Bavitz was born in Syosset, New York and grew up in Northport, New York. While attending college, Bavitz initially recorded and released two self-financed efforts, Music for Earthworms (1997), a full-length featuring underground artist Percee P on two tracks. Bavitz also released a music video to "Abandon All Hope", which was one of the tracks on the CD. The album sold over 300 copies, largely from a grassroots internet-based promotion at his website AesopRock.com and then-popular web portal, MP3.Com. It was a success. With the money he made from his previous release, he then released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit.[citation needed] Both of his early records were produced by long-time friend Blockhead, and underground producer Dub-L. He completed these albums while also working as a waiter.
After his breakthrough success in the underground hip hop and indie rap community, he was eventually noticed by the Mush label and obtained his first record deal in 1999, just a year after he graduated from college. Aesop released his first major album, Float (2000), with guest appearances from Vast Aire, Slug, and Dose One. Production was split between Blockhead and Aesop himself, with one track by Omega One. During this time, Aesop worked at a photography gallery. In August 2001 tragedy struck when Bavitz had a nervous breakdown. The song "One of Four" on his Daylight EP documents his struggles.
Shortly after releasing Float, Aesop Rock signed to Manhattan-based label Definitive Jux (commonly shortened to Def Jux), where he released Labor Days (2001), an album dedicated to the discussion of labor in American society and the concept of "wage slaves". This album was most well known for its single "Daylight". Because of its popularity, Daylight was re-released in 2002 as a seven-track EP, including an "alternative" new version of the song "Night Light", whose paraphrased lyrics simultaneously refer back to, and stand in stark opposition to, the original's. The song "Labor" (from Labor Days) was featured in Tony Hawk's Pro Skater 4; it also was the first album in his catalog to break through the Billboard charts, peaking at number 15 at the United States Independent Charts, giving Aesop Rock more recognition.
Labor Days was followed by Bazooka Tooth in 2003. For the first time, production was mostly handled by Rock himself, with three tracks from longtime collaborator Blockhead and one from close friend and Definitive Jux label CEO El-P. Guest appearances include Party Fun Action Committee, El-P, and Mr. Lif (all Definitive Jux labelmates) and Camp Lo. With this release Aesop hit a higher level of recognition, releasing "No Jumper Cables" as a single and music video, then another single, "Freeze", shortly after. A remix of "No Jumper Cables" was featured on Tony Hawk's Underground 2, furthering Aesop's recognition. In 2004, He released Build Your Own Bazooka Tooth and created a contest in which you had to create a remix of an Aesop Rock song using the a cappellas and instrumentals.
In February 2005, Aesop Rock released a new EP, Fast Cars, Danger, Fire and Knives. The first pressing of the EP included an 88-page booklet with lyrics from every release from Float until this EP (the lyric booklet is titled The Living Human Curiosity Sideshow); later pressings of the album come without the booklet, but with an additional bonus track, "Facemelter". In addition, a limited number of albums were available direct from Def Jux with Aesop Rock's graffiti tag on them. In response to demands from his fans, Rock did less production on the EP: three songs are produced by Blockhead, three produced by Aesop, and one by Rob Sonic. During this time he was asked to join The Weathermen to replace Vast Aire.
Aesop Rock was commissioned to create a 45-minute instrumental track for the Nike+iPod running system, entitled All Day. It was released in February 2007. Distributed via the iTunes Music Store and featuring his wife Allyson Baker on guitar and scratches from DJ Big Wiz, Aesop has described the release as "something that evolved enough that the sound was constantly fresh and attractive, as though the runner were moving through a set of differing cities or landscapes."
All Day was followed in August of the same year by Bavitz's fifth full-length album, None Shall Pass released in 2007. The album also contained original artwork by Jeremy Fish. About Jeremy Fish, Aesop Rock said: "Man that guy is my hero. We have a friend in common who hit me up a while back saying that this guy Jeremy Fish had an opportunity to pitch a cartoon to Disney and wanted me to be involved in the music side. I flipped out cuz I was also a fan of his, and owned some of his work." Aesop Rock also teamed up with Jeremy Fish again in a project called Ghosts of the Barbary Coast. Aesop Rock made a song called "Tomorrow Morning", to go along with a slideshow of drawings that Jeremy Fish drew. This was displayed in San Francisco, but was also made available for download online. None Shall Pass had positive reviews from critics and fans, applauding Aesop for his change in sound.
