Ástor Pantaleón Piazzolla was born in Mar del Plata, Argentina in 1921 to immigrant Italian parents, Piazzolla spent most of his childhood with his family in New York City. While there, he acquired fluency in four languages: Spanish, English, French, and Italian. He also started playing the bandoneon, quickly rising to the status of child prodigy. While still quite young, he met Carlos Gardel, another great figure of Argentine tango. He returned to Argentina in 1937, where strictly traditional tango still reigned, and played in night clubs with a series of groups. The pianist Arthur Rubinstein (then living in Buenos Aires) advised him to study with the Argentine composer Alberto Ginastera. Delving into scores of Stravinsky, Bartók, Ravel, and others, he gave up tango temporarily and worked as a modernist classical composer.
At Ginastera's urging, in 1953 Piazzolla entered his "Buenos Aires" Symphony in a composition contest, and won a grant from the French government to study in Paris with the French composer and conductor Nadia Boulanger. The insightful Boulanger turned his life around in a day, as Piazzolla tells beautifully in his own words:
"When I met her, I showed her my kilos of symphonies and sonatas. She started to read them and suddenly came out with a horrible sentence: ‘It's very well written.’ And stopped, with a big period, round like a soccer ball. After a long while, she said: “Here you are like Stravinsky, like Bartók, like Ravel, but you know what happens? I can't find Piazzolla in this.” And she began to investigate my private life: what I did, what I did and did not play, if I was single, married, or living with someone, she was like an FBI agent! And I was very ashamed to tell her that I was a tango musician. Finally I said, “I play in a ‘night club.’” I didn't want to say “cabaret.” And she answered, “Night club, mais oui, but that is a cabaret, isn't it?” “Yes,” I answered, and thought, “I'll hit this woman in the head with a radio....” It wasn't easy to lie to her.
She kept asking: “You say that you are not pianist. What instrument do you play, then?” And I didn't want to tell her that I was a bandoneon player, because I thought, “Then she will throw me from the fourth floor.” Finally, I confessed and she asked me to play some bars of a tango of my own. She suddenly opened her eyes, took my hand and told me: “You idiot, that's Piazzolla!” And I took all the music I composed, ten years of my life, and sent it to hell in two seconds."
Piazzolla returned to Argentina in 1955, formed the Octeto Buenos Aires to play tangos, and never looked back.
Upon introducing his new approach to the tango (nuevo tango), he became a controversial figure among Argentines both musically and politically. The Argentine saying "in Argentina everything may change — except the tango" suggests some of the resistance he found in his native land. However, his music gained acceptance in Europe and North America, and his reworking of the tango was embraced by some liberal segments of Argentine society, who were pushing for political changes in parallel to his musical revolution.
During the period of Argentine military dictatorship from 1976 to 1983, Piazzolla lived in France, but returned many times to Argentina, recorded there, and on at least one occasion had lunch with the dictator Jorge Rafael Videla. However, his relationship with the dictator might have been less than friendly, as recounted in Astor Piazzolla, A manera de Memorias (a comprehensive collection of interviews, constituting a memoir):
In 1990 he suffered a thrombosis in Paris and he passed away two years later in Buenos Aires.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. Piazzolla also introduced new instruments that were not used in the traditional tango, including the flute, saxophone, electric guitar, electronic instruments, and a full jazz/rock drum kit.
Piazzolla played with numerous ensembles beginning with the 1946 Orchestra, the 1955 "Octeto Buenos Aires", the 1960 "First Quintet", the 1971 "Noneto", the 1978 "Second Quintet" and the 1989 "Sextet". As well as providing original compositions and arrangements, he was the director and Bandoneon player in all of them. He also recorded an album with jazz sax player Gerry Mulligan. His numerous compositions include orchestral work such as the "Concierto para Bandoneón, Orquesta, Cuerdas y Percusión", "Doble-Concierto para Bandoneón y Guitarra", "Tres Tangos Sinfónicos" and "Concierto de Nácar para 9 Tanguistas y Orquesta", as well as song-form compositions that still today are well known by the general public in his country, like "Balada para un loco" (Ballad for a madman) and "Adiós Nonino" (dedicated to his father) which he recorded many times with different musicians and ensembles. Biographers estimate that Piazzolla wrote around 3,000 pieces and recorded around 500.
