They were then replaced by Edu Falaschi on vocals, Aquiles Priester on drums and Felipe Andreoli on bass.
After being on hiatus for almost two years due to management issues, Angra's website announced their come back with a slight change in it's line-up: Ricardo Confessori returns, replacing Aquiles Priester, who decided to dedicate full-time to his side project, Hangar.
In 2013, Fabio Lione (Hollow Haze, Rhapsody of Fire, Vision Divine) toured with Angra. The "Angel's Cry - 20th Anniversary Tour" CD/DVD/Blu-Ray was released in November 2013. It featured Fabio on vocals, plus other guests such as Tarja Turunen and Uli Jon Roth.
Wikipedia about Angra:
Angra was formed in 1991 by Santa Marcelina Music College students vocalist André Matos, duo guitarist Rafael Bittencourt and André Linhares, and were joined by former Rafael Bittencourt band mate drummer Marcos Antunes, as well as former Firebox bassist and former both Rafael Bittencourt and André Linhares high-school mate Luís Mariutti.
With this line-up, several of the first band hits were composed, mainly by Rafael Bittencourt and André Matos. The very first song to take form was "Time", which later became part of their first album; "Angels Cry", composed by Matos and Bittencourt came shortafter; "Queen of the Night" was originally "Rainha" and was written by Bittencourt while he played with Marcos Antunes in another band, the song was then revived to integrate Angra's repertoire; and "Carry On" was brought ready to band, composed by Andre Matos. In the beginning of 1992, André Linhares left and guitarist André Hernandes replaced him. In the short time that Hernandes stayed in the band, he changed the existing songs arrangements, giving them body and substance. A lot of his licks were kept by his replacement, Kiko Loureiro. It was during Hernandes' time in the band that "Evil Warning" took shape. A Bittencourt's old song called "Reaching Horizons" was then incorporated to the band. The last work of this line up was on the tribute to Kate Bush "Wuthering Heights"
Shortly after guitarist André Hernandes left the band, Kiko Loureiro, who has played with both Antunes and Bittencourt in other bands, joined Angra. After almost an entire year of rehearsal they released the demo Reaching Horizons in 1992 which was received very positively by critics and achieved unexpected success both in Brazil and Europe. It was one of the first releases from Limb Music Products, which later would become one of Europe's premier power metal specialty labels. During the recording sessions for their first album Angels Cry, Marcos Antunes left the band. Sieges Even's drummer Alex Holzwarth was called to finish the album; Ricardo Confessori was later invited to be the new drummer. This change established Angra in its most enduring and prolific form, which lasted from 1993 to 2000. Angels Cry was recorded at Gamma Ray guitarist Kai Hansen's studio in Hamburg, Germany. The album included performances by Heaven's Gate guitarist Sascha Paeth as well as Gamma Ray guitarists Kai Hansen and Dirk Schlächter.
The album was released in Brazil in 1993 and featured many classical influences as well as an adventurous cover of Kate Bush's "Wuthering Heights". The album was a great success in Angra's native Brazil as well as Japan where it sold over 100,000 copies. That year Angra dominated the polls of the Brazilian magazine Rock Brigade obtaining awards for Best New Band, Best Album, Best Singer, Best Album Cover and Best Keyboard Player. Due to the album's success in Japan an EP was issued on the Japanese market which included remixed versions of songs from Angels Cry (Evil Warning, Angels Cry, Carry On and Wuthering Heights). In the following year the album was subsequently released in Europe through Dream Circle, and in France by C.N.R. It went on to be very successful both critically and commercially.
In 1994 Angra opened for AC/DC in Brazil and was invited to the inaugural Brazilian Monsters of Rock Festival, sharing stage with KISS, Black Sabbath and Slayer. After the festival, the band embarked on what would be a very successful Brazilian tour, which eventually ended in Europe in 1995. Holy Land - an ambitious project involving huge orchestration, choirs, and Brazilian rhythms - was released in 1996. Once again the production was handled by Sascha Paeth and Charlie Bauerfiend. Holy Land proved even more successful than Angels Cry, and the Japanese Victor release, including the bonus track Queen of the Night, went gold. Angra toured Japan for the first time following the huge success of Holy Land. That same year the EP Freedom Call was released including cover versions of Judas Priest´s "Painkiller", which was followed by the release of the live album Holy Live, recorded in Paris in 1996.
