Jackson was born and raised in South Jamaica, a neighborhood in the New York City borough of Queens. His mother Sabrina, a drug dealer, died in a fire when he was 8. Since his father had already abandoned the family, young Curtis was sent to live with his grandparents. Growing up during the crack epidemic of the 80s and 90s, Jackson dealt drugs when he wasn't "killing time" at school or boxing at a local gym. His grandparents assumed he was at after-school programs when he was out selling crack. In tenth grade, Jackson was caught with guns and drug money passing through the metal detectors at Andrew Jackson High School in Queens. In 1994, Jackson was arrested again for selling vials of cocaine to an undercover officer, and three weeks later he was arrested yet-again after police found heroin, crack cocaine, and a starter pistol in his home. Jackson was sentenced to 3 to 9 years in prison, but opted to join a 6 month boot camp program and get his GED. Around this time, Jackson began going by "50 Cent," inspired by deceased Brooklyn stick-up man Kelvin "50 Cent" Martin.
After leaving drug dealing to pursue a rap career, he released his debut album Guess Who's Back Again in 2002. He was discovered by Eminem and Dr. Dre and then signed to Interscope Records. He has since released Get Rich or Die Tryin' (2003), The Massacre (2006), Curtis (2007) and Before I Self Destruct (2009).
50 Cent has engaged in feuds with other rappers including Jay-Z, Ja Rule, The Game, Cam'ron, Fat Joe, and Rick Ross. He has also pursued an acting career, appearing in the semi-autobiographical film Get Rich or Die Tryin' in 2005, the Iraq War film Home of the Brave in 2006, and Righteous Kill in 2008. 50 Cent is one of the richest hip-hop performers, having a net worth estimated at US $440 million in 2008.
Before 50 Cent ever inked a major deal, he built up a substantial fan base in New York through underground mixtapes. 50 Cent met up with Jam Master Jay of Run-DMC and was signed to his label to write all of Jay’s music. After he’d left JMJ, he signed to Columbia Records in 1996. On this label, he released Power of the Dollar, and the singles How to Rob and Ghetto Qua Ran. Columbia Records released him from the label after being shot on May 24th, 2000.
Around this time, Eminem had heard one of 50 Cent’s demo tapes and expressed a huge interest in him on MTV, as did Dr. Dre. Shortly after this, 50 Cent officially signed to Interscope Records. He was the first rapper to sign to the joint label owned by Dr. Dre and Eminem. The first song he released on this record was entitled Wanksta and was featured on the 8 Mile soundtrack.
In its first week of release, his debut ”Get Rich Or Die Tryin’” sold 872,000 units - easily reaching Gold status. Within the second week it went Platinum (1 mil) and on April 12th, 2004 the RIAA certified it six times Platinum.
In 2005 he followed the success of his album Get Rich or Die Tryin’ with a new release - The Massacre (originally called St. Valentines Day Massacre until the release date was pushed back). The first single released off this, Disco Inferno, was a huge hit - he followed this hit up by the release of Candy Shop and then again with Just a Lil Bit.
In 2003 Interscope Records allowed 50 Cent to have his own label - G-Unit Records. He first signed Lloyd Banks, Tony Yayo and Young Buck as the established members of G-Unit Records. In 2004, Dr. Dre and 50 Cent had signed The Game under a joint venture.
