Anthony Braxton (born June 4, 1945) is an American composer, saxophonist, c… Read Full Bio ↴Anthony Braxton (born June 4, 1945) is an American composer, saxophonist, clarinetist, flautist, pianist and philosopher. He has created a large body of highly complex work. Braxton is one of the most prolific American musicians/composers to date, having released well over 100 albums since the 1960s. Among the vast array of instruments he utilizes are the flute; the sopranino, soprano, C-Melody, F alto, E-flat alto, baritone, bass, and contrabass saxophones; and the E-flat, B-flat, and contrabass clarinets.
Braxton's music is difficult to categorize, and because of this, he likes to reference his works (and the works of his collaborators and students) as simply "creative music." He has claimed in numerous interviews that he is not a jazz musician, though many of his works have been jazz and improvisation oriented, and he has released many albums of jazz standards. In addition to these, Braxton has released an increasing number of works for large-scale orchestras, including two opera cycles.
Braxton's music is highly theoretical and mystically influenced, and he is the author of multiple volumes explaining his theories and pieces—such as the philosophical three-volume Triaxium Writings and the five-volume Composition Notes, both published by Frog Peak Music. While his compositions and improvisations can be characterized as avant-garde, many of his pieces have a swing feel and rhythmic angularity that are overtly indebted to Charlie Parker and the Bebop tradition.
Braxton is notorious for naming his pieces as diagrams, typically labeled with cryptic numbers and letters. Sometimes these diagrams have an obvious relation to the music — for instance, on the album For Trio the diagram-title indicates the physical positions of the performers — a variation on aleatory music that presaged his follower John Zorn's Xu Feng: John Zorn's Game Pieces, Volume I and Cobra: John Zorn's Game Pieces, Volume 2 — but in many cases the diagram-titles remain inscrutable. The titles can themselves be musical notation indicating to the performer how a piece is played. Sometimes the letters are identifiable as the initials of Braxton's friends and musical colleagues.
Braxton has pointedly refused to explain their significance, claiming that he himself is still discovering their meaning. Braxton eventually settled on a system of opus-numbers to make referring to these pieces simpler, and earlier pieces have had opus-numbers retrospectively added to them.
By the mid-to-late 1980s, Braxton's titles had become increasingly complex. They began to incorporate drawings and illustrations, such as in the title of his four act opera cycle, Composition No. 162 (Trillium R) [Act 1] Others began to include life-like images of inanimate objects, namely train cars. The latter was most notably seen after the advent of his Ghost Trance Music system.
Anthony Braxton, even in his 60s, still actively performs with ensembles of varying sizes, and has to date written well over 350 compositions. He has just recently finished the last batch of Ghost Trance Music compositions, and has now shown his interest in three other music systems: The Diamond Curtain Wall Trio, in which Braxton implements the aid of the powerful computer audio programming language, SuperCollider; Falling River Musics; and, most recently, Echo Echo Mirror House music, which is meant to hone in many different types of performance arts in addition to music.
Critic Chris Kelsey writes that "Although Braxton exhibited a genuine — if highly idiosyncratic — ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen [and though Kelsey doesn't mention it, Braxton has long been interested in Arnold Schoenberg's music]. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it."
Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the "AACM", founded in Chicago, Illinois, Braxton's birthplace.
In 1968, Braxton recorded the double LP For Alto. There had been occasional unaccompanied saxophone recordings previously (notably Coleman Hawkins' "Picasso"), but For Alto was the first full-length album for unaccompanied saxophone. The album's songs were dedicated to Cecil Taylor and John Cage, among others. The album influenced other artists like Steve Lacy (soprano sax) and George Lewis (trombone), who would go on to record their own acclaimed solo albums.
Braxton joined pianist Chick Corea's existing trio with Dave Holland (double bass) and Barry Altschul (drums) to form the short-lived avant garde quartet Circle, around 1970. When Corea broke up the group, forming Return to Forever to pursue a fusion based style of composition and recording, Holland and Altschul remained with Braxton for much of the 1970s as part of a quartet, with the rotating brass chair variously filled by trumpeter Kenny Wheeler, or trombonists George Lewis or Ray Anderson. This group recorded on Arista Records. The core trio plus saxophonist Sam Rivers recorded Holland's Conference of the Birds, on ECM. In the 1970s he also recorded duets with Lewis and with synthesizer player Richard Teitelbaum.
