Cumming was born in Aberfeldy, Scotland, the son of Mary, an insurance company secretary, and Alex Cumming, a forester. He has one older brother, Tom. Cumming attended Monikie Primary School and Carnoustie High School and originally aspired to a career in veterinary medicine; but a personality clash with his biology teacher put him off the idea and he subsequently set his sights on becoming an actor. Following graduation, he spent a year and a half employed as an editor for the Scottish pop magazine TOPS before entering the Royal Scottish Academy of Music and Drama.
Developing his talents off-camera, Cumming co-wrote, co-directed, co-produced, and co-starred in the ensemble film The Anniversary Party with friend and former Cabaret co-star Jennifer Jason Leigh, in 2001. The two starred in the movie as a Hollywood couple.
Cumming plays a psychotic ex-amusement park employee in David Munro's upcoming Full Grown Men, which will be shown in theaters throughout the U.S. in summer 2008.
In 2008, Cumming will provide the voice of Adolf Hitler in the film Jackboots on Whitehall. He is also the host of the 2008 season of the PBS 'Mystery" series.
During his career, Cumming has also directed two short films, Butter and Burn Your Phone - the latter was firstly a one-off drama on BBC Radio 4, however the nature of the narrative meant that it translated poorly to television.
2003 saw him playing a cameo role in the successful American sitcom Frasier, playing Niles's yoga instructor.
In 2004, he starred in Showtime's Reefer Madness: The Movie Musical in which he played the role of The Lecturer - a versatile character who narrates the story and transforms himself into several other minor characters. Shortly afterwards, he had a short role in Richard Bell's provocative feature film Eighteen, which was narrated by Ian McKellen. Having also worked together on X2: X-Men United, and also linked by their work for gay rights, they have become friends.
Cumming played the role of Bill Blaikie, a party promoter hired by Kit Porter to manage her café cum nightclub, in season 3 of The L Word. He appeared in episodes 2 to 7, which originally aired on Showtime in 2006.
In 2007, Cumming played Glitch/Ambrose, an inventor whose brain had been partially removed, in the TV miniseries, Tin Man. He also provided the voice of Chuck Masters, a 50 year-old, paralyzed, HIV-positive gay man in Logo's Rick and Steve, a stop animation sitcom created by Q. Allan Brocka.
Cumming also appeared as the third celebrity hijacker in Big Brother: Celebrity Hijack, giving the housemates a method acting task in which they had to stay in character all day and then produce an improvised play.
Cumming had a highly acclaimed performance as the impish Emcee in the 1998 Broadway revival of Cabaret, for which he won a Tony, as well as other awards.[5] He had previously played the role in a production at London's famed Donmar Warehouse theatre, for which he had been nominated for an Olivier Award.[5] Both productions were directed by Sam Mendes.
Other stage roles have included Otto in the 2001 Broadway production of Design for Living by Noel Coward, Valere in David Hirson's multi award-winning La Bete, the title role in the 1993 English Touring Theatre's Hamlet (playing opposite his then-wife, Hilary Lyon, in the role of Ophelia), and The Madman in the 1990 Royal National Theatre production of Accidental Death of an Anarchist by Dario Fo, for which he won an Olivier Award.
In 2002, Cumming and then-boyfriend British director Nick Philippou formed the production company The Art Party. The company's first play was the first English production of Jean Genet's play Elle, which Cumming had adapted from a literal translation by Terri Gordon. The play was hugely successful, however, the company folded in 2003.
In 2006, Cumming returned to the stage, firstly performing in a revival of the Bertolt Brecht-Kurt Weill musical The Threepenny Opera opposite Cyndi Lauper. They later performed at the Tony Awards. In late 2006, he appeared in the West End playing the lead role in Bent, a play about homosexuals in Germany under the Nazis. In 2007 he took the lead role in the National Theatre of Scotland's production of The Bacchae, which premiéred at the Edinburgh Festival in August, transferring to the Lyric Theatre in London during September.
Cumming performed alongside Dianne Wiest in Classic Stage Company's production of Anton Chekhov's The Seagull, directed by Viacheslav Dolgachev. In 2008, he played a lead role in a National Theatre of Scotland production of 'The Bacchae'.
Cumming has also dabbled in other media. His first novel, Tommy's Tale, was published in 2002. He has also written many articles for magazines, notably as a contributing editor for Marie Claire magazine, writing articles about the haute couture shows in Paris. In addition to various film and musical soundtracks on which he has appeared, in 2001, he recorded a duet of "Baby, It’s Cold Outside" with Liza Minnelli to raise money for Broadway Cares/Equity Fights AIDS and the September 11 Fund.