Get On Yo Knees
50 Cent Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Shit, man i gotta go, man let's
Hurry up, let's go, man oh yeah
50 Cent, uh g-Unit oh
Man i'm feeling myself right now
Baby, if you get on your knees
Put me in your mouth and suck me off
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
(Come on, baby, just kiss it for me
Just put it in your mouth)
She was hesitant at first
Said she never did it before
As soon as I got her going
She was going like a pro
She went up and down like a merry go round
And round and round and splash
She's freaky freaky
When you get her in the bed
You need a G like me to
Get her to give you head
My conversation is stimulating
She in room ten-nineteen in
The Hilton waiting
She got a thing for ballas
I mean a thing for balls
And I had turned her ass out
So I'm the one she calls
On the cheek she kiss me and
She tell me she miss me
Being around me got her used
To drinking Don and Cristy
I'm a special nigga, look
I'm used to blinding
Keep that Benzo clean and
Those spreewells shining
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
(You can't be serious? It's
Four in the morning)
Right in the morning I rolled over
Guess who was over my shoulder
A pretty round, round, round
Who just got finished going downtown
But at night with no lights
I have you wondering
If it's a lighting bolt in your mouth
Or a glow-in-the dark tongue ring
Banks need a ghetto chick
Set a nigga up wit ass
Sneak around till he fall asleep
Digging in his stash
Leave with everything, rob a Benz
Stacks and the grass
Ass so fat she get handclaps when she pass
I ain't never had a girl
But you can be my bottom bitch
I done been around the world
We done hit all kind of chicks
Range Rover, never sober, Hennessey
Vanilla soda b-A-N-K dolla sign, bitch
Nah, I ain't here to hold you
Let your baby daddy roll his shoulder
Banks don't associate with no tricks
I'ma make it a G-Unit party
From the hotel lobby
And if you ain't trying to
Freak off then go home, bitch
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
You know what I came to do
Let you put your lips on my dick
But don't tell nobody, you my mistress, bitch
All your friends keep telling you what
To do when you get me
Got to eat the nuts first
Like a Hershey's Kisses
Bitch, show me you miss me
Like I'm Pac or Biggie
She can be small as Eve or even big as Missy
I like it when them dikes
Indugle in group six
Suck off thanks to 50 and B-Light, unit
Get your ass suplexed, telling me to go down
I'm a P-IM-P, bitch, I bet you know now
Baby girl, slow down
Ou make a nigga cum quick
When you closed your eyes and make
Your tongue do a twist
You my 3 o'clock, lolipop
Kiss the last drop, bitch
Walk around naked, hoe
I met your ass topless
She finally found out what
Young Buck is 'bout so give a nigga from the
South some of that mouth
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
(Come on, girl, you know I got you)
Alright then, you playas that's down on the
Dial right now we
Gon' give you some real good
Game, dawg official, dawg
Magic Juan and Whoo
Kid we gonna do something that y'all
Know we gonna do we gonna
Soda-pop y'all know what I'm talking about
If y'all with this game
So get your soda popping ready 'cause we
Gonna soda-pop it 'round here church
The song "Get On Yo Knees" is a sexually explicit song by 50 Cent featuring rapper, Tony Yayo. The song is from the album Guess Who's Back? released in 2002. The song is about the sexual exploits of 50 Cent with women. The lyrics of the song talk about 50 Cent getting a woman to perform oral sex on him. The lyrics are explicit and graphic, using sexually explicit language to describe the act. The song is a mix of rap and R&B music style with a catchy melody that can easily get stuck in the listener's head.
The lyrics of the song explore 50 Cent's sexual prowess and his ability to satisfy women. The song portrays him as a dominant figure who is in control of his sexual encounters with women. He uses language that objectifies women and reduces them to mere sexual objects. The song's chorus reinforces this sentiment by stating that if a woman gets on her knees and performs oral sex on him, he will reciprocate by taking care of her. The lyrics are open and unrestrained, expressing 50 Cent's sexual desires in a language that is graphic and explicit.
The song "Get On Yo Knees" has been the subject of controversy due to its sexually explicit lyrics. The song has been criticized for its objectification of women and for promoting misogyny. However, it has also been praised for its catchy melody and the way it celebrates sexual expression. The song remains a popular track in mainstream hip hop almost two decades after its release.
Line by Line Meaning
Yo, Whoo Kid, man yo, drop this
Introduction to the song
Shit, man i gotta go, man let's
Urging to start the song quickly
Hurry up, let's go, man oh yeah
More urging to start the song
50 Cent, uh g-Unit oh
Calling out his crew and himself
Man i'm feeling myself right now
Feeling confident and assertive
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Asking for oral sex from the listener
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Repeated request for oral sex from the listener
Baby, if you get on your knees
Put me in your mouth and suck me off
You know I got you
Continued request for oral sex from the listener