In 1975, he released an album on Muse Records titled Muhal with Creative Construction Company, a group consisting of Richard Davis (Bass), Muhal Richard Abrams (Cello/Piano), Steve McCall (drums), Wadada Leo Smith (trumpet) and Leroy Jenkins (violin).
In the late 1970s he recorded two large ensemble recordings, "Creative Orchestra Music 1976," inspired by American jazz and marching band traditions, and "For Four Orchestras." Both of these records were released on Arista.
Braxton's regular group in the 1980s and early 1990s was a quartet with Marilyn Crispell (piano), Mark Dresser (double bass) and Gerry Hemingway (drums). It has been called "his finest and longest standing band".
Braxton has also recorded and collaborated with European free improvisers such as Derek Bailey, Evan Parker, and the Globe Unity Orchestra, or with giants from the 'regular' jazz world, such as Max Roach. Throughout the years Braxton has played with a wide variety of people, such as Mal Waldron, Dave Douglas, Ornette Coleman, Dave Brubeck, Lee Konitz, Peter Brötzmann, Willem Breuker, Muhal Richard Abrams, Steve Lacy, Roscoe Mitchell, Pat Metheny, Andrew Cyrille, Wolf Eyes, Misha Mengelberg, Chris Dahlgren, Lauren Newton, and countless others.
In 1994, he was granted a MacArthur Fellowship. From 1995 to 2006, Braxton's output as a composer concentrated almost exclusively on what he calls "Ghost Trance Music", which introduces a steady pulse to his music and also allows the simultaneous performance of any piece by the performers. Many of the earliest Ghost Trance recordings were released on his own Braxton House label (now defunct). His final Ghost Trance compositions were performed with a "12+1tet" at New York's Iridium club in 2006; the complete four-night residency was recorded and released in 2007 by the Firehouse 12 label as 9 Compositions (Iridium) 2006
In addition, during the 1990s and early 2000s Braxton created a prodigiously large body of "standards" recordings, often featuring him as a pianist rather than saxophonist. He had frequently performed such material in the 1970s and 1980s, but only recorded it occasionally; now he began to release multi-disc sets of such material, climaxing in two quadruple-CD sets for Leo Records recorded on tour in 2003.
More recently he has created new series of compositions, such as the Falling River Musics that are documented on 2+2 Compositions (482 Music, 2005).
Braxton studied philosophy at Roosevelt University. He has taught at Mills College and now is Professor of Music at Wesleyan University in Middletown, Connecticut, teaching music composition, music history, and improvisation.
Moreover, Braxton is the father of Tyondai Braxton, who was a member of Battles.
Braxton's music is difficult to categorize, and because of this, he likes to reference his works (and the works of his collaborators and students) as simply "creative music." He has claimed in numerous interviews that he is not a jazz musician, though many of his works have been jazz and improvisation oriented, and he has released many albums of jazz standards. In addition to these, Braxton has released an increasing number of works for large-scale orchestras, including two opera cycles.
Braxton's music is highly theoretical and mystically influenced, and he is the author of multiple volumes explaining his theories and pieces—such as the philosophical three-volume Triaxium Writings and the five-volume Composition Notes, both published by Frog Peak Music. While his compositions and improvisations can be characterized as avant-garde, many of his pieces have a swing feel and rhythmic angularity that are overtly indebted to Charlie Parker and the Bebop tradition.
Braxton is notorious for naming his pieces as diagrams, typically labeled with cryptic numbers and letters. Sometimes these diagrams have an obvious relation to the music — for instance, on the album For Trio the diagram-title indicates the physical positions of the performers — a variation on aleatory music that presaged his follower John Zorn's Xu Feng: John Zorn's Game Pieces, Volume I and Cobra: John Zorn's Game Pieces, Volume 2 — but in many cases the diagram-titles remain inscrutable. The titles can themselves be musical notation indicating to the performer how a piece is played. Sometimes the letters are identifiable as the initials of Braxton's friends and musical colleagues.
Braxton has pointedly refused to explain their significance, claiming that he himself is still discovering their meaning. Braxton eventually settled on a system of opus-numbers to make referring to these pieces simpler, and earlier pieces have had opus-numbers retrospectively added to them.
By the mid-to-late 1980s, Braxton's titles had become increasingly complex. They began to incorporate drawings and illustrations, such as in the title of his four act opera cycle, Composition No. 162 (Trillium R) [Act 1] Others began to include life-like images of inanimate objects, namely train cars. The latter was most notably seen after the advent of his Ghost Trance Music system.
