As of 2009, the band consists of Kristen Henderson on bass guitar/bg vocals, Cathy Henderson on lead guitar/bg vocals, Dena Tauriello on drums and Nini Camps on rhythm guitar and lead vocals.
The band is primarily known as a touring band, at one time performing 260 shows a year. They earned a dedicated fanbase early on that follows them from concert to concert along the East Coast and increasingly across the country. Fans refer to the band simply as "AR" or "Antigone".
Their first four albums were recorded mostly with independent labels and financed through fan donations. In 2003 they signed up with Lava Records after label president Jason Flom spotted them playing at one of their gigs. In 2005, they became the first artists to be promoted in Starbucks' Hear Music Series, created to discover and spotlight new music. The high visibility, exclusive sale, in-store promotion and airplay at Starbucks across the country helped the band's acoustic EP From the Ground Up sell over 450,000 copies by the end of 2005. The album's single, "Don't Look Back," was very popular among country audiences, and its video received heavy airplay on CMT.
Antigone Rising have shared the stage with Joan Jett, The Rolling Stones, moe., Rob Thomas, Aerosmith, The Allman Brothers and The Bangles[1]. They performed at Lilith Fair 1998 and SXSW 2005 and have co-written with Chris Trapper of The Push Stars and Rob Thomas.
She Lived Here
Antigone Rising Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Behind that door
Where she played and hung around
Smokin' up
To something but I couldn't tell you what
Don't bother dropping that name by me
Don't bother dropping nothing but the conversation
Or please take your leave
But she's in here
And her shadow left a stain
And I can't get it up
She left a feeling but I couldn't tell you what
Don't let her throw her magic at you
Don't let her can't let her be your meditation
Don't pray too long
Keep one open or she's good as gone
Did it hit where she aimed or where it hurt?
Did they wipe off that smile with dollar bills?
If you're looking for some life she left behind
You'd be better off looking at mine
She lived here
Behind that door
Where she prayed like on hallowed ground
Saving up for something
But she never told me what
Don't bother dropping that name no more
Don't bother dropping nothing but the conversation
Or please there's the door
I let it beat me now I know the score
She lived here
Behind that door
Where she prayed like on hallowed ground
Saving up for something
But she never told me what
Did she blow your mind
Did she make it on time
Did she blow your mind
Did she make it on time
She lived here
The song "She Lived Here" by Antigone Rising is a poignant tribute to a woman who was once an important part of the songwriter's life. The lyrics describe a place where the woman used to live, behind a door where she played and smoked. There is a sense of longing and loss in the song, as the songwriter reflects on the memories of the woman and the impact she left behind.
The lyrics also suggest that the woman was a mysterious and elusive figure, who had a kind of magical power over others. The songwriter warns against becoming too attached to her, or allowing her to become a kind of meditation or obsession. There is a sense of danger in the woman's presence, but also a kind of fascination that draws the songwriter back to the place where she lived.
Overall, "She Lived Here" is a powerful and emotional song that explores themes of love, loss, and mystery. The lyrics are beautifully crafted and the melody is haunting, making it a memorable piece of music that will stay with listeners long after they've heard it.
Line by Line Meaning
She lived here
The woman being sung about resided in the place where the singer is currently standing.
Behind that door
The woman was located physically behind the door that the singer is speaking about.
Where she played and hung around
The woman spent time in this location, doing leisure activities and being present in her surroundings.
Smokin' up
The woman was smoking something while in the vicinity.
To something but I couldn't tell you what
The woman's reason for smoking is unclear to the singer.
Don't bother dropping that name by me
The singer is not interested in hearing about someone's name.
Don't bother dropping nothing but the conversation
The singer is only interested in having a verbal exchange with the other person and nothing else.
Or please take your leave
The singer is asking the other person to leave if they cannot comply with the previous request.
I let it kill me now I let it be
The singer has experienced painful emotions and has chosen to let them pass and move forward.
But she's in here
The woman's presence can be felt in the location, despite not physically being present anymore.
And her shadow left a stain
The woman's influence has left an imprint on the location even after she has left.
And I can't get it up
The singer is unable to move past or overcome the feelings associated with the woman and her presence.
She left a feeling but I couldn't tell you what
The woman has left an emotional impression, but the singer cannot explicitly define it or its origins.
Don't let her throw her magic at you
The singer is warning the other person not to become entranced by the woman's abilities or personality.
Don't let her can't let her be your meditation
The singer is advising against letting the woman become a source of obsession or a focus of meditation for the other person.
Don't pray too long
The singer is warning against becoming too invested in the woman and praying or hoping for too long for her return or similar situations.
Keep one open or she's good as gone
The singer is advising caution and not becoming too emotionally attached, as the woman may not be coming back and may simply disappear.
Did it hit where she aimed or where it hurt?
The singer is questioning whether the actions taken by the woman were in alignment with her goals or if they instead caused her pain.
Did they wipe off that smile with dollar bills?
The singer is questioning whether the woman's smile was forced or faked, and whether money played a role in it.
If you're looking for some life she left behind
If someone is looking for remnants of the woman's existence, either physically or emotionally, it may be found in the current location being sung about.
You'd be better off looking at mine
The singer is implying that her own life contains more substance and worth than any remnants left behind by the woman.
Where she prayed like on hallowed ground
The woman spent time in this location, treating it with respect and reverence as if it was a sacred space.
Saving up for something
The woman was preparing or planning for some future event or action.
But she never told me what
Despite being present with the woman, the singer is not aware of what the woman was saving up for or planning for.
Don't bother dropping that name no more
The singer is again expressing disinterest in hearing a particular name.
Or please there's the door
If the other person cannot comply with the request to stop talking about the name or topic of conversation, the singer is again advising them to leave.
I let it beat me now I know the score
The singer has allowed their emotional attachment to the woman to affect them in the past, but they now recognize their own emotional state and how to manage it.
Did she blow your mind
The singer is inquiring whether the woman had a significant impact on the other person.
Did she make it on time
The singer is asking whether the woman reached her goals or ambitions within a specific timeframe.
Lyrics © Warner/Chappell Music, Inc.
Written by: CASSIDY CATANZARO
Lyrics Licensed & Provided by LyricFind