In 1998 Angra released the EP Lisbon, followed by the album Fireworks; both were produced by Chris Tsangarides. Fireworks was a departure from Angra's earlier experimental sound. It focused more on the traditional heavy metal sound, and lacked the classical influences that were apparent in Angels Cry and the Brazilian rhythms that were included in Holy Land. A lengthy world tour was set up in support for the album. Angra made an appearance at the Buenos Aires´s edition of the Monsters of Rock Festival. The Holy Box was released the same year by Lucretia Records including exclusive acoustic tracks. In 2000 Angra co-headlined shows in Europe with Time Machine and Stratovarius.
During mid 2000 Angra split, parting ways with vocalist Andre Matos and its entire rhythm section, bassist Luis Mariutti and drummer Ricardo Confessori. After a great deal of speculation concerning the end of the band, remaining guitarists and founders Kiko Loureiro and Rafael Bittencourt started drafting musicians to preserve the band. Symbols's vocalist Eduardo Falaschi, Paul Di'Anno's drummer Aquiles Priester and bassist Felipe Andreoli were chosen after what the band called a "rigorous and criterious process involving both technical skills, previous experience and perfect mutual musical understanding".
Rebirth was released in 2001, produced by Dennis Ward. The album was both a critical and commercial success in Brazil and internationally, selling over 100,000 copies worldwide in less than 2 months. The album went gold in Brazil that same year[citation needed]. The EP Hunters and Prey was released in 2002 which included acoustic takes of Rebirth songs, as well as other new material, a cover of "Mama" by Genesis, and their first song with lyrics in Portuguese Caça e Caçador (Portuguese for Hunter and Prey). Angra was a featured guest on many mainstream TV shows in Brazil.
Angra would play live in Japan and appeared in The Rock Machine Festival in Spain, the famed Wacken Open Air event in Germany and The ProgPower Festival in Atlanta, Georgia, which was their first visit to the USA. Following the tour, various members of the group played as guests in many projects, including the Led Zeppelin tribute album The Metal Zeppelin - The Music Remains The Same.
Temple of Shadows recording sessions started in January 2004 at Mosh Studios in São Paulo. Dennis Ward once again was at the production role. The album guested famous vocalists Kai Hansen (Gamma Ray), Sabine Edelsbacher (Edenbridge), Hansi Kürsch (Blind Guardian) and the Brazilian legend Milton Nascimento. Temple of Shadow was a concept album based around a character known as The Shadow Hunter and his saga which is described as "a saga of a crusader knight that ends up disputing the expansionist ideals of the Catholic Church in the eleventh century". Progressive metal influencies permeate the album to an extent never seen before on an Angra release, making it sound closer to Dream Theater and Pain of Salvation. Expanding from the typical power metal sound, the album incorporates orchestras ("No Pain For The Dead"), flamenco ("The Shadow Hunter"), triple timing ("Wishing Well"), and epic vocal parts often including entire choirs, and not limited from female voices. The record sold over 20,000 copies in the first week in Japan alone, selling close to 50,000 copies in Brazil and over 250.000 worldwide.
The band made a very successful tour in Brazil and an impressive European tour, headlining shows in Southern Europe throughout Spain, Italy, and France in February 2005. For the first time since its creation, the band played at a UK show at The Mean Fiddler in London, supported by DragonForce, and later joined Finnish band Nightwish for the Japanese dates in March. The band then went to Taiwan and after, for the first time, they played in the Oceania continent headlining shows in Australia. Angra resumed the Brazilian tour and then returned to Europe for the Lorca Roch Festival, Live in Italy and Bull Rock Festival, sharing stages with big heavy metal names like Iron Maiden and Dream Theater.