Anthony Braxton, even in his 60s, still actively performs with ensembles of varying sizes, and has to date written well over 350 compositions. He has just recently finished the last batch of Ghost Trance Music compositions, and has now shown his interest in three other music systems: The Diamond Curtain Wall Trio, in which Braxton implements the aid of the powerful computer audio programming language, SuperCollider; Falling River Musics; and, most recently, Echo Echo Mirror House music, which is meant to hone in many different types of performance arts in addition to music.
Critic Chris Kelsey writes that "Although Braxton exhibited a genuine — if highly idiosyncratic — ability to play older forms (influenced especially by saxophonists Warne Marsh, John Coltrane, Paul Desmond, and Eric Dolphy), he was never really accepted by the jazz establishment, due to his manifest infatuation with the practices of such non-jazz artists as John Cage and Karlheinz Stockhausen [and though Kelsey doesn't mention it, Braxton has long been interested in Arnold Schoenberg's music]. Many of the mainstream's most popular musicians (Wynton Marsalis among them) insisted that Braxton's music was not jazz at all. Whatever one calls it, however, there is no questioning the originality of his vision; Anthony Braxton created music of enormous sophistication and passion that was unlike anything else that had come before it."
Early in his career, Braxton led a trio with violinist Leroy Jenkins and trumpeter Wadada Leo Smith and was involved with The Association for the Advancement of Creative Musicians, the "AACM", founded in Chicago, Illinois, Braxton's birthplace.
In 1968, Braxton recorded the double LP For Alto. There had been occasional unaccompanied saxophone recordings previously (notably Coleman Hawkins' "Picasso"), but For Alto was the first full-length album for unaccompanied saxophone. The album's songs were dedicated to Cecil Taylor and John Cage, among others. The album influenced other artists like Steve Lacy (soprano sax) and George Lewis (trombone), who would go on to record their own acclaimed solo albums.
Braxton joined pianist Chick Corea's existing trio with Dave Holland (double bass) and Barry Altschul (drums) to form the short-lived avant garde quartet Circle, around 1970. When Corea broke up the group, forming Return to Forever to pursue a fusion based style of composition and recording, Holland and Altschul remained with Braxton for much of the 1970s as part of a quartet, with the rotating brass chair variously filled by trumpeter Kenny Wheeler, or trombonists George Lewis or Ray Anderson. This group recorded on Arista Records. The core trio plus saxophonist Sam Rivers recorded Holland's Conference of the Birds, on ECM. In the 1970s he also recorded duets with Lewis and with synthesizer player Richard Teitelbaum.
In 1975, he released an album on Muse Records titled Muhal with Creative Construction Company, a group consisting of Richard Davis (Bass), Muhal Richard Abrams (Cello/Piano), Steve McCall (drums), Wadada Leo Smith (trumpet) and Leroy Jenkins (violin).
In the late 1970s he recorded two large ensemble recordings, "Creative Orchestra Music 1976," inspired by American jazz and marching band traditions, and "For Four Orchestras." Both of these records were released on Arista.
Braxton's regular group in the 1980s and early 1990s was a quartet with Marilyn Crispell (piano), Mark Dresser (double bass) and Gerry Hemingway (drums). It has been called "his finest and longest standing band".
Braxton has also recorded and collaborated with European free improvisers such as Derek Bailey, Evan Parker, and the Globe Unity Orchestra, or with giants from the 'regular' jazz world, such as Max Roach. Throughout the years Braxton has played with a wide variety of people, such as Mal Waldron, Dave Douglas, Ornette Coleman, Dave Brubeck, Lee Konitz, Peter Brötzmann, Willem Breuker, Muhal Richard Abrams, Steve Lacy, Roscoe Mitchell, Pat Metheny, Andrew Cyrille, Wolf Eyes, Misha Mengelberg, Chris Dahlgren, Lauren Newton, and countless others.
In 1994, he was granted a MacArthur Fellowship. From 1995 to 2006, Braxton's output as a composer concentrated almost exclusively on what he calls "Ghost Trance Music", which introduces a steady pulse to his music and also allows the simultaneous performance of any piece by the performers. Many of the earliest Ghost Trance recordings were released on his own Braxton House label (now defunct). His final Ghost Trance compositions were performed with a "12+1tet" at New York's Iridium club in 2006; the complete four-night residency was recorded and released in 2007 by the Firehouse 12 label as 9 Compositions (Iridium) 2006
In addition, during the 1990s and early 2000s Braxton created a prodigiously large body of "standards" recordings, often featuring him as a pianist rather than saxophonist. He had frequently performed such material in the 1970s and 1980s, but only recorded it occasionally; now he began to release multi-disc sets of such material, climaxing in two quadruple-CD sets for Leo Records recorded on tour in 2003.
