Later that year, they also opened for The Damned on a short tour round the north of England. November 1981 saw the release of their first single, a cover version of Ralph McTell's 'Streets of London', with the song that was to become the group's anthem, 'So What' on the B side.
In 1982, things were looking good for the band, with the 'So What Tour' in the company of such groups as Chelsea, Chron Gen and the Defects, and the release of their debut album We Are...The League. However, the Obscene Publications Squad seized all copies of their records, which were removed from shops and they were banned from TV and Radio. To top it all, they were thrown out of the Top Of The Pops studio...just because Animal happened to be carrying a 3ft axe around with him! However the year finished on a high, with the 'Hardcore Storms America' tour with the UK Subs.
Anti-Nowhere League LogoGilly (real name Mark Gilham) joined the band in 1983 as an extra guitarist, which according to the bands website,[1], was because Magoo was drinking heavily and was often unable to carry out his commitments as guitarist. The band went to Yugoslavia to record a live album, imaginatively called Live In Yugoslavia, but even this was dogged by problems with the authorities insisting that references that Animal had made about recently deceased president Tito be removed from the master tapes, and any language which they deemed to be offensive be bleeped (including a few "when’s", "it’s" and "ands" according to Animal!).
By 1984, things were not looking too good. PJ quit, unable to cope with the pressures of the drugs and alcohol lifestyle the band were now leading and they were musically inactive. 1985 saw Michael Bettel on the drums, followed in 1986 by JB (Jonathan Birch). During this time they signed for GWR Records, and recorded the Perfect Crime album. However, once again there were problems, when GWR refused to put up the money to finish the album once they heard its rough cut, and it was released unfinished to try to get back some of the money already invested in it. This was the final straw, and in 1987 ANWL disbanded. There was a "Farewell" show in 1989.
Fast forward to 1992, and Animal was working on his car, in the rain. The phone went, and it was JB, with the news that Metallica wanted Animal to guest at Wembley Arena, when they did their cover of 'So What'. Apparently Animals response was "Who the fuck are Metallica?, and anyway I'm working on my car!!" JB phoned back later, and managed to persuade Animal to do the slot. Animal put it thus on ANWL's website. "As I waited on the edge of the stage waiting to go on it suddenly dawned on me I was just about to stand in front of 10,000 punters who didn’t know me from Adam and sing a song that I couldn’t fucking remember………….all that kept running through my head was RUN you silly old fucker!". However, after the show, the bug had bitten again. Mark joined that year on Lead Guitar, and 1993 - 1995 was spent playing gigs in the small venues the band had started out in. In 1996, they signed up with Impact Records and recorded their next album Pig Iron. Beef also joined the band after Mark's departure.
1997 saw another personnel change when Winston left the band to be replaced by Jon Jon, and recording the album Scum.
Danny joined on drums in 1998.
The album Out Of Control was released a year later in 1999 2001 Magoo quit playing live shows.
2002 - now.... Jon Jon, Beef and Danny all left, to be replaced by PJ (original drummer), Jez, and Shady. This lineup of the band is still going as of April 2006.
Ballad of JJ Decay
Anti-Nowhere League Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
He says we've fought divided but united we will stand
We'll sacrifice the older ones, they're living in the past
We'll burn up their religions and we'll all be free at last
We'll put a hat upon his head and then we'll call him God
And then we'll share our health in him like peas do in a pod
This is the story of a man with a future in his head
We're all getting older
The light is on and bolder
We're all getting older, decay
We'll follow him throughout the land obeying his command
We'll dance a sort of hatred that we think we understand
The children came a-running from their houses of decay
And laid the trust upon a fool who found a better way
He preach the words of wisdom with his hands and with his mouth
Then everyone believed him and then he believed himself
This is the story of a man with a future in his head
But no one ever listens to him when he's dead
We're all getting older
The light is on and bolder
We're all getting older, decay
This morning I had another talk
With the German chancellor, Herr Hitler
Here is the paper which bears
His name upon it as well as mine
We regard the agreement signed last night
As symbolic of the desire of our two peoples
Never to go to war with one another again
We're all getting older
The light is on and bolder
We're all getting older, decay
The year had come and gone and everyone began to see
Why did we follow such a fool in such a mindless way?
Let's turn our hatred to this man, we know he's just a fraud
We crucify him with the rest and find another God
How many times have you heard someone is coming here to say
That from your hell on earth that you will love until your grave
This is the story of a man with nothing in his head
And no one's gonna listen to you when you're dead
We're all getting older
The light is on and bolder
We're all getting older
We're all getting older
We're all getting older
We're all getting older
We're all getting older
We're all getting older
We're all getting older
The Anti-Nowhere League's song "Ballad of JJ Decay" is a critique of blind obedience and the dangers of following charismatic leaders blindly. The lyrics detail how people are lured into following a man with a grand vision for the future. This man promises to unite them, burn down old religions, and take them to a better place. He is an anti-hero who seeks followers by tapping into their fears, frustrations, and failures. He is unable to connect with them on any deep, meaningful level and is more interested in creating a cult of personality than in offering any real solutions.