Later in 2006, Angra worked once again with producer Dennis Ward on their new album, entitled Aurora Consurgens, focusing on a non-concept album as Rebirth was. Instead, they pursued a close relative of the idea, a theme album. The moods and lyrical content of a themed album all follow a specific topic or idea, rather than a story, which are apparent from start to finish. In the case of Aurora Consurgens, the lyrics are about the different mental perturbations such as suicide, schizophrenia, sociopathy, bipolar disorder, etc. Also in 2006, Fábio Laguna composed a solo progressive instrumental album called Freakeys along with drummer Aquiles Priester and bassist Felipe Andreoli.
In 2008, Singer Edu Falaschi was originally reported as saying that Angra "has been terminated", but this was later revealed to be both a misunderstanding and a misreporting of his words. Edu later clarified what was meant by his earlier comments: "Angra is not done; we're taking a break, a pause. The band is going through some difficult management issues, and all of us are doing our best to get back on the road". In 2009, the Official Site was put out of function. Instead, the home page announced that the site was under construction and news would be released soon. In March 2009, the Angra's Official Site announced the return of Ricardo Confessori to the post of drummer of Angra, replacing Aquiles Priester, who left the band to dedicate full force to his band Hangar. Confessori returns to Angra after a nine-years hiatus. The band is currently touring along with another brazilian band, Sepultura.
Angra's first line-up was formed in 1991 with Andre Matos, Rafael Bittencourt, Kiko Loureiro, Luís Mariutti and Marco Antunes. They recorded their first EP Reaching Horizons, which was followed by Marco Antunes leaving the band in 1992 just prior to the recording of their first album Angels Cry. Alex Holzwarth, Rhapsody of Fire, was chosen as a replacement for the recording sessions and was later replaced by Ricardo Confessori. This was the longest lived Angra line-up. In 2000 Matos, Mariutti and Confessori left the band, eventually grouping together to form the power metal band Shaaman. In 2001 Eduardo Falaschi, Felipe Andreoli and Aquiles Priester joined the band for the release of Rebirth. The band also recruited keyboard players on different occasions after Andre Matos' departure but they never received "member" status. In late 2008, Priester left the band due to differences with other band members and later in 2009, Confessori returned to take over drums.
On May 23, 2012, Eduardo Falaschi issued an open letter in which he announces his departure from Angra. Although he didn't explain the reason, he says he will focus on his future projects, including Almah.
André Matos died at the age of 47 on June 8, 2019.
Current members:
* Rafael Bittencourt – guitars, backing vocals, classical guitar (1991–present), lead vocals (2012–present)
* Kiko Loureiro – guitars, keyboards, backing vocals, classical guitar (1993–present; hiatus since 2015)
* Felipe Andreoli – bass guitar (2001–present)
* Bruno Valverde - drums (2014 - present)
* Fabio Lione - lead vocals (2013-present)
* Marcelo Barbosa – guitars (2015–present)
With:
* Daniel dos Santos – live keyboards (2009–present)
Former members
* Andre Matos – vocals, studio keyboards, piano (1991–2000)
* André Hernandes – guitar (1992)
* André Linhares – guitar (1991)
* Luís Mariutti – bass guitar (1991–2000)
* Leck Filho – live keyboards (1993–1998)
* Marcos Antunes – drums (1991–1992)
* Alex Holzwarth – drums (1993–1994)
* Aquiles Priester – drums (2001–2008)
* Fábio Laguna – live keyboards (2004–2008)
* Eduardo Falaschi - vocals (2001-2012)
Nothing To Say
Angra Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
"It's lonesome when the sun goes down"
A day had come when we were like one:
Weapons up, never surrender!
Oh, I saw the gleams of gold
We'd kill and die conquering a virgin world
The hold corrupted by the honour
Living forevermore, leaving today
Back to my place, I've got
Nothing to say!