More recently he has created new series of compositions, such as the Falling River Musics that are documented on 2+2 Compositions (482 Music, 2005).
Braxton studied philosophy at Roosevelt University. He has taught at Mills College and now is Professor of Music at Wesleyan University in Middletown, Connecticut, teaching music composition, music history, and improvisation.
Moreover, Braxton is the father of Tyondai Braxton, who was a member of Battles.
All The Things You Are
Anthony Braxton Lyrics
We have lyrics for 'All The Things You Are' by these artists:
& - C.Mingus - M.Roach You are the promised kiss of springtime That makes the lone…
Andre Kostelanetz & His Orchestra You are the promised kiss of springtime That makes the lonel…
Andy Stochansky You are so free, graceful Can't you see you're wonderful Y…
Annie Ross Time and again I've longed for adventure, Something to make …
Art Tatum Tea For Two Tony Bennett (Irving Caesar/Vincent Youmans) …
Artie Shaw You are the promised kiss of springtime That makes the lonel…
Artie Shaw and His Orchestra & Helen Forrest You are the promised kiss of springtime That makes the lone…
Artie Shaw Orch. (Helen Forrest) You are the promised kiss of springtime That makes the lonel…
Artie Shaw v/Helen Forrest You are the promised kiss of springtime That makes the lone…
Barbra Streisand Time and again I long for adventure Something tn make…
Bert Kaempfert And His Orchestra You are the promised kiss of springtime That makes the lonel…
Bill Douglass Tea For Two Tony Bennett (Irving Caesar/Vincent Youmans) …
Billy Butterfield You are the promised kiss of springtime That makes the lone…
Billy Eckstine Time and again I've longed for adventure, Something to make …
Billy Eckstine and His Orchestra You are the promised kiss of springtime That makes the lonel…
Billy Vaughn Time and again I've longed for adventure, Something to make …
Billy Vaughn & His Orchestra You are the promised kiss of springtime That makes the lonel…
Bossa J.N.K Night sky looking down, it's my own Feel free to fly…
Bud Powell You are the promised kiss of springtime That makes the lone…
Bud Powell Charles Mingus Max Roach You are the promised kiss of springtime That makes the lonel…
Carly Simon Time and again I've longed for adventure, Something to make …
Carmen Mc Rae Time and again I've longed for adventure, Something to make…
Carmen McRae Time and again I've longed for adventure, Something to make …
Cecilia Dale You are the promised kiss of springtime That makes the lonel…
Charlie Christian You are the promised kiss of springtime That makes the lone…
charlie parker dizzy gillespie You are the promised kiss of springtime That makes the lonel…
Charlie Parker & The Quintet You are the promised kiss of springtime That makes the lone…
Charlie Parker Dizzy Gillespie Bud Powell Charlie Mingus Max Roach You are the promised kiss of springtime That makes the lonel…
Charlie Parker Dizzy Gillespie Bud Powell Max Roach & Charles Mingus You are the promised kiss of springtime That makes the lone…
Charlie Parker Dizzy Gillespie Bud Powell Max Roach and Charles Mingus You are the promised kiss of springtime That makes the lonel…
Charlie Parker Dizzy Gillespie Bud Powell Max Roach Charles Mingus You are the promised kiss of springtime That makes the lone…
Charlie Parker; Dizzy Gillespie Sextet You are the promised kiss of springtime That makes the lonel…
Charlie Parker; Dizzy Gillespie; Bud Powell; Charlie Mingus; Max Roach You are the promised kiss of springtime That makes the lone…
Chris Connor You are the promised kiss of springtime That makes the…
Curtis Stigers Time and again I've longed for adventure Something to make m…
Danny Williams You are the promised kiss of springtime That makes the lonel…
Dave Brubeck You are the promised kiss of springtime That makes the lone…
David Rose & His Orchestra You are the promised kiss of springtime That makes the lonel…
Dick Haymes & Helen Forrest You are the promised kiss of springtime That makes the lone…
Dion Ooh, ooh Lonely walks in the park Counting stars when it ge…
Dion & The Belmonts Ooh, ooh Lonely walks in the park Counting stars when it…
Dizzy Gillespie You are the promised kiss of springtime That makes the lonel…
Dizzy Gillespie / Charlie Parker You are the promised kiss of springtime That makes the lone…
Dizzy Gillespie And His Sextet You are the promised kiss of springtime That makes the lonel…
Dizzy Gillespie Charlie Parker Bud Powell Charles Mingus & Max Roach You are the promised kiss of springtime That makes the lone…