As the man gains more followers, they become caught up in his inflammatory rhetoric and harsh, hate-filled ideology. The children leave their homes and trust this fool, who they believe has found a better way. He preaches words of wisdom, but it is all empty promises. When he dies, no one listens to him.
The song's central message is that we should be wary of those who claim they can lead us to salvation. It's a warning that we should be cautious and skeptical of charismatic leaders who promise to fix our problems without offering any real solutions.
Line by Line Meaning
Well, gather around now, you boys and listen to the man
The singer is calling for attention to share a message.
He says we’ve fought divided but united we will stand
The singer argues for group unification against a common threat.
We’ll sacrifice the older ones, they’re living in the past
The singer suggests that older generations are holding progress back.
We’ll burn up their religions and we’ll all be free at last
The artist suggests that religions are a hindrance to freedom and must be destroyed.
We’ll put a hat upon his head and then we’ll call him God
The artist is mocking the human tendency to idolize leaders.
And then we’ll share our health in him like peas do in a pod
The singer is warning against blindly following a leader without personal thought or agency.
This is the story of a man with a future in his head
The singer introduces the narrative's protagonist and his aspirations.
But no one ever listens to him when he’s dead
The artist laments the tendency for important messages to go unrecognized until it's too late.
We’re all getting older
The artist recognizes the inevitability of aging.
The light is on and bolder
The artist suggests that the reality of aging is becoming increasingly apparent.
We’ll follow him throughout the land obeying his command
The singer is describing the followers' devotion to the singer.
We’ll dance a sort of hatred that we think we understand
The artist suggests the followers blindly follow the artist's message and develop hatred towards others without fully understanding why.
The children came a-running from their houses of decay
The singer suggests that the singer's message resonated more with younger generations opposed to the stagnant views of older generations.
And laid the trust upon a fool who found a better way
The singer is being sarcastic and suggests the singer is not actually a reliable source of guidance.
He preach the words of wisdom with his hands and with his mouth
The singer is describing how the singer communicates his message.
Then everyone believed him and then he believed himself
The artist suggests that the artist's followers blindly accept his message, causing him to develop a delusional belief in his own message's strength.
This morning I had another talk
The artist is shifting the narrative towards a new character.
With the German chancellor, Herr Hitler
The singer is referencing a prominent historical figure.
Here is the paper which bears
The singer has a physical document to reference.
His name upon it as well as mine
The artist has a signed agreement with Hitler.
We regard the agreement signed last night
The artist is describing the context of the agreement with Hitler.
As symbolic of the desire of our two peoples
The artist suggests the agreement symbolizes mutual desire for peace.
Never to go to war with one another again
The singer suggests the agreement promises to prevent future conflict.
The year had come and gone and everyone began to see
The artist is describing the passage of time and a shift in perspective.
Why did we follow such a fool in such a mindless way?
The singer is criticizing the followers' unthinking devotion to the singer.
Let’s turn our hatred to this man, we know he’s just a fraud
The singer suggests that the singer was never a trustworthy figure to begin with.
We crucify him with the rest and find another God
The singer suggests that the singer is punished for his deceitful ways and replaced with a new leader.
How many times have you heard someone is coming here to say
The artist is shifting the narrative again towards a different scenario.
That from your hell on earth that you will love until your grave
The artist suggests that people often cling to, and defend their miserable situations.
This is the story of a man with nothing in his head
The singer introduces a new character with no clear aspirations or meaningful thoughts.
And no one’s gonna listen to you when you’re dead
The singer suggests that the character has no message or impact on others, even in death.
Lyrics © BMG Rights Management, Peermusic Publishing
Written by: CLIVE BLAKE, NICHOLAS JOHN CULMER, CHRIS EXALL
Lyrics Licensed & Provided by LyricFind
@dudeatx
Every time I hear a someone raving about the politician , or the system, that is going to put everything right, I think of this song.
@paulolourenco7260
25 years ago, squatting in Hackney, London. In all the party's this song as a must. I miss those day's.
@dissocialvillegas9250
Que chimbaaaaaa saludos desde Medellín
@martinjohnston6685
so do i ,and the free festivals
@gazberry8065
This should be one of there top tunes, not a 'hidden gem". Class.
@janmattias
Seriously, how is this not one of ANL's hits? The thumping bass and the lyrical content is awesome.
@sidneybaber5409
Been looking for this for ages didn't know it a b side on single brilliant song
@l.salisbury1253
2:48 - Chamberlain's Famous Last Words...
@siroyal2040
Thank you for sharing love this song
@siroyal2040
Should be a A side single just brilliant