Reverend Albert Green (born April 13 1946 in Forrest City, Arkansas) is an … Read Full Bio ↴Reverend Albert Green (born April 13 1946 in Forrest City, Arkansas) is an American Grammy award winning soul and gospel singer who enjoyed great popularity in the 70s with hit singles such as "Let's Stay Together", Tired of Being Alone", and "You Oughta Be With Me". Green has boasted a voice capable of both fluid high streams of sugar and deep south growls and rasps. He has sold over 20 million records worldwide, and he was also inducted into the Rock and Roll Hall of Fame in 1995, being referred to as "one of the most gifted purveyors of soul music."

Green was born in Forrest City, Arkansas. He started performing at age ten in a Forrest City quartet called the Greene Brothers; he dropped the final "E" from his last name years later as a solo artist. They toured extensively in the mid-1950s in the South until the Greenes moved to Grand Rapids, Michigan, when they began to tour around Michigan. His father kicked him out of the group because he caught Green listening to Jackie Wilson.

In 1967 at the age of 16, Al formed an R&B group, Al Green & the Creations, with several of his high-school friends. Two Creation members, Curtis Rogers and Palmer James, founded their own independent record company, Hot Line Music Journal, and had the group record for the label. By that time, the Creations had been re-named the Soul Mates. The group's first single, "Back Up Train," became a surprise hit, climbing to number five on the R&B charts early in 1968. The Soul Mates attempted to record another hit, but all of their subsequent singles failed to find an audience. In 1969, Al Green met bandleader and Hi Records vice president Willie Mitchell while on tour in Midland, Texas. Impressed with Green's voice, he signed the singer to Hi Records, and began collaborating with Al on his debut album

He was perhaps the ideal complement to the orchestral, syrupy, strong soul production work of Hi Records wizard Willie Mitchell, who also helmed 70s classics for Syl Johnson, Ann Peebles, and himself.

On October 18, 1974, Mary Woodson, a woman who was his longtime girlfriend, threw a large pot of sticky boiling grits on him as he was preparing to shower, because he didn't want to get married. She committed suicide in minutes, which deeply affected Green to turn to God and religion. This assault from behind caused third-degree burns on his back, stomach and arm. Deeply shaken, Green continued to reaffirm and grow closer to his deeply held love for God, and became an ordained pastor of the Full Gospel Tabernacle in Memphis in 1976.
Continuing to record R&B, Green saw his sales start to slip and drew mixed reviews from critics. 1977's The Belle Album was critically acclaimed but did not regain his former mass audience. In 1979 Green injured himself falling off the stage while performing in Cincinnati and interpreted this as a message from God. He then concentrated his energies towards pastoring his church and gospel singing, also appearing in 1982 with Patti Labelle in the Broadway musical Your Arms Too Short to Box with God. According to Glide Magazine, "by the late 70s, he had begun concentrating almost exclusively on gospel music." His first gospel album was The Lord Will Make a Way. From 1981 to 1989 Green recorded a series of gospel recordings, garnering eight "soul gospel performance" Grammys in that period. In 1985, he reunited with Willie Mitchell along with Angelo Earl for He Is the Light, his first album for A&M Records. In 1984, director Robert Mugge released a documentary film, Gospel According to Al Green, including interviews about his life and footage from his church. In 1989, Green released "I Get Joy", again with producer/guitarist Angelo Earl. In 2001, he appeared in the movie and soundtrack of On the Line featuring Lance Bass.

