebratory live shows & incessant touring schedule have earned them a massive grassroots following nationwide. Since its inception in 2004, 311’s annual summer headlining amphitheatre run, Unity Tour, has become one of the largest modern rock concerts of the summer. Support acts on previous Unity Tours have included Sublime with Rome, The Offspring, Snoop Dogg, The Roots, Papa Roach, The Wailers, O.A.R., Matisyahu, and Ziggy Marley. Unity Tour 2012 will feature support from Slightly Stoopid.
311 BIO/HIGHLIGHTS:
* 311 was formed in 1990 in Omaha, Nebraska by vocalist/guitarist Nick Hexum, vocalist/dj SA Martinez, lead guitarist Tim Mahoney, drummer Chad Sexton and bassist P-Nut. The band now resides in Los Angeles.
* 311 has sold over 8.5 million units in the U.S.
* 311 has had 8 albums reach the Top 10 on Billboard’s U.S. Top 200 Sales Chart
* 311 has had 9 singles reach the Top 10 on Billboard’s U.S. Alternative Chart (including the #1 singles “Down”, “Love Song” & “Don’t Tread On Me” along with “Amber”, “All Mixed Up”, “Come Original”, “Creatures (For a While)”, “Hey You” and "Sunset in July")
* 311’s new album, Universal Pulse, debuted at #7 in July 2011 and was produced by Bob Rock (Metallica, Bon Jovi, Motley Crue, Aerosmith).
* 311’s new album, due summer of 2011, was produced by Bob Rock (Metallica, Bon Jovi, Motley Crue, Aerosmith).
* 311’s sound is a unique hybrid of rock, reggae, hip-hop & funk. A balance of hard rocking anthems and melodic reggae grooves - with an underlying message of unity & positivity.
* After years of incessant touring, 311 has developed a reputation as one of the most influential & most entertaining live bands in the U.S.
* With their celebratory live shows, 311 has earned a massive grassroots following. For the past nine years, 311 has headlined their summer “Unity Tour” in ampitheatres across the U.S.- drawing crowds of 10,000 to 18,000 people in Atlanta, Boston, DC, New Jersey, Los Angeles, St. Louis, West Palm, Charlotte, VA Beach, Denver, etc. The tour is consistently one of the largest modern rock concerts of the summer in the U.S.
* Past 311 tours have included an impressive array of opening acts. Bands such as No Doubt, Korn & Incubus all supported 311 on U.S. tours before they became headliners.
* Support acts on 311’s Unity Tour have included :
Sublime With Rome, The Offspring, Snoop Dogg, The Roots, Papa Roach, The Wailers, O.A.R., Matisyahu and Ziggy Marley.
* 311 has always stayed true to their own approach and their underlying message of unity and positivity. That message still rings true for them today…in their lyrics and at their celebratory live shows. Singer Nick Hexum typically ends each show with the words, “Stay Positive and Love Your Life.”
• Every other year on March 11th (“3-11 Day”), 311 holds a special concert event that attracts thousands of 311 fans from around the world. The show includes an extended setlist (5 hours / 60+ songs) and state of the art production. Last year the band sold-out the Mandalay Bay Arena and tickets were sold to fans in all 50 U.S. states and 13 different countries. 311 fans traveled from around the globe to meet each other and to celebrate 311 Day together.
Salsa
311 Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The rippin' and rhyming and brethren, see
We're filling, taste great
In the old school, I was eight
For the new school, I was late
But in high school, I was debate
I rate in the great state of California
Je vais a la plage parce que le guignol est chouette!
I kick nonsense in French, tasty like Crepe Suzette
I bet you're feeling famished for a 311 sandwich Not the whack DJ's that I'm a damage
I like a beat that's unique and, yes, I like my head zooming
And in my Continental, you know that shit's booming
With the diamond in the back, suicide doors
You can look from here to eternity
And never receive your morsel
Another tale of ordinary madness:
The girl who gave you her sex I heard was homeless, say
All I really want to is to feel nirvana
Won't you take me tonight and we just might find
A bottle of wine and feel our nasty nature
Your tongue lickin' up my tongue
Your radio pickin' up a smoky, jazz love song Madness becomes you even though you're
Livin' life, it's hard to exist when you're tempted
By flesh, you want to bust through
Beautiful legs in the bar, there is poetry
She bends and suspends and her ass
Is a marvelous thing
A dance dancin' at a club the Hereafter
Who can't really dance but that doesn't really matter
And she won't hear applause
'Cause your drunk and lost
All light is gone
Your arms spread like a cross
And you're dreaming that the world
Will soon fall apart
Topless girl in your gaze which is hazy
Takes your dollar in the gutter without cigarettes
Or wine you're hung over I was warned of your normal
Behavior and felt my life was too short to Consider your whack self
It's like this when you dip down
And you are boxin'
Reeling against the ropes and you
Face some young Mexican
You're scrappin' your neck gets
Snapped back, your nose have bled
You're thinkin' about a comeback
But you're takin' it to the head
You little bastard, better watch your back
'Cause we're after your punk ass
By God, we're gonna jack it
Your journey is small time, and your show is over
You're 'bout as lucky as a three leaf clover
And you're older, ho bag sceezer in her droopy, saggy skin
Who thought she was a model, but, in truth, a never-has-been
You both are fools, you and your cheap rooms, too
The cigar biting your lips the way love used to
The lyrics to 311's song "Salsa" describe the band members' experiences growing up in the 70s and 80s. They reference their love of hip hop, their late introduction to the new school of music, and their debate team experiences. The lyrics also touch on themes of temptation, lust, and the transient nature of life. The band members sing about their desire to experience nirvana and find a connection with a partner. However, they also acknowledge the dangers of giving in to temptation, warning a scrappy young Mexican fighter to watch his back. The lyrics are full of references to music, culture, and language, with an unexpected French verse thrown in.