In 2011, Rhymesayers released "Are You Going to Eat That?", the debut album from Hail Mary Mallon, a collaboration between Aesop Rock, Rob Sonic, and DJ Big Wiz.
On July 10, 2012, Rhymesayers released Aesop Rock's sixth studio album, "Skelethon". Its first single, "Zero Dark Thirty", was released four months earlier on April 10. A second single, "ZZZ Top", was released on June 29.
In 2011, Aesop Rock and Kimya Dawson of The Moldy Peaches formed the duo The Uncluded. The duo's debut album, "Hokey Fright" was released on May 7, 2013.
In 2018, Aesop Rock teamed up with TOBACCO to form Malibu Ken
Dorks
Aesop Rock Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Would the neighbors smell the corpse before the cat ate my face?
I used to floss the albatross like Daddy Kane with the chain
I'm trying to jettison the ballast with the hazardous waste
The kid is comfortably numb, routine a tedious crutch
Steep in a self-imposed Stockholm and Lima in flux
Maybe an occupation popular with demons and ducks
Made any mingling akin to being seasoned and stuffed
Miserable and flimsy from the skippies to the pissy pants
Each one separately convinced
They're sketching with Da Vinci's hands
Delusion turned the communication to prison camp
You fucking dorks ain't a threat to the cause
There ain't a lesson we can learn from the ostensibly lost
I think it's funny when defendants from identical haunts
Step out the tempest
A measure of what the spectrum involves
Maybe no one cares, party over here, I'll be over there
Don't need no help, all by myself
I used to hang around with rappers at the root of the scene
It meant a lot to feel the fugitive community breathe
Maybe to sentimentalize is to be truly naive
I know some shit about your heroes that you wouldn't believe
I think we're all a bunch of weirdos on a quest to belong
The songs are echolocation up in impregnable fog
That's why it's odd to see a pile of imperfections and flaws
Ascend a pedestal to patronize the rest of the cogs
In a mess of obnoxious fantasy, posturing and pageantry
I ain't even mad, I'm impressed, shit it's baffling
God almighty, chop an ivory tower to piano keys
Play your own dirge on the way to surfing maggot beach
You fuckin' dorks ain't a source of the art
You can't be cooler than the corners
Where you source all your parts
The poker-faced, all it takes a couple sordid remarks
We let the manticore out, We make the sorcery bark
Life is so unfair, party over here, I'll be over there
Don't need no help, all by myself
I view the rattling of sabers like a show to expose
Insecurities exploding in emotional code
When braggadocio to go from mostly jokey to gross
Corrode a homie 'til his probity is notably ghost
Before the hobby was a jobby was a miniature Hell
You would wobble round your momma like an infant gazelle
The disillusionment has truly been a difficult pill
But you as anything menacing is a difficult sell
In a whistle and bell-o-rama, black mollies that dress up like piranha
It's not even compelling melodrama
It's a comedy, somebody wanna shop you as a saga
I'm very voluntarily persona non grata
You fuckin' dorks ain't the leaders we need
This ain't the medium for divas out to weasel and breed
I'm often coffee with the paupers over tea with the queen
Don't make him show the regency what disobedient means
Heavy load to bear, party over here, I'll be over there
Don't need no help, all by myself
The lyrics to Aesop Rock's "Dorks" present a cynical commentary on the rap industry, societal dynamics, and human behavior. The first stanza paints a bleak picture of isolation and insignificance, posing the question of whether one's death would even be noticed. The second stanza focuses on the rapper's former involvement within the rap scene, acknowledging the sense of belonging that it provided while also critiquing the posturing and self-importance that often accompanies it. The third stanza criticizes the inflated egos and lack of genuine leadership within the industry, highlighting the futility of striving for popularity and acclaim.
Throughout the song, Aesop Rock employs dense and complex wordplay, using metaphors and allusions to expand on his themes. He also showcases his ability to flow effortlessly over the beat, shifting between different cadences and rhyming patterns. The overall effect is a biting and cynical commentary on the human condition, which challenges the listener to reflect on their own role in society and the rap industry.