After spending several years exclusively performing gospel, Green began to return to Rhythm & Blues. First, he released a duet with Annie Lennox, "Put a Little Love in Your Heart" for Scrooged, a 1988 Bill Murray film. In 1989 Green worked with producer Arthur Baker writing and producing the international hit "The Message Is Love". In 1991 he created the introductory theme song for the short-lived television series Good Sports featuring Ryan O'Neal and Farrah Fawcett. In 1992, Green recorded again with Baker, the Fine Young Cannibals, and reunited with his former Memphis mix engineer (this time functioning as producer) Terry Manning, to release the album Don't Look Back. His 1994 duet with country music singer Lyle Lovett blended country with R&B, garnering him his ninth Grammy, this time in a pop music category. Green's first secular album in some time was Your Heart's In Good Hands (1995), released to positive reviews but disappointing sales, the same year Green was inducted into the Rock and Roll Hall of Fame.
In 2000, Green published Take Me to the River, a book discussing his career. Green received a Grammy Lifetime Achievement Award in 2002.
In 2001, Green's live cover of Sam Cooke's "A Change Is Gonna Come" was released on the soundtrack to Will Smith's film Ali (the song plays when Muhammad Ali learns of the death of close friend Malcolm X).
By 2003 Green released a non-religious (secular) album entitled I Can't Stop, his first collaboration with Willie Mitchell since 1985's He is the Light. In March 2005 he issued Everything's OK as the follow-up to I Can't Stop. Green also collaborated with Mitchell on this secular CD.

The title of Al Green's latest album Lay It Down released May, 2008, truly tells it like it is. Conceived as a collaboration between the soul legend and a handful of gifted young admirers from the worlds of contemporary R&B and hip hop, the album is drawn from a series of inspired sessions that yielded the most high-spirited, funky and often lushly romantic songs of Green's latter-day career.

The project features the sophisticated R&B voices of singer-songwriters John Legend, Anthony Hamilton and Corinne Bailey Rae, and it was co-produced with Green by two of hip-hop's most innovative players, drummer Ahmir "?uestlove" Thompson from the Roots and keyboardist James Poyser , the go-to guy for high-profile artists ranging from Erykah Badu to Common. Add in Brooklyn's celebrated Dap-King Horns (Sharon Jones, Amy Winehouse), guitarist Chalmers "Spanky" Alford (Mighty Clouds of Joy, Joss Stone) and bassist Adam Blackstone (Jill Scott, DJ Jazzy Jeff), among others, and you've got a modern soul-music dream team, fronted by the most expressive voice in the business.

The City
Al Green Lyrics

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I can think of younger days
When living for my life
Was everything a man could want to do
I could never see tomorrow
But I was never told about the sorrow

And how can you mend a broken heart?
How can you stop the rain from falling down?

Tell me how can you stop
The sun from shining?
What makes the world go round?

How can you mend this broken man?
How can a loser ever win?
Somebody please help me mend my broken heart
And let me live again

I can still feel the breeze
That rustles through the trees
And misty memories of days gone by
But we could never see tomorrow
Would you believe that no one
No one ever told us about the sorrow

So how can you mend a broken heart?
How can you stop the rain from falling down?
How can you stop the sun from shining?
What makes the world go round?
And sometimes I've got to say

Tell me help me mend this broken man?
How can a loser ever win?
Please help me mend my broken heart
And let me live again

How can you mend this broken man?
How can a loser ever win, baby?
Please help me mend my broken heart

I think I'll let me live again

So how can you mend this broken heart?
How can you stop the rain from falling down?

Help me mend my broken heart
And let me live again

Overall Meaning

In "The City" by Al Green, the lyrics paint a picture of a broken man reflecting on his past and longing for a chance to mend his broken heart and find happiness again. The song begins with the singer reminiscing about his younger days when he lived for his own desires and ambitions. He confesses that he never had the foresight to see the sorrow that would come with it.

The chorus poses a series of questions, asking how one can mend a broken heart and stop the rain from falling down. These questions convey the desperation and vulnerability of the singer, as he seeks answers and solutions to the pain he carries. He wonders how it is possible to prevent the sun from shining, symbolizing the constant reminder of his loss and the difficulties he faces.

The lyrics also express a sense of disillusionment and regret, as the singer acknowledges that he never received any guidance or warning about the sorrow and challenges of life. The memories of better days and the breeze that rustles through the trees serve as reminders of what he has lost and what he longs to recapture.

Overall, "The City" is a heartfelt plea for help and a desire to find healing and the opportunity to live again. It encapsulates the universal theme of trying to mend a broken heart and the longing for a chance at redemption and happiness.

Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: AL L. GREEN, CHARLES EDWARD SR. HODGES

Lyrics Licensed & Provided by LyricFind

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