Howard Andrew Williams (born December 3, 1927 in Wall Lake, Iowa, died Sept… Read Full Bio ↴Howard Andrew Williams (born December 3, 1927 in Wall Lake, Iowa, died September 26, 2012), known as Andy Williams, was an American pop singer.

He first performed in a children's choir at his local Presbyterian church. Williams and his three older brothers Bob, Dick, and Don, formed a quartet, the Williams Brothers, in the late 1930s. The brothers performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati. Williams graduated from Western Hills High School in Cincinnati. They appeared with Bing Crosby on the hit record "Swinging on a Star" (1944). This led to a nightclub act with entertainer Kay Thompson from 1947 to 1951.

Williams's solo career began in 1952 after his brothers left the act. He recorded six sides for RCA's label "X," but none of them were popular hits. After landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song," "Are You Sincere," "The Village of St. Bernadette," and "Lonely Street," before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles. In terms of chart popularity, the Cadence era was Williams's peak although songs he introduced on Columbia became much bigger standards. Two top ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love" were apparently believed to not suit Williams's later style; they were not included on a Columbia reissue of his Cadence greatest hits in the 1960s.

During the 1960s, Williams became one of the most popular vocalists in the country and signed what was to that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra and Elvis Presley. By 1973 he had earned as many as 17 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. In these recordings Williams displays an incredible vocal technique along with an uncanny ability to make each song his very own, often rivaling or surpassing the version by the original artist. These attributes, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era.

Williams forged an indirect collaborative relationship with Henry Mancini, although they never recorded together. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" at the 1962 Oscar Awards (where it won), and it quickly became Williams's theme song. This was repeated the next year with the pair's "Days of Wine and Roses" (which also won), Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards.

Williams also competed in the teenage-oriented singles market as well and had several charting hits including "Can't Get Used to Losing You," "Happy Heart," and "Where Do I Begin", the theme song from the 1970 blockbuster film, Love Story. Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years. He hosted the Grammy Awards for three consecutive years in the 1970s. He returned to television to do a syndicated half-hour series in 1976-77.

In the early 1990s, Williams gave up most of his touring schedule in order to open his own theatre in Branson, Missouri, the Andy Williams Moon River Theater. He continues to do 8 to 12 shows a week from September to December and occasionally makes tours of Europe earlier in the year.

His 1967 recording of "Music to Watch Girls By" was a surprise UK hit in 1999, when it reached number 9 after featuring in an advert (beating the original peak of number 33 in 1967). In 2002 he took part in a new duet of "Can't Take My Eyes Off You" with British actress and singer Denise van Outen. Nearly everything Williams ever recorded has now been made available on CD through a series of compilations from 1997 to 2004.

Williams met Claudine Longet when he pulled over to aid her on a Las Vegas road. She was a dancer at the time at the Folies Bergere. They married on Christmas Day, 1961, and had three children, Noelle, Christian, and Robert. They separated in 1969 and finally divorced 6 years later. In 1976 Longet was charged with fatally shooting her boyfriend, skier Vladimir "Spider" Sabich and Williams supported her. He married a second time in May 1991 to the former Debbie Haas. They make their homes at Branson, Missouri and La Quinta, California. Williams' homes have been featured in Architectural Digest, and he is a noted collector of modern art. Williams is an avid golfer. He hosted a major golf tournament in San Diego for many years, which was known as the Andy Williams San Diego Open during that time.

Williams' birthplace is a tourist attraction open most of the year.

Change Partners
Andy Williams Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Must you dance every dance
With the same fortunate man?
You have danced with him
Since the music began
Won't you change partners and dance with me

Must you dance quite so close
With your lips touching his face

Can't you see I'm longing to be in his place
Won't you change partners and dance with me

Ask him to sit this one out
While you're alone
I'll tell the waiter to tell him
He's wanted on the telephone

You've been locked in his arms
Ever since heaven knows when
Won't you change partners and then
You may never want to change partners again

You have danced with him
Since the music began
Won't you change partners and dance with me
Can't you see I'm longing to be in his place
Won't you change partners and dance with me

Ask him to sit this one out
While you're alone
I'll tell the waiter to tell him
He's wanted on the telephone

You've been locked in his arms
Ever since heaven knows when

Won't you change partners and then
You may never want to change partners again

Overall Meaning

"Change Partners" by Andy Williams is a song that explores the singer's longing for a different romantic partner. The lyrics convey the singer's desire for change in the midst of a dance, where they observe their current partner being consistently favored. They ask if their partner must always dance with the same fortunate man, expressing their wish to be chosen instead. The lyrics also express the singer's romantic yearning, depicting a scene where their current partner dances closely, with lips touching the other man's face. The singer longs to be in that position, hoping for a chance to change partners and dance with their love interest.

The singer suggests that they ask the current partner to sit out a dance, giving them an opportunity to be alone and potentially take their place. They plan to discreetly inform the other man that they are wanted on the telephone, allowing the singer and their love interest to be together. The lyrics also hint that the current partner has been in the arms of the fortunate man for an extended period, emphasizing the singer's desire for a change in their relationship dynamics.

Overall, "Change Partners" illustrates the singer's longing for a romantic switch and the hope that their love interest may never want to go back to their original partner once they experience dancing together.

Line by Line Meaning

Must you dance every dance With the same fortunate man?
Do you have to dance every dance with the same lucky man?

You have danced with him Since the music began
You have been dancing with him from the very beginning of the music

Won't you change partners and dance with me
Wouldn't you consider switching partners and dancing with me?

Must you dance quite so close With your lips touching his face
Do you have to dance so intimately with your lips touching his face?

Can't you see I'm longing to be in his place
Don't you see how much I desire to be in his position?

Won't you change partners and dance with me
Would you please change partners and dance with me?

Ask him to sit this one out While you're alone
Request him to skip this dance while you are by yourself

I'll tell the waiter to tell him He's wanted on the telephone
I will instruct the waiter to inform him that he is needed on the phone

You've been locked in his arms Ever since heaven knows when
You have been tightly embraced by him for an indefinite amount of time

Won't you change partners and then You may never want to change partners again
Wouldn't you consider switching partners, as it may make you never want to change partners again?