Howard Andrew Williams (born December 3, 1927 in Wall Lake, Iowa, died Sept… Read Full Bio ↴Howard Andrew Williams (born December 3, 1927 in Wall Lake, Iowa, died September 26, 2012), known as Andy Williams, was an American pop singer.

He first performed in a children's choir at his local Presbyterian church. Williams and his three older brothers Bob, Dick, and Don, formed a quartet, the Williams Brothers, in the late 1930s. The brothers performed on radio in the Midwest, first at WHO in Des Moines, Iowa, and later at WLS in Chicago and WLW in Cincinnati. Williams graduated from Western Hills High School in Cincinnati. They appeared with Bing Crosby on the hit record "Swinging on a Star" (1944). This led to a nightclub act with entertainer Kay Thompson from 1947 to 1951.

Williams's solo career began in 1952 after his brothers left the act. He recorded six sides for RCA's label "X," but none of them were popular hits. After landing a spot as a regular on Steve Allen's Tonight Show in 1955, he was signed to a recording contract with Cadence Records, a small label in New York run by conductor Archie Bleyer. His third single, "Canadian Sunset" (1956) hit the Top Ten, and was soon followed his only Billboard #1 hit, "Butterfly" (a cover of a Charlie Gracie record on which Williams imitated Elvis Presley). More hits followed, including "The Hawaiian Wedding Song," "Are You Sincere," "The Village of St. Bernadette," and "Lonely Street," before Williams moved to Columbia Records in 1961, having moved from New York to Los Angeles. In terms of chart popularity, the Cadence era was Williams's peak although songs he introduced on Columbia became much bigger standards. Two top ten hits from the Cadence era, "Butterfly" and "I Like Your Kind of Love" were apparently believed to not suit Williams's later style; they were not included on a Columbia reissue of his Cadence greatest hits in the 1960s.

During the 1960s, Williams became one of the most popular vocalists in the country and signed what was to that time the biggest recording contract in history. He was primarily an album artist, and at one time he had earned more gold albums than any solo performer except Frank Sinatra and Elvis Presley. By 1973 he had earned as many as 17 gold album awards. Among his hit albums from this period were Moon River, Days of Wine and Roses (number one for 16 weeks in mid-1963), The Andy Williams Christmas Album, Dear Heart, The Shadow of Your Smile, Love, Andy, Get Together with Andy Williams, and Love Story. In these recordings Williams displays an incredible vocal technique along with an uncanny ability to make each song his very own, often rivaling or surpassing the version by the original artist. These attributes, along with his natural affinity for the music of the 1960s and early 1970s, combined to make him one of the premier easy listening singers of that era.

Williams forged an indirect collaborative relationship with Henry Mancini, although they never recorded together. Williams was asked to sing Mancini and Johnny Mercer's song "Moon River" at the 1962 Oscar Awards (where it won), and it quickly became Williams's theme song. This was repeated the next year with the pair's "Days of Wine and Roses" (which also won), Mancini's "Dear Heart" at the 1965 awards and "The Sweetheart Tree" (also written with Mercer) at the 1966 awards.

Williams also competed in the teenage-oriented singles market as well and had several charting hits including "Can't Get Used to Losing You," "Happy Heart," and "Where Do I Begin", the theme song from the 1970 blockbuster film, Love Story. Building on his experience with Allen and some short-term variety shows in the 1950s, he became the star of his own weekly television variety show in 1962. This series, The Andy Williams Show, won three Emmy Awards for outstanding variety program. Among his series regulars were the Osmond Brothers. He gave up the variety show in 1971 while it was still popular and retrenched to three specials per year. His Christmas specials, which appeared regularly until 1974 and intermittently from 1982 into the 1990s, were among the most popular of the genre. Williams has recorded eight Christmas albums over the years. He hosted the Grammy Awards for three consecutive years in the 1970s. He returned to television to do a syndicated half-hour series in 1976-77.

In the early 1990s, Williams gave up most of his touring schedule in order to open his own theatre in Branson, Missouri, the Andy Williams Moon River Theater. He continues to do 8 to 12 shows a week from September to December and occasionally makes tours of Europe earlier in the year.

His 1967 recording of "Music to Watch Girls By" was a surprise UK hit in 1999, when it reached number 9 after featuring in an advert (beating the original peak of number 33 in 1967). In 2002 he took part in a new duet of "Can't Take My Eyes Off You" with British actress and singer Denise van Outen. Nearly everything Williams ever recorded has now been made available on CD through a series of compilations from 1997 to 2004.