Cumming also has his own range of beauty products, the initial product being a cologne called "Cumming: the Fragrance", as well as a series of other bath/body products, many with suggestive names such as "Cumming All Over" body wash.
Cumming served as a delegate for the Creative Coalition during the 2004 Democratic National Convention in Boston. In this same vein, he contributed to If You Had Five Minutes with the President, an original non-partisan collection of 55+ essays by members or supporters of The Creative Coalition.
Recent projects include adapting his novel for the screen, and several gay-themed films: Gray Matters, Coming Out and Suffering Man's Charity.
Cumming divides his time between New York City and London with his dog, Honey. Alan has dated both men and women, and was once described in The Observer as "a frolicky pan-sexual sex symbol for the new millennium," though he has stated that he thinks of himself as bisexual.
In 1985, he married Hilary Lyon. However, they divorced in 1993, and he subsequently became involved in several shorter relationships over the next two years, including one with Saffron Burrows.
He wed graphic artist Grant Shaffer in a civil ceremony at the Old Royal Naval College Greenwich on January 7, 2007. The couple met in 2004 and dated for two years before the union. In a profile for The Times, he recently stated that he "would dearly like to adopt a child." In March 2005, he was honoured with the Vito Russo Award at the 16th Annual GLAAD Media Awards for outstanding contributions toward eliminating homophobia.
In November 2006, he was made a Doctor of Arts when given an honorary degree from the University of Abertay Dundee.
Cumming is openly bisexual, an LGBT rights activist, and has promoted gay rights on both sides of the Atlantic with organisations such as GLAAD and the HRC, as well as working for several AIDS charities, including AMFAR and Broadway Cares/Equity Fights AIDS. He is also a member of the Creative Coalition, an organisation to bring public awareness of social issues. He was presented with the San Francisco Human Rights Campaign's Humanitarian Award in 2005.
Cumming became a patron of NORM-UK, a UK registered charity concerned with the foreskin and genital integrity.
All I Know
Alan Cumming Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
We both bruise too easily
Too easily to let it show
I love you and that's all I know
All my plans have fallen through
All my plans depend on you
Depend on you to help them grow
When the singer's gone
Let the song go on
But the ending always comes at last
Endings always come too fast
They come too fast but they pass to slow
I love you and that's all I know
When the singer's gone
Let the song go on
It's a fine line between the darkness and the dawn
They say in the darkest night, there's a light beyond
But the ending always comes at last
Endings always come too fast
They come too fast but they pass to slow
I love you and that's all I know
That's all I know
That's all I know
The song "All I Know" by Alan Cumming is about the complexities of love and relationships. The singer acknowledges the vulnerability that comes with being in love and how it can lead to hurt and pain, as seen in the opening lyrics "I bruise you, you bruise me, we both bruise too easily." Despite this, the singer expresses a sense of helplessness in their love for the other person: "I love you and that's all I know."
The song suggests that the singer's plans and life are intertwined with the object of their love, as "all my plans depend on you." The idea of the "singer" becoming a metaphor for the fleeting nature of life and love is introduced, as the singer acknowledges that "the ending always comes at last" and "endings always come too fast."
The song also touches on the theme of hope that is often present in love songs, as the singer notes the "fine line between the darkness and the dawn" and "they say in the darkest night, there's a light beyond." Despite this hope, however, the song concludes with the singer reiterating their main point: "I love you and that's all I know."
Line by Line Meaning
I bruise you, you bruise me
We hurt each other as we go through life
We both bruise too easily
We are both too sensitive and vulnerable
Too easily to let it show
We hide our emotional pain and pretend that everything is okay
I love you and that's all I know
Despite our fragility and weaknesses, the only thing I am certain of is my love for you
All my plans have fallen through
My aspirations and dreams have not materialized
All my plans depend on you
You are my source of hope and inspiration for the future
Depend on you to help them grow
I rely on you to support and encourage me in pursuing my goals
When the singer's gone
When life has come to an end
Let the song go on
Let the love and memories we shared continue beyond death
But the ending always comes at last
Regardless of how much we wish to hold on to love, it will eventually come to an end
Endings always come too fast
We are never prepared for love to end
They come too fast but they pass too slow
The pain of love ending is intense and lasts longer than we expect
It's a fine line between the darkness and the dawn
There is a delicate balance between despair and hope
They say in the darkest night, there's a light beyond
There is always hope, even in the bleakest of times
That's all I know
Despite life's uncertainties, my love for you remains a constant
Contributed by Logan J. Suggest a correction in the comments below.