(Come on, baby, just kiss it for me
Just put it in your mouth)
Encouragement and pleading for the listener to perform oral sex
She was hesitant at first
Said she never did it before
As soon as I got her going
She was going like a pro
Initial reluctance followed by enthusiastic participation in oral sex
She went up and down like a merry go round
And round and round and splash
She's freaky freaky
When you get her in the bed
You need a G like me to
Get her to give you head
Describing the listener as having great sexual skills
My conversation is stimulating
She in room ten-nineteen in
The Hilton waiting
Reference to having set up a sexual encounter with a partner
She got a thing for ballas
I mean a thing for balls
And I had turned her ass out
So I'm the one she calls
Implying that the partner is into men with money and that he has made her sexually open-minded
On the cheek she kiss me and
She tell me she miss me
Being around me got her used
To drinking Don and Cristy
The partner showing affection and appreciation towards the singer
I'm a special nigga, look
I'm used to blinding
Keep that Benzo clean and
Those spreewells shining
The singer sees himself as someone who attracts attention and is successful in life due to his wealth
You can't be serious? It's
Four in the morning
Expression of disbelief that the artist has been woken up for sex at an inconvenient time
Right in the morning I rolled over
Guess who was over my shoulder
A pretty round, round, round
Who just got finished going downtown
A scene of waking up next to a partner after having sex
But at night with no lights
I have you wondering
If it's a lighting bolt in your mouth
Or a glow-in-the dark tongue ring
Imagery of exploring various types of oral sex
Banks need a ghetto chick
Set a nigga up wit ass
Sneak around till he fall asleep
Digging in his stash
Reference to groupies who have sex with artists in order to steal from them
Leave with everything, rob a Benz
Stacks and the grass
Ass so fat she get handclaps when she pass
Further reference to groupies who steal from artists after having sex with them
I ain't never had a girl
But you can be my bottom bitch
I done been around the world
We done hit all kind of chicks
The artist has used many women for sex, but sees the listener as a reliable and long-term partner
Range Rover, never sober, Hennessey
Vanilla soda b-A-N-K dolla sign, bitch
Description of the artist's luxurious lifestyle and references to alcohol and money
Nah, I ain't here to hold you
Let your baby daddy roll his shoulder
Banks don't associate with no tricks
I'ma make it a G-Unit party
From the hotel lobby
And if you ain't trying to
Freak off then go home, bitch
The singer is not interested in committing to the listener, but wants to have sex with her as part of a larger party
You know what I came to do
Let you put your lips on my dick
But don't tell nobody, you my mistress, bitch
Open acknowledgement of the artist's intentions to hook up with the listener, while also trying to keep it a secret
All your friends keep telling you what
To do when you get me
Got to eat the nuts first
Like a Hershey's Kisses
The singer is well-known and well-regarded by the listener's friends, and the singer wants the listener to perform oral sex on him
Bitch, show me you miss me
Like I'm Pac or Biggie
She can be small as Eve or even big as Missy
The singer wants the listener to express affection towards him and compares himself to famous rappers who have passed away
I like it when them dikes
Indugle in group six
Suck off thanks to 50 and B-Light, unit
The singer enjoys watching and being involved in group sex with women who identify as lesbian or bisexual
Get your ass suplexed, telling me to go down
I'm a P-IM-P, bitch, I bet you know now
The artist sees himself as a pimp who is dominant and in control in sexual situations
Baby girl, slow down
Ou make a nigga cum quick
When you closed your eyes and make
Your tongue do a twist
The artist is excited by the listener's skills, but also wants her to slow down to prolong the experience
You my 3 o'clock, lolipop
Kiss the last drop, bitch
Walk around naked, hoe
I met your ass topless
The singer details the specific ways he likes to engage in sexual activities with the listener
She finally found out what
Young Buck is 'bout so give a nigga from the
South some of that mouth
A reference to fellow artist Young Buck, and an invitation for the listener to perform oral sex on the singer again
Alright then, you playas that's down on the
Dial right now we
Gon' give you some real good
Game, dawg official, dawg
Magic Juan and Whoo
Kid we gonna do something that y'all
Know we gonna do we gonna
Soda-pop y'all know what I'm talking about
If y'all with this game
So get your soda popping ready 'cause we
Gonna soda-pop it 'round here church
Closing statement and reference to a game or activity involving soda, implying excitement and fun
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
David Noreña
Yo whoo kid man
Yo drop this shit man
I gotta go man
Let's hurry up man
Let's go man
Damn
50 cent
G-g-g-g-g-g-g-g-g-g-g-g-g-g-g-g-Unit
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: 50 cent]
She was hesitant at first
That she never did it before
Soon as I got her goin
She was goin like a pro
She went up and down like a merry go round
Then round and round and splash
She freaky freaky when you get her in the bed