Williams met Claudine Longet when he pulled over to aid her on a Las Vegas road. She was a dancer at the time at the Folies Bergere. They married on Christmas Day, 1961, and had three children, Noelle, Christian, and Robert. They separated in 1969 and finally divorced 6 years later. In 1976 Longet was charged with fatally shooting her boyfriend, skier Vladimir "Spider" Sabich and Williams supported her. He married a second time in May 1991 to the former Debbie Haas. They make their homes at Branson, Missouri and La Quinta, California. Williams' homes have been featured in Architectural Digest, and he is a noted collector of modern art. Williams is an avid golfer. He hosted a major golf tournament in San Diego for many years, which was known as the Andy Williams San Diego Open during that time.

Williams' birthplace is a tourist attraction open most of the year.

If Ever I Would Leave You
Andy Williams Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I know you in autumn and I must be there

And could I leave you running merrily through the snow
Or on a wintry evening when you catch the fire's glow

If ever I would leave you, how could it be in springtime
Knowing how in spring I'm bewitched by you so

Oh, no, not in springtime, summer, winter, or fall
No never could I leave you at all

Overall Meaning

The lyrics of "If Ever I Would Leave You" by Andy Williams is a song about an unbreakable and eternal love. The song speaks about how the singer would never leave their lover in any season. The singer talks about how seeing their lover in summer, with her hair streaked with sunlight, her lips red as flame, and her face shining like gold, makes it too difficult to leave. In autumn, the singer is enchanted by their lover's sparkles, and they know they must be there. Even in the winter, the singer cannot leave as they couldn't bear not seeing their lover merrily running through the snow or sitting beside the fire.

The song signifies that the singer's love will never fade away in any season. Each season brings different colors and vibes, but their love remains the same throughout the year. Even in spring, which is often about re-evaluating relationships, the singer cannot leave, as they're bewitched by their lover's charm.

A few interpretations of this song could be that it's about an unconditional love that endures all seasons. Another interpretation could be that the song symbolizes how love is not just about getting what one wants or needs. Instead, it's about being present through all the ups and downs of a relationship.

Line by Line Meaning

If ever I would leave you, it wouldn't be in summer
I would never leave you during summer time.

Seeing you in summer, I never would go
Your presence in summer is so enticing that I wouldn't leave.

Your hair streaked with sunlight, your lips red as flame
The sight of you with sunlight reflecting off your hair and your lips shining like fire is stunning.

Your face with a luster that puts gold to shame
The radiance of your face surpasses that of the finest gold.

But if I'd ever leave you, it couldn't be in autumn
Leaving you during autumn doesn't seem to be an option.

How I'd leave in autumn, I never will know
I can't even imagine leaving you during the enchanting autumn season.

I've seen how you sparkle when fall nips the air
I've witnessed your charm and grace during the crisp autumn air.

I know you in autumn and I must be there
Being with you during autumn is a necessity for me.

And could I leave you running merrily through the snow
I couldn't possibly leave you while you happily run through the snow.

Or on a wintry evening when you catch the fire's glow
Even the warmth of the fire lighting up your face on a cold winter night couldn't make me leave.

If ever I would leave you, how could it be in springtime
It's impossible for me to even think about leaving you when spring is in full bloom.

Knowing how in spring I'm bewitched by you so
Your charm and enchantment in springtime leaves me under its spell.

Oh, no, not in springtime, summer, winter, or fall
I could never leave you regardless of the season.

No never could I leave you at all
The thought of leaving you is inconceivable to me.

Lyrics © Kanjian Music, BMG Rights Management, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: Alan Jay Lerner, Frederick Loewe

Lyrics Licensed & Provided by LyricFind

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Liza Morandi

1y↑1

If ever I would leave you, it wouldn't be in summer
Seeing you in summer, I never would go
Your hair streaked with sunlight, your lips red as flame
Your face with a luster that puts gold to shame

But if I'd ever leave you, it couldn't be in autumn
How I'd leave in autumn, I never will know
I've seen how you sparkle when fall nips the air
I know you in autumn and I must be there

And could I leave you running merrily through the snow
Or on a wintry evening when you catch the fire's glow

If ever I would leave you, how could it be in springtime
Knowing how in spring I'm bewitched by you so
Oh, no, not in springtime, summer, winter, or fall
No never could I leave you at all