Guilt and shame, it's all so insane
Pagan gods die with no defense
And we could go no further at all
Digging the graves of our conscience
Oh, the sounds, they still echo
All of us drifting on seas of blood
The hope hidden behind the horror
Living forevermore, leaving today
Back from this land, I've got
Nothing to say!
Living forevermore, leaving today;
For all what remains I've got
Nothing to say!
Oh, how many years have gone
Every morning I bare myself from love
The love rising up from the sorrow
Living forevermore, leaving today
For all what remains I've got
Nothing to say!
Living forevermore - Nothing to say!
Back to my place, I've got...
Living forevermore - Nothing to say!
For all what remains, I've got
Nothing to say!
The lyrics of Angra's song "Nothing to Say" evoke feelings of regret and guilt for past actions. The opening lines suggest a shared history between the singer and another person or group, as they recall a time when they were united ("we were like one") and preparing for battle ("weapons up, never surrender!"). However, as the song continues, it becomes clear that this unity was misguided, as the singer reflects on their violent conquest of a new world and the corruption that ensued. They express a sense of emptiness and inability to communicate their feelings ("nothing to say") as they confront the guilt and shame of their actions, which have left them struggling to find meaning in their lives.
The imagery in the song is haunting, with references to pagan gods, the graves of conscience, and seas of blood. The singer seems to be grappling with the consequences of their violent past, which have left them feeling disconnected from the world around them. The repetition of the phrase "living forevermore, leaving today" reinforces this sense of being stuck in the past while still moving forward, unable to escape the weight of their actions.
Overall, "Nothing to Say" is a powerful exploration of the psychological toll of violence and conquest, and the difficulty of finding redemption in the face of past mistakes.
Line by Line Meaning
Long ago, the same sky above;
In the past, the sky has always been constant and unchanging.
"It's lonesome when the sun goes down"
The absence of light or warmth can foster feelings of isolation and loneliness.
A day had come when we were like one:
There was a time when we were united, of one mind and one purpose.
Weapons up, never surrender!
We were determined to fight till the end, never giving up our weapons.
Oh, I saw the gleams of gold
I glimpsed a glimmer of precious treasure or wealth.
We'd kill and die conquering a virgin world
We were willing to engage in violence or death to take over and claim new territory.
The hold corrupted by the honour
Despite our honorable intentions, our actions have ultimately led to corruption and decay.
Living forevermore, leaving today
We're living life to the fullest, but with the knowledge that it won't last forever.
Back to my place, I've got
Nothing to say!
Returning home, I find myself at a loss for words or explanation.
Guilt and shame, it's all so insane
We're overwhelmed with feelings of wrongdoing and remorse, which seems irrational or crazy.
Pagan gods die with no defense
Even gods don't have the ability to defend themselves against death.
And we could go no further at all
We've reached the limit of what we can do or achieve; progress is no longer possible.
Digging the graves of our conscience
We're slowly destroying any principles or morals we have left, and causing ourselves inner turmoil.
Oh, the sounds, they still echo
The memories of past events still resound, even if they're physically gone.
All of us drifting on seas of blood
We're all suffering from the bloodshed and violence we've caused.
The hope hidden behind the horror
Despite the terrifying events we've gone through, there's still a glimmer of hope or possibility for change.
Oh, how many years have gone
Time has passed, and we've lost track of how much.
Every morning I bare myself from love
Every day, I abandon any possibility of love or affection.
The love rising up from the sorrow
Despite the pain and sadness, there's a sense of love and compassion we can still experience.
For all what remains I've got
Nothing to say!
Even with everything we've experienced, we still have no explanation or response to the world around us.
Living forevermore - Nothing to say!
Despite our eternal life, there's still a sense of emptiness or lack of purpose.
For all what remains, I've got
Nothing to say!
No matter how much remains, we still feel an inability to articulate our feelings or thoughts.
Lyrics © Universal Music Publishing Group
Written by: ANDRE COELHO MATOS, KIKO LOUREIRO, RICARDO CONFESSORI
Lyrics Licensed & Provided by LyricFind