4:02
A$AP Ferg Lyrics
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I think that's our little friend
Hold on man, let me get that
Hehe, damn
Took for ever, step on in, let me holla
Yeah
Put your coat right there
Little mama say whats up to my baby
Here's your new best friend
Damn, lay down right there
Chocolate and caramel, best of both worlds
She got nice lips
She got a body on her right there
My children
Baby, touch me right there
(Right there?)
(You like that?)
(Yeah)
Now mama lets see what mama taste like
Tell me what she taste like
Damn
Sippin' on that henny got me going crazy
With two ladies
Looking so good, don't you want to be my baby
You lay it down don't play around don't make a sound
Let me see that ass bounce
Yeah
And I want you to kiss her
And I want you to kiss her back
Ooh girl just move girl
I want you to move it just like that
Damn baby, you can move it so good
I like the way you talk
I like the way you move
I like the way you scream
I like the way you do what you do
The way you talk to me
The way you talk
The way you talk to me
The way you talk
(Hello)
(Bitch where you at?)
(Minding my mother fucking business)
(Where your broke ass at?)
Fuck does it sound like you cryin?
Is that bitch nigga bout it?
(Bitch, you better not be with that nigga Ferg)
Shut the fuck up!
Nigga stop crying like a little bitch!
(Come to the streets nigga)
Fuck outta here, that's why you fuckin cryin like a lit
I'm fuckin you bitch nigga
(Please don't leave me)
I fuckin yo bitch nigga, yeah
(Pleaseee don't leave me please I need you)
I'm fuckin you bitch
And she with my bitch
I'm fucking both of them bitches
(Hello? Hello?)
(Fuck you bitch!)
The lyrics of A$AP Ferg's "4:02" paint a vivid picture of a sexually charged encounter, involving three individuals. The opening lines of the song suggest that someone is knocking on the door, and the singer suspects that it is their "little friend." At first, he seems hesitant to let them in, but eventually, he relents and invites them to sit down. The lyrics then turn explicit, with the singer commenting on the woman's physical attributes, including her lips and body.
As the song progresses, it becomes clear that the singer is involved in a threesome with two women. He talks about sipping on Henny and enjoying the experience, encouraging the women to "move it just like that." The lyrics are shot through with a sense of arousal, with the singer praising the women's movements and vocalizations. However, the mood is interrupted by a phone call, which turns aggressive and confrontational. The singer implies that the caller is a jealous ex who is upset about the three-way encounter.
Line by Line Meaning
Damn who knocking on the fucking door like that, shit
Someone is knocking on the door loudly and aggressively.
I think that's our little friend
I suspect it's someone we know or who's acquainted with us.
Hold on man, let me get that
I'm going to answer the door.
Hehe, damn
I'm pleased with what I see/have.
Took for ever, step on in, let me holla
You took your time, but come in and let's talk.
Put your coat right there
Take off your coat and place it here.
Little mama say whats up to my baby
Introduce yourself to my buddy.
Get acquainted
Get to know each other better.
Here's your new best friend
My buddy will look after you / we're going to have a good time together.
Damn, lay down right there
You can relax and lay here.
Chocolate and caramel, best of both worlds
You have the best features from both types of women.
She got nice lips
You have attractive lips.
She got a body on her right there
Your body is stunning.
My children
This sexual experience is like creating your child.
Baby, touch me right there
Touch me in that spot that feels good.
(Right there?)
(You like that?)
(Yeah)
Confirming if a specific spot is being touched and if you enjoy it.
Now mama lets see what mama taste like
I want to go down on you and see what you taste like.
Tell me what she taste like
Share with me what it's like to perform oral sex on you.
Sippin' on that henny got me going crazy
Drinking Hennessy is making me feel wild and uninhibited.
With two ladies
I'm with two women.
Looking so good, don't you want to be my baby
You look amazing, would you like to be my girlfriend?
You lay it down don't play around don't make a sound
You need to be quiet, stay still and not play around while having sex.
Let me see that ass bounce
I want you to bounce your butt while having sex.
And I want you to kiss her
I want you to kiss the other woman present.
And I want you to kiss her back
I want her to reciprocate the kiss.
Ooh girl just move girl
Just move and do what feels good.
I want you to move it just like that
I want you to move your body like that so I can enjoy watching you.
Damn baby, you can move it so good
You move your body beautifully.
I like the way you talk
I like the way you move
I like the way you scream
I like the way you do what you do
The way you talk to me
The way you talk
The way you talk to me
The way you talk
I find all of your actions and communication skills attractive and enjoyable.
(Hello)
(Bitch where you at?)
(Minding my mother fucking business)
(Where your broke ass at?)
Fuck does it sound like you cryin?
Is that bitch nigga bout it?
(Bitch, you better not be with that nigga Ferg)
Shut the fuck up!
Nigga stop crying like a little bitch!
(Come to the streets nigga)
Fuck outta here, that's why you fuckin cryin like a lit
I'm fuckin you bitch nigga
(Please don't leave me)
I fuckin yo bitch nigga, yeah
(Pleaseee don't leave me please I need you)
I'm fuckin you bitch
And she with my bitch
I'm fucking both of them bitches
(Hello? Hello?)
(Fuck you bitch!)
A phone conversation between two males where one accuses the other of being intimate with his girlfriend, begs him not to leave her, and gets angry and threatens violence.
Lyrics © Sony/ATV Music Publishing LLC, Ultra Tunes, Universal Music Publishing Group
Written by: DAROLD DURARD BROWN, LARRY MIZELL, FRANK PARRA
Lyrics Licensed & Provided by LyricFind