Dizzy Gillespie Charlie Parker Bud Powell Max Roach Charles Mingus You are the promised kiss of springtime That makes the lonel…
Dizzy Gillespie Charlie Parker Clyde Hart You are the promised kiss of springtime That makes the lone…
Dizzy Gillespie Sextet You are the promised kiss of springtime That makes the lonel…
Dizzy Gillespie Sextet feat. Charlie Parker You are the promised kiss of springtime That makes the lone…
Dorsey Tommy You are the promised kiss of springtime That makes the lonel…
Duke Ellington Time and again I've longed for adventure Something to make m…
Duke Ellington & His Orchestra You are the promised kiss of springtime That makes the lonel…
Duke Ellington? Time and again I've longed for adventure Something to make m…
Ella Fitzgerald Time and again I've longed for adventure, Something to make …
Ella Fitzgerald/Nelson Riddle & His Orchestra Time and again I've longed for adventure, Something to make…
Ella Fitzgerald; Nelson Riddle & His Orchestra Time and again I've longed for adventure, Something to make …
Enzo Stuarti You are the promised kiss of springtime That makes the lonel…
Fields/Kern Time and again I've longed for adventure Something to make…
Francy Boland & The Orchestra You are the promised kiss of springtime That makes the lonel…
Frank Sinatra Time and again I've longed for adventure Something to make m…
Frank Sinatra & Jimmy Durante Time and again I've longed for adventure Something to make …
Frank Sinatra - Dean Martin Time and again I've longed for adventure Something to make m…
Frank Sinatra Alex Stordahl and His Orchestra You are the promised kiss of springtime That makes the lonel…
George Benson You are the promised kiss of springtime That makes the lone…
George Melachrino & His Orchestra You are the promised kiss of springtime That makes the lonel…
Gerry Mulligan Quartet and Chet Baker You are the promised kiss of springtime That makes the lone…
Glenn Miller And that who all the fighting men in the United…
Gordon MacRae You are the promise kiss of springtime That makes the lonely…
Hammerstein II/ Kern Time and again I've longed for adventure Something to make…
Hank Garland And The All-Stars There's a first time for everything or so they say (But…
Harold Mooney & His Orchestra You are the promised kiss of springtime That makes the lonel…
Helen Forrest Artie Shaw You are the promised kiss of springtime That makes the lone…
Helen Forrest Artie Shaw & His Orchestra You are the promised kiss of springtime That makes the lonel…
Helen Forrest Artie Shaw Artie Shaw Orchestra You are the promised kiss of springtime That makes the lone…
Helen Forrest with Artie Shaw and His Orchestra You are the promised kiss of springtime That makes the lonel…
J. Kern Time and again I've longed for adventure Something to make…
J.R. Monterose Quartet Baby Tell me Tell me all the things That you never said befo…
Jack Jones Time and again I've longed for adventure Something to make m…
Jack Leonard You are the promised kiss of springtime That makes the lonel…
Jean-Loup Longnon All of nature worships You The rocks cry out in praise…
Jerome Kern Time and again I've longed for adventure Something to make…
Jimmy Forrest Time and again I've longed for adventure, Something to make …
Joan Regan You are the promised kiss of springtime That makes the lone…
Joe Thomas And His Orchestra You are the promised kiss of springtime That makes the lonel…
John Lewis You are the promised kiss of springtime That makes the lone…
Johnny Mathis Time and again I've longed for adventure Something to make m…
Johnny Richards and His Orchestra You are the promised kiss of springtime That makes the lonel…
Jon and Lynn When life trials come my way I will seek you and…
Judy Garland Time and again I've longed for adventure Something to make m…
Keely Smith Time and again I've longed for adventure, Something to make …
Keely Smith with Nelson Riddle and His Orchestra You are the promised kiss of springtime That makes the lonel…
Kern Time and again I've longed for adventure Something to make…
Kristin Chenoweth You are the promised kiss of springtime That makes the lonel…
Kuh Ledesma Time and again I′d longed for adventure Something to make my…
Lalo Schifrin & His Orchestra You are the promised kiss of springtime That makes the lonel…
Lennie Tristano You are the promised kiss of springtime That makes the lone…
Les Baxter & his Chorus & Orchestra You are the promised kiss of springtime That makes the lonel…