You need G like me to get her to give you head
My conversation is stimulatin
She in room ten nineteen in the hilton waitin
She got a thing for ballers
I mean a thing for balls
I don't turn her ass out
So I'm the one she calls
On the cheek she kiss me and tell me she miss me
Bein around me got her used to drinkin don and christy
I'm a special nigga
Look I'm used to grindin
Keep the benzo clean and the sprewells shining
Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: Lloyd Banks]
Bright in the mornin I roll over
Guess who's on my shoulder
A pretty round round girl
That's goin downtown
But at night with no rights
I have you wonderin
If it's a lightning bug in her mouth
Or a glow in the dark tounge ring
Banks need a ghetto chick
Set a nigga up with ass
Stick around till I fall asleep
Then get in the stash
Leave with everything
Rubberbands stacks in the grass
Ass so fat she gets hand claps when she pass
I ain't never had a girl
But you can be my bottom bitch
I don't been around the world
We done hit all kind of chicks
Range rover
Never sober
Hennessy
Vanilla soda
B-A-N-K dolla sign bitch
Nah I ain't here to hold ya
Let your baby daddy roll the stroller
Banks don't associate with no tricks
I'm a make it a g-unit party from the hotel lobby
If u ain't tryin to freak off then go home bitch
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: Young Buck]
You know what I came to do
Let you put your lips on my dick
But don't tell nobody
You my mistress bitch
All your friends keep tellin you
What to do when you get me
Gotta eat the nut first like a hershey kisses
Bitch show me you miss me
Like I'm pac or biggy
She can be as small as eve
Or even as big as missy
I like it when them dikes and dogs in groups of 6
Suck off banks and 50 and be like you mix
Get your ass suplexed
Tellin me to go dow
I'm a P.I.M.P. bitch I bet you know now
Baby girl slow down you make a nigga cum quick
When you close your eyes
And make your tounge do a trick
You my 3 o'clock
Lollipop
Catch the last drop bitch
Walk around naked ho I met your ass topless
She finally found out what young buck is about
Now give a nigga from the south some of that mouth
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
Darth Troller
The beat hard asf and they all killed it
David Noreña
Yo whoo kid man
Yo drop this shit man
I gotta go man
Let's hurry up man
Let's go man
Damn
50 cent
G-g-g-g-g-g-g-g-g-g-g-g-g-g-g-g-Unit
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: 50 cent]
She was hesitant at first
That she never did it before
Soon as I got her goin
She was goin like a pro
She went up and down like a merry go round
Then round and round and splash
She freaky freaky when you get her in the bed
You need G like me to get her to give you head
My conversation is stimulatin
She in room ten nineteen in the hilton waitin
She got a thing for ballers
I mean a thing for balls
I don't turn her ass out
So I'm the one she calls
On the cheek she kiss me and tell me she miss me
Bein around me got her used to drinkin don and christy
I'm a special nigga
Look I'm used to grindin
Keep the benzo clean and the sprewells shining
Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: Lloyd Banks]
Bright in the mornin I roll over
Guess who's on my shoulder
A pretty round round girl
That's goin downtown
But at night with no rights
I have you wonderin
If it's a lightning bug in her mouth
Or a glow in the dark tounge ring
Banks need a ghetto chick
Set a nigga up with ass
Stick around till I fall asleep
Then get in the stash
Leave with everything
Rubberbands stacks in the grass
Ass so fat she gets hand claps when she pass
I ain't never had a girl
But you can be my bottom bitch
I don't been around the world
We done hit all kind of chicks
Range rover
Never sober
Hennessy
Vanilla soda
B-A-N-K dolla sign bitch
Nah I ain't here to hold ya
Let your baby daddy roll the stroller
Banks don't associate with no tricks
I'm a make it a g-unit party from the hotel lobby
If u ain't tryin to freak off then go home bitch
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
[VERSE: Young Buck]
You know what I came to do
Let you put your lips on my dick
But don't tell nobody
You my mistress bitch
All your friends keep tellin you
What to do when you get me
Gotta eat the nut first like a hershey kisses
Bitch show me you miss me
Like I'm pac or biggy
She can be as small as eve
Or even as big as missy
I like it when them dikes and dogs in groups of 6
Suck off banks and 50 and be like you mix
Get your ass suplexed
Tellin me to go dow
I'm a P.I.M.P. bitch I bet you know now
Baby girl slow down you make a nigga cum quick
When you close your eyes
And make your tounge do a trick
You my 3 o'clock
Lollipop
Catch the last drop bitch
Walk around naked ho I met your ass topless
She finally found out what young buck is about
Now give a nigga from the south some of that mouth
[Chorus: x3]
Baby if you get on your knees
Put me in your mouth
And suck me off
You know I got you
Don Cybz
GOD DAMN SO 4CKIN GOOD
Don King
Fuckin nice song G-UNIT FOR EVAAAAAAAAAAAAAAAA
ReconproductionMusic
1:57 HIT IT BANKS
Tharsan J
classic shit.
G.ranggi Krishnan
best remix (g.unit+group
wils35
Yer snoop dogg not in this track he was in the mixtape. G unit radio's were pretty good This is proper old now but good track
Tharsan J
its old now not when you said it was old.
Tharsan J
GGGG-Unit.