Line by Line Meaning
Question, if I died in my apartment like a rat in a cage
Would the neighbors smell the corpse before the cat ate my face?
Wondering whether his death would go unnoticed in his lonely existence, as he has no one to care for him even in death.
I used to floss the albatross like Daddy Kane with the chain
I'm trying to jettison the ballast with the hazardous waste.
He was proud of his burdens earlier, now he is trying to shed them along with his dangerous habits.
The kid is comfortably numb, routine a tedious crutch
Steep in a self-imposed Stockholm and Lima in flux
He is willingly staying in his comfort zone to avoid being overwhelmed by change and change in behavior.
Maybe an occupation popular with demons and ducks
Made any mingling akin to being seasoned and stuffed
He relates his profession to something that's equally unhealthy, unappealing and not useful, making mingling with people more of a chore.
It's a theatre of jumping jellyfish, jealous little sycophants
Miserable and flimsy from the skippies to the pissy pants
The people around him are aimlessly dependent and seek validation, making their relationships weak, shallow and disloyal.
Each one separately convinced
They're sketching with Da Vinci's hands
Delusion turned the communication to prison camp
They suffer from an overinflated ego, believing they are architects of grand ideas, which only leads to isolation and communication breakdown.
You fucking dorks ain't a threat to the cause
There ain't a lesson we can learn from the ostensibly lost
He ridicules the people whom he believes are insignificant and purposeless to himself, impervious to their impact on his life.
Maybe no one cares, party over here, I'll be over there
Don't need no help, all by myself
He's dismissive about socializing, emphasizing self-sufficiency and non-dependency on others.
I used to hang around with rappers at the root of the scene
It meant a lot to feel the fugitive community breathe
Maybe to sentimentalize is to be truly naive
He felt closely associated with those who gave birth to the niche, which gave him a sense of purposeful belonging, until he realized such a sentimentality may be baseless.
I think we're all a bunch of weirdos on a quest to belong
The songs are echolocation up in impregnable fog
That's why it's odd to see a pile of imperfections and flaws
Ascend a pedestal to patronize the rest of the cogs
He thinks of people as misfits trying to find their place in the world through their art, but finding it morally wrong to put oneself on a higher pedestal to look down upon others.
In a mess of obnoxious fantasy, posturing and pageantry
I ain't even mad, I'm impressed, shit it's baffling
God almighty, chop an ivory tower to piano keys
Play your own dirge on the way to surfing maggot beach
He sarcastically admires the audacity of those who indulge in delusions and pretentiousness to create their form of art which he believes is trash or close to it.
You fuckin' dorks ain't a source of the art
You can't be cooler than the corners
Where you source all your parts
The poker-faced, all it takes a couple sordid remarks
We let the manticore out, We make the sorcery bark
He implies that those who he calls dorks are not original or skillful enough to create art of substance and that only slight indecent behavior can make them seem like fascinating artists.
I view the rattling of sabers like a show to expose
Insecurities exploding in emotional code
When braggadocio to go from mostly jokey to gross
Corrode a homie 'til his probity is notably ghost
He deduces the confident behavior of others as a display of their insecurities, because it comes across as boasting and is ultimately harmful to one's character.
Before the hobby was a jobby was a miniature Hell
You would wobble round your momma like an infant gazelle
The disillusionment has truly been a difficult pill
But you as anything menacing is a difficult sell
He remembers the time when the passion for art was purely for enjoyment, not commercial gain, which today seems like an uncertain, volatile and stressful way to live, and the only other alternative left is to present oneself as dangerous, which is unacceptable.
In a whistle and bell-o-rama, black mollies that dress up like piranha
It's not even compelling melodrama
It's a comedy, somebody wanna shop you as a saga
I'm very voluntarily persona non grata
He derides the heinous people's behavior for being insipid, unimaginative and humorless, yet they believe they are worthy of a biopic, whereas he chooses to be an outcast.