Louis Prima Time and again I've longed for adventure, Something to make …
Luis Arcaraz and His Orchestra You are the promised kiss of springtime That makes the lonel…
M.J.Q. Baby Tell me Tell me all the things That you never said befo…
Mantovani & His Orchestra You are the promised kiss of springtime That makes the lonel…
Manuel and His Music of the Mountains I know I know I know whom I have believed I know I know Yo…
Marco and Kamide Look behind you, look again, all good things they disappear …
Margaret Whiting You are the promised kiss of springtime That makes the lone…
Maria Augusta You are the promised kiss of springtime That makes the lonel…
Mario Lanza / Henri René You are the promised kiss of springtime That makes the lone…
Mario Lanza;Henri René You are the promised kiss of springtime That makes the lonel…
Masahiko Togashi & J.J.Spirits Baby Tell me Tell me all the things That you never said befo…
Max Roach Bud Powell Charlie Parker Charles Mingus Dizzy Gillespie You are the promised kiss of springtime That makes the lone…
Maynard Ferguson & Chris Connor You are the promised kiss of springtime That makes the…
Maynard Ferguson and His Orchestra You are the promised kiss of springtime That makes the lonel…
McRae Carmen Time and again I've longed for adventure, Something to make …
Melachrino Strings & Orchestra You are the promised kiss of springtime That makes the lonel…
Miles Davis and Tadd Dameron Quintet Time and again I've longed for adventure, Something to make…
Morton Gould and His Orchestra You are the promised kiss of springtime That makes the lonel…
Nelson Riddle Feat. Ella Fitzg Time and again I've longed for adventure, Something to make …
Nick Hakim Aren't enough to forestall the crashing financial headaches …
Oscar Hammerstein II & Jerome Kern Time and again I've longed for adventure Something to make…
Parker/Gillespie/Powell/Mingus/Roach You are the promised kiss of springtime That makes the lone…
Paul Weston Time and again I've longed for adventure, Something to make …
Paul Weston & His Orchestra Time and again I've longed for adventure, Something to make…
Paul Weston and His Orchestra Time and again I've longed for adventure, Something to make …
Pete Rugolo and His Orchestra You are the promised kiss of springtime That makes the lonel…
Peter Sellers You are the promised kiss of springtime That makes the lone…
Ralph Sharon & His Orchestra You are the promised kiss of springtime That makes the lonel…
Ray Conniff And Billy Butterfield You are the promised kiss of springtime That makes the lone…
Ray Conniff and His Orchestra You are the promised kiss of springtime That makes the lonel…
Ray Sinatra & His Orchestra Time and again I've longed for adventure Something to make…
Reinhardt/Grapelli Time and again I've longed for adventure, something to make …
Richard Maltby & His Orchestra You are the promised kiss of springtime That makes the lonel…
Rosemary Clooney You are the promised kiss of springtime that makes the…
Royal Green 네 맘을 열어 내 손을 잡아 ! 느껴지지 않니? 온 몸을…
Sant Andreu Jazz Band & Joan Chamorro Time and again I've longed for adventure, Something to make …
Sarah Vaughan You are the promised kiss of springtime That makes the lonel…
Sarah Vaughan & The Count Basie Orchestra You are the promised kiss of springtime That makes the lone…
Sarah Vaughan and the Count Basie Orchestra You are the promised kiss of springtime That makes the lonel…
Shirley Bassey Time and again I've longed for adventure, Something to make…
Shirley Bassey & Nelson Riddle and His Orchestra Time and again I've longed for adventure, Something to make …
Sinatra Time and again I've longed for adventure Something to make m…
Singers Unlimited You are the promised kiss of springtime That makes the lone…
STAFFORD JO Time and again I've longed for adventure, Something to make …
Stan Getz (with Stanley Cowell Miroslav Vitous & Jack DeJohnette) Something in the way she moves Attracts me like no other…
Stan Kenton and His Orchestra You are the promised kiss of springtime That makes the lonel…
Starlite Orchestra & Singers Time and again I've longed for adventure, something to make …
The Dizzy Gillespie Sextet You are the promised kiss of springtime That makes the lonel…
The Marty Paich Quartet featuring Art Pepper You are the promised kiss of springtime That makes the lone…
The Miles Davis / Tadd Dameron Quintet You are the promised kiss of springtime That makes the lonel…
