Ann-Margret started recording for RCA in 1961, but her recording career was not as successful as her concurrent movie career. She had a sexy, throaty singing voice comparable to Eartha Kitt or Nancy Sinatra, and RCA attempted to capitalize on her "Female Elvis" comparison by her recording a version of Presley's "Heartbreak Hotel" and other songs stylistically similar to Presley. She scored one minor hit, "I Just Don't Understand" (which entered the Billboard Top 40 in the third week of August 1961 and stayed 6 weeks, peaking at #17.) Her only charting album is The Beauty and the Beard (1964), on which she was accompanied by trumpeter Al Hirt. The contract with RCA ended in 1966.
Years later, she returned to music at the end of Disco era. Her 1980 album, "Ann-Margret" became a success with both singles, "Midnight Message" and "Love Rush" reaching the Top 10 of the Hot Dance Club Songs chart. In the early 1980s, the album was followed up with the single, "Everybody Needs Somebody Sometimes" and the B-Side "Hold Me/Squeeze Me." Ann Margret has continued to record music sporatically since then.
[edit]Film career
In 1961 she also made her film début for in Pocketful of Miracles, starring Bette Davis, Glenn Ford, and Hope Lange, a remake of the Oscar-winning 1933 film Lady for a Day; both versions were directed by the great Frank Capra. She followed that role with the successful remake of Rodgers' and Hammerstein's musical State Fair in 1962. Her next starring role, as the all-American teenager in Bye Bye Birdie, made her a major star. When she filmed Viva Las Vegas with Elvis Presley the two began an affair that received considerable attention from the gossip columnists in various media. The reports led to a showdown with a very worried Priscilla Beaulieu, which she recounts in her 1985 book, Elvis and Me, including Ann-Margret's attempt to "cut her off at the pass" with a press announcement that Ann-Margret and Elvis were engaged to be married. Although he ended the affair, Presley remained a friend and continued to send her flowers at the opening of each of her stage appearances until he died. Of all the Hollywood starlets he had worked with or had a relationship with, Ann-Margret was the only one to attend his funeral.
In 1963, Ann-Margret was featured and guest-starred, in animated form, in an episode of Hanna-Barbera's The Flintstones as "Ann-Margrock." Decades later, she recorded the theme song to the live-action film The Flintstones in Viva Rock Vegas in character as Ann-Margrock. The song she recorded was a modified version of the "Viva Las Vegas" theme.\
In March 1966, Ann-Margret and entertainers Chuck Day and Mickey Jones teamed up for a USO tour to entertain U.S. servicemen in remote parts of Vietnam and other parts of Southeast Asia. She still has great affection for the veterans and refers to them as "my gentlemen". [1] Ann-Margret, Day and Jones reunited for an encore of this tour for veterans and troops at Nellis Air Force Base, Nevada in November 2005. [2]
In 1971, she starred in Mike Nichols's Carnal Knowledge, marking a change from her sex-kitten musical roles, garnering a nomination for the Academy Award for Best Supporting Actress. The following year, while performing at Lake Tahoe, Nevada, she fell 22 feet from the stage and suffered injuries that put her out of commission for several months. Throughout the 1970s, Ann-Margret balanced her live performances with a string of critically acclaimed dramatic film performances that played against her glamorous image, including Tommy in 1975, for which she was nominated for the Academy Award for Best Actress. In addition, she has been nominated for ten Golden Globe Awards, winning five times including Best Actress for Tommy. She also did a string of successful TV specials, starting with The Ann-Margret Show for NBC in 1968. Now in her mid-60s, she continues to act in movies.
In 1994, she published an autobiography titled Ann Margret: My Story (ISBN 0-399-13891-9). She has been married to actor Roger Smith since 1967. Smith suffers from myasthenia gravis, and Ann-Margret has devoted much of her life to caring for him.
In 2001 Ann-Margret made her first appearance in a stage musical, playing the character of Mona Stangley in a new touring production of The Best Little Whorehouse in Texas.
She has also filmed the movie "Mem-o-re", where she stars with Billy Zane and Dennis Hopper.
That Old Black Magic
Ann-Margret Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Old black magic that you weave so well
Those icy fingers up and down my spine
The same old witch craft when your eyes meet mine
Same old tingle that I feel inside
Then the elevator starts it ride
Down and down I go
Like a leaf caught in a tide
I should stay away but what can I do
I hear your name and I'm a flame
Flame, flame of desire
Only your kiss can put out the fire
Oh you're the lover I have waiting for
Your the mate that fate had me created for
And every time your lips meet mine
Down and down I go
Round and round I go
In a spin, lovin' the spin I'm in
Under the old black magic called love
In a spin lovin' the spin I'm in
Under the old black magic called love
In a spin lovin' the spin I'm in
Under the old black magic called love
I should stay away but what can I do
I hear your name and I'm a flame
Flame, flame of desire
Only your kiss can put out the fire
Oh you are the lover I have waited for
Your the mate that fate had me created for
And every time your lips meet mine
Down and down I go
Round and round I go
In a spin, lovin' the spin I'm in
Under the old black magic called love
The lyrics of Ann-Margret's "That Old Black Magic" describe the all-consuming, irresistible power of infatuation and love. The song's opening lines suggest that the singer is under a spell, unable to resist the "old black magic" cast by her lover's charms. The description of "icy fingers up and down my spine" evokes a physical sensation that suggests the overwhelming power of attraction. The song suggests that the singer is out of control, caught in a ride that takes her "down and down" and "round and round." The lover is described as the "mate" that fate had created for the singer, and their kisses are the only thing that can "put out the fire" of her desire. The song's description of being caught in a spell or spellbound by love is a common trope in popular music.
Line by Line Meaning
Old black magic has me in its spell
I am completely under the power of the old black magic
Old black magic that you weave so well
You have a great talent for creating the old black magic
Those icy fingers up and down my spine
I feel a cold and thrilling sensation when you touch me
The same old witch craft when your eyes meet mine
Every time I look into your eyes, I feel the same intense magic
Same old tingle that I feel inside
I experience the same thrilling and exciting feeling within me
Then the elevator starts it ride
My emotions start to intensify and take me on a wild ride
Down and down I go
I am falling deeper and deeper into this magical love
Round and round I go
My feelings for you continue to spin me around
Like a leaf caught in a tide
I am completely caught up in this overwhelming force of love
I should stay away but what can I do
I know I should resist this magic, but I cannot help myself
I hear your name and I'm a flame
Just hearing your name sets me ablaze with desire
Flame, flame of desire
This intense burning passion I feel is unlike anything else
Only your kiss can put out the fire
Only your touch can satisfy this insatiable desire within me
Oh you're the lover I have waiting for
You are the perfect partner that I have been searching for
Your the mate that fate had me created for
It is fate that has brought us together and I am meant to be with you
In a spin, lovin' the spin I'm in
I am caught up in a whirlwind of love and cannot get enough
Under the old black magic called love
This powerful force of love is beyond my control and I am powerless to resist
Lyrics © Sony/ATV Music Publishing LLC
Written by: Harold Arlen, Johnny Mercer
Lyrics Licensed & Provided by LyricFind