One of the "Three Kings of the Blues Guitar" (along with B.B. King and Freddie King), Albert King stood 6' 4", weighed 250 lbs and was known as "The Velvet Bulldozer". He was born Albert Nelson on a cotton plantation in Indianola, Mississippi. During his childhood he would sing at a family gospel group at a church. One of 13 children, King grew up picking cotton on plantations near Forrest City, Arkansas where the family moved when he was eight years old. He began his professional work as a musician with a group called In The Groove Boys in Osceola, Arkansas. He had also briefly played drums for Jimmy Reed's band and on several early Reed recordings. Influenced by blues musicians Blind Lemon Jefferson and Lonnie Johnson, but also interestingly Hawaiian music, the electric guitar became his signature instrument, his preference being the Gibson Flying V, which he named "Lucy".
King was a left-handed "upside-down/backwards" guitarist. He was left-handed, but usually played right-handed guitars flipped over upside-down so the low E string was on the bottom. In later years he played a custom-made guitar that was basically left-handed, but had the strings reversed (as he was used to playing). He also used very unorthodox tunings (i.e., tuning as low as C to allow him to make sweeping string bends). Some believe that he was using open E minor tuning (C-B-E-G-B-E) or open F tuning (C-F-C-F-A-D). A "less is more" type blues player, he was known for his expressive "bending" of notes, a technique characteristic of blues guitarists.
He recorded his first record in 1953 for Parrot Records in Chicago, but it had no impact. His first minor hit came in 1959 with Lonely Man written by Bobbin Records A&R man and fellow guitar hero Little Milton, responsible for King's signing with the label. However, it was not until his 1961 release Don't Throw Your Love on Me So Strong that he had a major hit, reaching number fourteen on the U.S. Billboard R&B chart. In 1966 he signed with the Stax record label. Produced by Al Jackson, Jr., King with Booker T. & the MG's recorded dozens of influential sides, such as Crosscut Saw and As The Years Go Passing By, and in 1967 Stax released the album, Born Under a Bad Sign. The title track of that album (written by Booker T. Jones and William Bell) became King's best known songs and has been covered by many other artists.
Another landmark album followed in Live Wire/Blues Power from one of many dates King played at promoter Bill Graham's Fillmore venues. It had a wide and long-term influence on Jimi Hendrix, Eric Clapton, Robbie Robertson, and later Gary Moore and Stevie Ray Vaughan (Criminal World, on David Bowie's 1983 release Let's Dance, features a guitar solo copied note-for-note from his hero Albert King by young session musician Stevie Ray Vaughan).
In the 1970s, King was teamed with members of The Bar-Kays and The Movement (Isaac Hayes's backing group), including bassist James Alexander and drummer Willie Hall adding strong funk elements to his music. Adding strings and multiple rhythm guitarists, producers Allen Jones and Henry Bush created a wall of sound that contrasted the sparse, punchy records King made with Booker T. & the MG's. Among these was another of King's signature tunes with I'll Play the Blues For You in 1972.
Recorded in December 1983, In Session captures an in-concert jam between Albert King and Stevie Ray Vaughan
As he hit his mid-sixties King began to muse about retirement, not unreasonable given that he had health problems. Nevertheless, when near to death, he was planning yet another overseas tour.
King died on December 21, 1992 from a heart attack in Memphis, Tennessee.
Hound Dog
Albert King Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You ain't nothin' but a hound dog, you keep cryin' all the time
You ain't never caught a rabbit, ya ain't no friend of mine
They say you was a high class, but I could see through that
You said you was a high class, but I could see through that
Ya ain't never caught a rabbit, ya ain't no friend of mine
You ain't nothin' but a hound dog, you keep cryin' all the time
You ain't never caught a rabbit, ya ain't no friend of mine
You said you was high class, but I could see through that
You told me you was high class, but I could see through that
You ain't never caught a rabbit, you ain't no friend of mine
You ain't nothin' but a hound dog, keep cryin' all the time
You ain't nothin' but a hound dog, you keep cryin' all the time
You ain't never caught a rabbit, you ain't no friend of mine
Now look out there!
Yeah, Oh haha
The song "Hound Dog" by Albert King is a classic blues song that is full of subtle meanings and metaphors. On the surface, the song appears to be a straightforward dismissal of a man who is not as impressive as he claims to be. The lyrics are delivered in a mocking and sarcastic tone, where the singer tells the man that he is nothing but a hound dog who cries all the time. The repetition of the phrase "you ain't never caught a rabbit" emphasizes that the man is not as skilled or successful as he portrays himself.
However, the song contains deeper meanings that are often missed by listeners. In the context of African American culture, the rabbit symbolizes success and achievement. By saying that the man has never caught a rabbit, the singer is implying that the man has never achieved anything significant. The song can be interpreted as a critique of people who boast of their success but have not accomplished anything of substance.
Moreover, the references to class in the lyrics are significant as well. The singer accuses the man of claiming to be high class but sees through that facade. The song may be seen as a commentary on the culture of social climbing, where people try to move up the social ladder without actually having the qualities that make them deserving of that status.
Line by Line Meaning
You ain't nothin' but a hound dog, keep cryin' all the time
You are not any better than a hound dog who howls incessantly
You ain't nothin' but a hound dog, you keep cryin' all the time
You are like a hound dog that continues to cry and whine
You ain't never caught a rabbit, ya ain't no friend of mine
You have never accomplished anything and are not someone I would consider a friend
They say you was a high class, but I could see through that
Despite what others say about you being classy, I could see that it was not true
You said you was a high class, but I could see through that
Even though you claimed to be a classy individual, I could easily see past your facade
You ain't never caught a rabbit, ya ain't no friend of mine
Your lack of achievement and success means that I cannot consider you a friend
You told me you was high class, but I could see through that
Your attempt to convince me that you were of high class was transparent and unconvincing
Now look out there!
Pay attention and be alert
Yeah, Oh haha
An exclamation of amusement or delight
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
Written by: Jerry Leiber, Mike Stoller
Lyrics Licensed & Provided by LyricFind
ombidho1
If you don't like this, then you ain't nothing but a hound dog..lol
Mick Hutchinson
Fantastic !!
Gustavo Rodriguez
UFF, INCREDIBLE
TheEnglishRedneck45
How the hell did Elvis get mo coverage than Albert King. King's blue suede shoes trample Elvis'.
Devil's Advocate
yeah, but there really were only 4 kings.