The Miles Davis/Tadd Dameron Quintet Time and again I've longed for adventure, Something to make…
The Orchestra You are the promised kiss of springtime That makes the lonel…
The Platters You are the promised kiss of springtime, That makes the lone…
The Quintet' (Charlie Parker Dizzy Gillespie Max Roach Bud Powell & Charles Mingus) You are the promised kiss of springtime That makes the lone…
The Romantic Strings & Orchestra You are the promised kiss of springtime That makes the lonel…
The Romantic Strings and Orchestra You are the promised kiss of springtime That makes the lone…
The Singers Unlimited You are the promised kiss of springtime That makes the lonel…
The Swingle Singers Time and again I've longed for adventure Something to make m…
Tommy Dorsey You are the promised kiss of springtime That makes the lonel…
Tony Bennett Time and again I longed for adventure, Something to make my…
Tony Bennett & Bill Charlap Time and again I've longed for adventure Something to make m…
Tony Bennett & Ralph Sharon and His Orchestra Time and again I longed for adventure Something to make my…
Tony Bennett with Ralph Sharon & His Orchestra You are the promised kiss of springtime That makes the lonel…
Tony Bennett;Ralph Sharon & his Orchestra Time and again I longed for adventure Something to make my…
Tony Martin Time and again I've longed for adventure Something to make…
Tony Momrelle So much to love with you baby So much to love…
Vic Damone Time and again I've longed for adventure, Something to make …
vocal & Tommy Dorsey with Jack Leonard You are my strength when I am weak You are the…
Werner Muller and His Orchestra You are the promised kiss of springtime That makes the lonel…
Will Young Time and again I′ve longed for adventure, Something to make …
Willie Nelson You are the promised kiss of springtime That makes the lonel…
We have lyrics for these tracks by Anthony Braxton:
After You've Gone Now won't you listen honey, while I say, How could…
Body and Soul My heart is sad and lonely For you I sigh, for…
Embraceable You Embrace me, my sweet embraceable you! Embrace me, you irrepl…
Green Dolphin Street It seems like a dream, yet I know it happened A…
how deep is the ocean How much do I love you? I'll tell you no lie How…
I Love You How did I know that the warmth of the glow…
I Remember You How did I know that the warmth of the glow…
No Greater Love There is no greater love Than what I feel for you No…
On Green Dolphin Street It seems like a dream, yet I know it happened A…
The Song Is You I hear music when I look at you, A beautiful theme…
What's New Do you know what it means to miss New Orleans And…
You Go To My Head You go to my head And you linger like a haunting…
You Got To My Head You go to my head And you linger like a haunting…
You Stepped Out of a Dream War, war, war, war, war, war, war On a silent shore I…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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pedro a. cantero
L’impegno di Braxton con la musica viene da lontano, è nell’origine del suo concetto dell’espressione creativa come atto di ricerca poietica fondamentale e, anzitutto, inesauribile: «Penso costantemente alla distanza che separa la musica com'è dalla musica così come dovrebbe essere».
michael seth
Exponential Muscle Memory Development: Master. Anthony obviously played this tune multiple times over as many years to give us a Masterpiece. Great Jazz musicians will take you to another world . Some folks just can't handle the journey
Osker Dahabsu
Oh my GOD! THIS IS AMAAAAAAZING!!!
pedro a. cantero
El compromiso de Braxton con la música viene de lo hondo, está en el origen de su concepto de expresión como acto fundamental de búsqueda inagotable: «Pienso incesantemente en la distancia que separa la música como es de cómo debería ser » .
Udo Matthias drums
still love your music!!
David Karla
If you've read his 3 volume TriAxium writings, you'll realise that whatever anthony was experimenting with made LSD look like something you would do at sunday school. I strongly suspect it was clean living, no drugs, and obsessive practice. Very very trippy ...
emilianoturazzi
"I strongly suspect it was clean living, no drugs, and obsessive practice." this is not just your suspect it's a well known fact about Braxton...
Louise F.
Dave Holland's fat, beautiful bass really stands out here...nobody matches his sound...perfect!
Blanca Domenech
epic
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are you a bot?