Toubabo Koomi
Acid Bath Lyrics

We want to see some blood
The singer desires to witness an act of violence and bloodshed.

We need a new whore
The singer is in search of a new sexual partner who is willing to engage in rough and degrading acts.

We don't give a fuck
The singer has a careless and reckless attitude towards other people's feelings and life in general.

We just want more
The artist has an insatiable appetite and desires for more of the things they seek, whether it is blood, sex, or power.

Blood
The artist is consumed by their desire for blood and violence.

We want
The singer reiterates their strong desire for something, possibly blood or power.

We want blood
The singer explicitly states their desire for bloodshed and violence.

I'm gonna fuck the whole in Kennedy's head
The artist fantasizes about committing an act of violence against a well-known and iconic figure, potentially even assassination.

Revolt deface resist
The artist advocates for rebellion and resistance against the societal norms and conventions that they perceive as confining or oppressive.

Push the button
The artist calls for a radical action to disrupt the status quo and bring about change.

Legalize freedom
The singer believes that there are limitations on people's freedoms that are unjust and should be removed.

Let's shoot the president,
The artist advocates for an act of violence against the highest authority in the country.

Rape the queen
The singer advocates for an act of sexual violence and degradation against a prominent political figure.

And feel the flowers breath again
The singer desires a reconnection with nature and a simpler way of life amidst the current chaos and violence.

Inside this dead machine
The singer feels trapped and suffocated by the mechanical nature of the society they live in, where humanity and emotions are suppressed.

Swimming into nowhere
The artist feels lost and directionless in their life, without any clear purpose or goal in sight.

Thrill kill avenue,
The artist refers to a street or area in the city where they can easily satisfy their desire for violence and bloodshed.

Cuttin' her slowly
The singer describes a violent and sadistic act of cutting someone slowly, likely a sexual partner.

Liberty, she crawls to me
The singer feels that people (represented through the personification of Liberty) are drawn to their rebellious and free-spirited nature.

I slept the last mile on our way to endsville
The artist is accepting their eventual demise, perhaps from their reckless and violent lifestyle.

Shove it inside her
The artist describes a violent and rough sexual act of penetration against someone, likely a woman.

Spectro-trippin on
The artist is under the influence of drugs, particularly hallucinogens.

Spread your legs,
The singer commands their sexual partner to open their legs, in a demeaning and objectifying manner.

Don't look at me
The artist doesn't want their sexual partner to look at them, reducing them to a mere object of pleasure, devoid of any emotional connection or intimacy.

Cut me, rape me, make me free
The singer desires to be hurt, violated, and degraded sexually as a way to feel alive and free from the constraints of society and morality.

Breeders screaming dreaming bloodless
The singer refers to people who adhere to societal norms of marriage and reproduction as passive and lifeless, devoid of any desire for violence and excitement.

For the loveless
The singer describes people who are unable to feel love, perhaps due to their violent and hedonistic lifestyle.

White sound, oceans of dreams
The artist's mind is filled with noise and chaos, representing their inner turmoil and confusion.

I won't be another number on the screen
The artist rejects the idea of conforming to societal norms and ideologies that are imposed on them through media and technology.

Shh I want to hear you scream
The singer derives pleasure from hearing their sexual partner scream in pain or pleasure, reaffirming their objectifying and sadistic nature.

White sound, jet black scream
The singer experiences both chaos (white sound) and violence (jet black scream) simultaneously, representing their conflicting desires.

Vomiting this cold mass of hate
The artist describes the overwhelming feeling of disgust and hate they have towards the world and society around them.

I'm gonna push my love
The artist wants to use their violent and destructive tendencies as a means to express their love, in a distorted and twisted way.

Through her skull
The artist is aiming to harm and kill their sexual partner, in a particularly gruesome and violent way by penetrating their skull.

Through her
The singer sees their sexual partner as an object to be used for their own pleasure and satisfaction, devoid of any human emotion or connection.

I have heard abortion
The artist has heard stories of abortions, representing their fascination with violence and death.

Stories from the leather nun
The singer heard these stories from someone who is part of a religious order that emphasizes abstinence and self-denial, highlighting the singer's fascination with taboo and transgressive behaviors.

Holding hands with dead girls
The singer has a morbid and twisted fascination with death and is attracted to people who are no longer living.

Hiding from the sun
The singer feels ashamed and guilty about their violent and destructive tendencies, seeking to hide from society's judgement and condemnation.

I did a line
The artist consumed an illegal substance, likely cocaine, representing their reckless and hedonistic nature.

The lines that define begin to gray and fade now
The artist feels that the societal expectations and norms that define who they are and should be are slowly losing their significance and fading away.

We shoot out the lights and swallow razor blades
The singer engages in dangerous and violent behavior, where they harm themselves as well as destroy the things around them.

I feel nothing for the meat that came before
The singer has no emotional attachment or remorse for their past violent and destructive acts, seeing their victims as mere objects.

Liberty, she crawled to me playing the whore
The artist sees the concept of liberty and freedom as something that can be used and abused, much like a prostitute or object of pleasure.