Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.
After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.
Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.
Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.
In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.
Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."
All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.
In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.
On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.
In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013.
In 2018, Aesop Rock teamed up with TOBACCO to form Malibu Ken
Commencement at the Obedience Academy
Aesop Rock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The harvest appeared less plentiful than last season
I imagine sloppy seed handling avoke the stroke of tardy planting
And the crops we'd have harnessed in mid November
It only brushed the blossom bracket then soon sacrificed
Lives to icicle jackets when the frosted
I sunk to find the walk beneath the mosses
But alas the portraits of these frosted corpses tortured in the grass
Off of distorts or pour the one tall glass and nauseous
And I'm asking you, why's this spy supply hiding in strangers
When they know atop the food chains I could spot biters for acres
Now be gracious, these minstools turn a bully's psycho civil
By dissolving the candy coated image down to the pixels
Yelp bringing the self-stop freedom brigade investors
And the studies connecting one hit wonders with dust collectors
Puts it down, and it's down beneath your sappy sing alongs
So stick it further down where the daunted decide which ring I'm on
Nova yell just took positions and advance march
Parts playing a scheme parking the rain in my canteen now I'm like
Point I guess I could spare a splash for a couple of heads
Counterpoint during my famine I never got broke your bread
Well equation of intrigue, yes, yes, let me fed sit for a bit
These 'tensils need soaking before I hand out token
"Shut the fuck up" drama like Kabuki with a heart of dirt
Skull fucked cross bones hence my birth it hurts
Chorus:
Must not sleep must warn others
Trust blocks creep where the dust storm hovers
I milk my habitat for almost everything I want
Sometimes I take it all and still can't feel this pitfall in my gut
And I'm like must not sleep must warn others
Trust blocks creep where the dust storm hovers
I'm trying to walk on top of sunshine
But it's ridiculous at times that's why I tore 'em with this warning
Verse Two:
Wanting the glory of our advance fire ants to water beetles
Free masons adjacent debasing on pins and needles
Pupil turned pedagogue benedicts into my dream
Beam in a billion bottle rockets off the golden mezzanine
I pluck the pedals off a classic blood rose one at a time
Gripping the stem and right invite the thorns to dig up in my lifeline
A metaphor for nighttime, ante up the slight cost of exhaustion
To salute the moon of our paradise lost and you're a spectator
Stringent, inch by sacred inch shoveling colon in my earthworm soul
Borough up through the dirt with bloody digit lick my knuckles clean
Noting the corporate clusters holding hands round the abode of the dam
And what's your poison? Starlight and amaze her with a nicotine chaser
Sip it clean savor the taste then sit and dream later
The ollage pay their back upon they hinges twenty miles
Across the glassy eye window of one less to passes by
Now I'm six foot four with a sick flow walk up just to recline
With no free time, the alarm storms at nine
My daytime's on some, yes sir, okay sir, right away sir
Sir do you mind if I breathe sir oh you do? Well excuse me sir fuck you
I breathe slow, I'm running with these fantastic amalgams
Painting casket bound careers to pierce gunning with classic albums
Security's the javelin, catch it; labor
Clocked in at seven six and haven't clocked out ever since
Chorus:
Must not sleep must warn others
Trust blocks creep where the dust storm hovers
I milk my habitat for almost everything I want
Sometimes I take it all and still can't feel this pitfall in my gut
And I'm like must not sleep must warn others
Trust blocks creep where the dust storm hovers
I'm trying to walk on top of sunshine
But it's ridiculous at times that's why I tore 'em with this warning
The lyrics to Aesop Rock's "Commencement at the Obedience Academy" are filled with vivid images and metaphors that illustrate the struggles of modern life. In the first verse, Aesop paints a picture of a failed harvest, attributing it to sloppy seed handling and late planting. He describes how the crops were only just beginning to blossom when they were destroyed by the cold, leaving a landscape of "frosted corpses tortured in the grass." The imagery is grim and haunting, setting the tone for the rest of the song.
In the chorus, Aesop declares that he "must not sleep" and must "warn others" about the dangers of "trust blocks creep" and the looming "dust storm." These lines can be interpreted as a warning about the dangers of complacency and blind trust in society, and the need to be vigilant and aware of our surroundings in order to avoid being caught off guard.
The second verse of the song touches on themes of ambition and struggle, as Aesop describes his desire to achieve greatness in the face of obstacles and adversity. He compares himself to a fire ant, willing to fight against larger forces in order to succeed. However, he also recognizes the toll that this pursuit can take on himself and others, as he references the exhaustion and sacrifice involved in "the slight cost of exhaustion."
Overall, "Commencement at the Obedience Academy" is a powerful and thought-provoking song that reflects on the challenges of modern life and the need to stay vigilant and aware in order to succeed.