You fuckin' dorks ain't the leaders we need
This ain't the medium for divas out to weasel and breed
I'm often coffee with the paupers over tea with the queen
Don't make him show the regency what disobedient means
He asserts that those who lack influence, creativity, and honesty cannot guide the community, especially in an area where shameless self-promotion and insincerity of intentions are prevalent. He prefers the company of the underdog rather than the elite because he's not afraid to go against the norm.
Heavy load to bear, party over here, I'll be over there
Don't need no help, all by myself
Life is a burden that he must endure alone, and he's happy to stay away from social gatherings because it doesn't add anything to his happiness.
Lyrics © O/B/O APRA AMCOS
Written by: IAN MATTHIAS BAVITZ
Lyrics Licensed & Provided by LyricFind
@alexismartinez2548
Question: If I died in my apartment like a rat in a cage
Would the neighbors smell the corpse before the cat ate my face?
I used to floss the albatross like Daddy Kane with the chain
I'm tryin' to jettison the ballast with the hazardous waste
The kid is comfortably numb, routine a tedious crutch
Deep in a self imposed Stockholm and Lima influx
Maybe an occupation popular with demons and ducks
Made any mingling akin to bein' seasoned and stuffed
It's a theatre of jumpin' jellyfish, jealous little sycophants
Miserable and flimsy from the skivvys to the pissy pants
Each one seperately convinced
They're sketching with Da Vinci's hands
Delusion turn a communication of prison camp
You fuckin' dorks ain't a threat to the cause
There ain't a lesson we can learn from the ostensibly lost
I think it's funny when defendants from identical haunts
Step out the tempest to measure
Of what the spectrum involves
Maybe no one cares, party over here, I'll be over there
Don't need no help, all by myself
I used to hang around with rappers at the root of the scene
It meant a lot to feel the fugitive community breathe
Maybe to sentimentalize is to be truly naive
I know some shit about your heroes that you wouldn't believe
I think we're all a bunch of weirdos on a quest to belong
The songs are echolocation up in impregnable fog
That's why it's odd to see a pile of imperfections and flaws
Ascend a pedestal to patronize the rest of the cogs
And a mess of obnoxious fantasy, posturing and pageantry
I ain't even mad, I'm impressed, shit it's baffling
God almighty chop an ivory tower to piano keys
Play your own dirge on the way to surfin' maggot beach
You fuckin' dorks ain't a source of the art
You can't be cooler than the corners
Where you source all your parts
The poker face, all it takes a couple sordid remarks
We let the manticore out, We make the sorcery bark
Life is so unfair, party over here, I'll be over there
Don't need no help, all by myself
I view the rattling of sabres like a show to expose
Insecurities exploding in emotional code
With braggadocio to go from mostly jokey to gross
Corrode a homie til his probity is notably ghost
Before the hobby was a job he was a manager, Hell
You would wobble round your momma like an infant gazelle
The disillusionment has truly been a difficult pill
That you was anything menacing is a difficult sell
In a whistle-and-bellorama, black mollies to dress up like piranha
It's not even compelling melodrama
It's a comedy, somebody wanna shop you as a saga
I'm very voluntarily persona non grata
You fuckin' dorks ain't the leaders we need
This ain't the medium for divas out to weasel and breed
I'm off in coffee with the paupers over tea with the queen
Don't make 'em show the regency what disobedient means
Heavy load to bear, party over here, I'll be over there
@2012DVSONE
Aesop be like listen to my album but leave me the fuck alone.
@Jessmaestro69
ahhahahahahaahhaah dude this comment is gold!! thanks for the laugh
@hivemind116
He's a humble man. Respect the content but don't idolize the man who created it.
@mitchadams4790
hahahah
@altbritannia
You don't get the track. All by myself means he is on his own because of what he says.
Fools.
@altbritannia
You still don't get it.
@MindoftheNorthStar
"It's not even compelling melodrama
It's a comedy, somebody wanna shop you as a saga
I'm very voluntarily persona non grata"
GODDAMN
@fps_superpanda5088
that line is savage as fuuuuck
@orangeorphan
+Empty4330 "The disillusionment has truly been a difficult pill
but you as anything menacing is a difficult sell"
This song is dope!
@birdrustler
Aes never used to get this vicious, except maybe on "Try Not to Die"