The lyrics to "Salsa" showcase 311's unique style of blending genres and cultures. The band draws on hip hop, reggae, rock, and even French chanson to create a sound that is all their own. The lyrics are full of puns, wordplay, and cultural references that showcase the band's cleverness and wit. They also touch on deeper themes of existential angst, the pursuit of happiness, and the search for meaning in life. Overall, "Salsa" is a fun, catchy tune with a deeper message that speaks to universal human experiences.
Line by Line Meaning
We were born in the seventies
We were born in the decade of the 1970s
The rippin' and rhyming and brethren, see
Our style involves rapping and rhyming, you see
We're filling, taste great
Our music is fulfilling and great to listen to
In the old school, I was eight
I was young when the old school style of music was popular
For the new school, I was late
I was not involved in the new school style of music early on
But in high school, I was debate
I was involved in debate during high school
I rate in the great state of California
I am a skilled musician in the state of California
I'm warning ya
I'm letting you know
Je vais a la plage parce que le guignol est chouette!
I am going to the beach because the puppet is cool!
I kick nonsense in French, tasty like Crepe Suzette
I speak nonsense in French that sounds as good as a delicious Crepe Suzette
I bet you're feeling famished for a 311 sandwich
I bet you are eager to listen to a 311 song
Not the whack DJ's that I'm a damage
Not the bad DJs that I will harm with my music
I like a beat that's unique and, yes, I like my head zooming
I like a distinctive beat in my music, and it should make me feel good
And in my Continental, you know that shit's booming
And in my car, you know the music is loud and powerful
With the diamond in the back, suicide doors
My car has a fancy diamond design on the back and peculiar suicide doors that open upward
You can look from here to eternity
You can look at my car for a very long time
And never receive your morsel
But you can never have or experience it yourself
Another tale of ordinary madness:
Yet another story of regular craziness:
The girl who gave you her sex I heard was homeless, say
I heard that the girl who had sex with you was homeless
All I really want to is to feel nirvana
All I really want is to feel a sense of enlightenment and bliss
Won't you take me tonight and we just might find
Won't you take me tonight and maybe we will discover
A bottle of wine and feel our nasty nature
We will drink wine and embrace our wild side
Your tongue lickin' up my tongue
We will passionately kiss
Your radio pickin' up a smoky, jazz love song
We will listen to a romantic jazz song on the radio
Madness becomes you even though you're
Your insanity is appealing even though
Livin' life, it's hard to exist when you're tempted
Living life is difficult when you are tempted by vices
By flesh, you want to bust through
You are tempted by physical desires
Beautiful legs in the bar, there is poetry
The beautiful legs in a bar are poetic
She bends and suspends and her ass
She gracefully moves and positions her body
Is a marvelous thing
It is an amazing sight
A dance dancin' at a club the Hereafter
A person dancing at a nightclub called the Hereafter
Who can't really dance but that doesn't really matter
Someone who is not a good dancer, but it does not matter
And she won't hear applause
And she will not hear people clapping for her
'Cause your drunk and lost
Because you are drunk and disoriented
All light is gone
All hope or possibility is gone
Your arms spread like a cross
Your arms spread out like a cross
And you're dreaming that the world
And you are dreaming that the world
Will soon fall apart
Will soon disintegrate
Topless girl in your gaze which is hazy
A girl without a top in your blurry field of vision
Takes your dollar in the gutter without cigarettes
She takes your money in the street without giving you any cigarettes
Or wine you're hung over
You are hungover and have neither wine nor cigarettes
I was warned of your normal
I was told about your typical behavior
Behavior and felt my life was too short to
And that behavior made me feel my life was too short to
Consider your whack self
Think about you and your mediocre self
It's like this when you dip down
It is like this when you are going through hard times
And you are boxin'
And you are fighting
Reeling against the ropes and you
Fighting as you get hit against the ropes and you
Face some young Mexican
Are fighting against a young Mexican fighter
You're scrappin' your neck gets
You are in a tough fight and your neck starts to hurt
Snapped back, your nose have bled
Your head snaps back and your nose is bleeding
You're thinkin' about a comeback
You are thinking about how to make a comeback
But you're takin' it to the head
But you keep getting hit in the head
You little bastard, better watch your back
You pesky person, you should be careful not to get hurt
'Cause we're after your punk ass
Because we are after you and your misbehaving self
By God, we're gonna jack it
We are determined to stop your bad behavior
Your journey is small time, and your show is over
You are doing small things and your performance is now finished
You're 'bout as lucky as a three leaf clover
You are only slightly lucky
And you're older, ho bag sceezer in her droopy, saggy skin
You are aging, and your unbecoming self is in sagging skin
Who thought she was a model, but, in truth, a never-has-been
You used to think you could be a model, but you never achieved it
You both are fools, you and your cheap rooms, too
You two are foolish, with your inexpensive living spaces as well
The cigar biting your lips the way love used to
The cigar in your mouth reminds you of how passion once felt
Lyrics © Universal Music Publishing Group
Written by: CHAD RONALD SEXTON, DOUGLAS VINCENT MARTINEZ, NICHOLAS LOFTON HEXUM, TIMOTHY JEROME MAHONEY
Lyrics Licensed & Provided by LyricFind