Line by Line Meaning
The harvest appeared less plentiful than last season
The crops are yielding less compared to the previous year
I imagine sloppy seed handling avoke the stroke of tardy planting
The poor handling of seeds is responsible for delayed planting
And the crops we'd have harnessed in mid November
The crops could have been harvested in November
It only brushed the blossom bracket then soon sacrificed
But the crops only managed to reach a certain stage of growth before they died due to frost and cold weather
Lives to icicle jackets when the frosted
The frost killed off the crops
I sunk to find the walk beneath the mosses
The singer is searching for something beneath the moss
Where the planted tunnel pass after the rains have run their courses
Looking for the path where crops were planted after the rainy season
But alas the portraits of these frosted corpses tortured in the grass
The artist is referring to the dead crops lying in the field
Off of distorts or pour the one tall glass and nauseous
The sight of the dead crops is sickening
And I'm asking you, why's this spy supply hiding in strangers
The artist is questioning why the crop supply is being hidden in unknown places
When they know atop the food chains I could spot biters for acres
The singer believes that they are capable of identifying problem areas related to crop supply
Now be gracious, these minstools turn a bully's psycho civil
The artist is asking for cooperation from those responsible for the crop supply chain to avoid creating more problems.
By dissolving the candy coated image down to the pixels
By dissolving the superficial surface to uncover the truth
Yelp bringing the self-stop freedom brigade investors
A group of investors who believe in the principle of individual freedom
And the studies connecting one hit wonders with dust collectors
Studies showing that many talented people only get their one chance to succeed and then they are forgotten
Puts it down, and it's down beneath your sappy sing alongs
This information and issue is deeper than just mindlessly singing along to songs
So stick it further down where the daunted decide which ring I'm on
This issue should be discussed among those who are not afraid to take a stand
Nova yell just took positions and advance march
A group of people are taking a more aggressive approach towards a goal
Parts playing a scheme parking the rain in my canteen now I'm like
A metaphor about wanting to control everything, even the rain in a canteen
Point I guess I could spare a splash for a couple of heads
The artist might be willing to share their water supply with a few people
Counterpoint during my famine I never got broke your bread
But in times of need, no one was willing to share their resources with the artist
Well equation of intrigue, yes, yes, let me fed sit for a bit
The artist is taking a moment to think about the complex issue at hand
These 'tensils need soaking before I hand out token
The singer needs to prepare and think before offering any assistance
"Shut the fuck up" drama like Kabuki with a heart of dirt
The intensity and drama of the situation is likened to a theatrical performance
Skull fucked cross bones hence my birth it hurts
The singer references their own pain and suffering
Must not sleep must warn others
The chorus repeats the need to stay alert and warn others
Trust blocks creep where the dust storm hovers
The danger comes from those we trust the most
I milk my habitat for almost everything I want
The artist takes what they need from their environment, with little regard for others
Sometimes I take it all and still can't feel this pitfall in my gut
Despite having everything they want, the artist still feels incomplete and unfulfilled
I'm trying to walk on top of sunshine
The singer wants to rise above negativity and challenges
Wanting the glory of our advance fire ants to water beetles
The singer wants recognition and success for themselves and their community
Free masons adjacent debasing on pins and needles
The freemasons are concerned about a potential threat or problem
Pupil turned pedagogue benedicts into my dream
A dream where the artist becomes a teacher or mentor
Beam in a billion bottle rockets off the golden mezzanine
An image of many fireworks going off at once
I pluck the pedals off a classic blood rose one at a time
The singer is destroying something beautiful, piece by piece
Gripping the stem and right invite the thorns to dig up in my lifeline
The artist is willing to endure pain to achieve their goals
A metaphor for nighttime, ante up the slight cost of exhaustion
A metaphor equating hard work and effort to night-time
To salute the moon of our paradise lost and you're a spectator
To honor the memory of something lost, even if others don't understand
Stringent, inch by sacred inch shoveling colon in my earthworm soul
Working hard, step by step, to achieve a goal
Borough up through the dirt with bloody digit lick my knuckles clean
The artist is working so hard and so intensely that their hands are raw
Noting the corporate clusters holding hands round the abode of the dam
The artist is observing groups of powerful people gathering together
And what's your poison? Starlight and amaze her with a nicotine chaser
A rhetorical question about what motivates people, with a reference to addiction
Sip it clean savor the taste then sit and dream later
Enjoying the moment but putting off dealing with reality
The ollage pay their back upon they hinges twenty miles
The artist is referencing a community coming together to build something, despite the challenge
Across the glassy eye window of one less to passes by
The artist is observing something from a distance
Now I'm six foot four with a sick flow walk up just to recline
The artist is talented and confident in their abilities
With no free time, the alarm storms at nine
The singer is very busy and has to keep a rigorous schedule
My daytime's on some, yes sir, okay sir, right away sir
The artist has a job where they have to be obedient and follow orders
Sir do you mind if I breathe sir oh you do? Well excuse me sir fuck you
The singer is frustrated with having to be so obedient and not being allowed to express themselves
I breathe slow, I'm running with these fantastic amalgams
The singer is taking things slowly, but still progressing
Painting casket bound careers to pierce gunning with classic albums
Creating something meaningful but also something that will last beyond their time
Security's the javelin, catch it; labor
The artist believes that security is the key to success, and that hard work is necessary
Clocked in at seven six and haven't clocked out ever since
The artist is working constantly, without any breaks or rest
Lyrics © O/B/O APRA AMCOS
Written by: ANTHONY SIMON, IAN BAVITZ
Lyrics Licensed & Provided by LyricFind