He suffered a cerebral haemorrhage in Paris on 4 August 1990, which left him in a coma, and died in Buenos Aires, just under two years later on 4 July 1992, without regaining consciousness.
other albums not listed here
~ The Birth of Tango Nuevo, Vol. 1 - Sinfonia de Tango
~ Mis 30 Mejores Tangos
~ Piazzolla Interpreta A. Piazzolla (Original Album - Remastered)
~ Ensayos
~ Tiempo Nuevo
~ Se Armó
~ El Milrago - The Early Recordings, Vol. 2 (Astor Piazzolla With His First Own Orchestra, So Called 1946 Band.)
~ Tango Moderno
Tango
Astor Piazzolla Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Just mucic
Music only, and only music
Music again
Music.music.music
Just music
Music
Stops...
And get back to the music
Tango tango tango
Music
The lyrics of Astor Piazzolla's song Tango-Tango emphasize the power of music and particularly tango music. The repetition of the word "music" and the phrase "just music" reinforce the idea that music has a profound impact on the artist and the audience. The line "stops..." followed by "and get back to the music" suggests that even if the music momentarily stops or faces challenges, it ultimately prevails and continues to provide solace and inspiration. The phrase "tango tango tango" serves as a rallying cry for listeners to embrace this particular style of music.
What is particularly fascinating about these lyrics is that they demonstrate how much cultural significance tango music holds in Argentina and beyond. The rhythm and feel of the tango genre are embedded into the language of the lyrics itself, and the way in which the repetition and variation of the phrase "just music" create a kind of call-and-response format mimics the call-and-response of tango dance partners. Ultimately, the lyrics make a case for the universality of music as a means of communication and expression.
Line by Line Meaning
Tango Music
The genre of music being played is tango.
just music
The focus of the performance is solely on the music.
music only, and only music
No other distractions or elements are present besides the music.
music again
After a period of silence or interruption, the music resumes again.
music.music.music
The repetition of the word 'music' emphasizes its importance in the performance.
just music
The focus is solely on the music, without any external factors or distractions.
music
The continuation of the music.
stops...
An interruption or pause in the music.
and get back to the music
After the interruption, the focus returns to the music.
tango tango tango
The repetition of the word 'tango' emphasizes the genre of music being played.
music
The continuation of the music.
Writer(s): Astor Piazzolla
Contributed by Elizabeth D. Suggest a correction in the comments below.
@MissMinaOh
Her dress is like a wild poppy flower :) Beautiful performance. Tonight I will have nice dreams thanks to this video.
@feymeow
Miss Mina caught a Mina XD
@janymtz8845
Miss Mina j
@ConstantinPop
So is the suit of the conductor.
@adrianpaz2162
Un tango del Nonino
@luisitasafra
Marcó Antonio S lo I
MarAntonlo s,
Olisco
@homiyk77745
Сколько раз смотрю, столько раз бегают мурашки. Женщина-страсть, мужчина-покоритель. Органично все. Браво всем!!!
@user-1-2
Потрясающе ,все талантливо. Танцовщики отличные. Невероятный оркестр ,под управлением редчайшего дирижера. Первая скрипка - виртуоз. Пьяцолла - гений.
@user-zm9yw6zl1n
Я совсем уж было улетел, я великий пианист, нет я дирижёр, да нет же я виртуозный скрипач, а заодно и великолепный танцор.... как то неожиданно всё резко закончилось и вот он я, обычный поживший 77-летний мужчина, да чего уж там, старик живущий воспоминаниями. Как всё быстро проходит. Но это были прекрасные мгновения. Спасибо всём. ❤
@user-vk7sz2gl7r
Как вы здорово выразили свои чувства...А я в свои 79 почувствовала тоже, особенно в танце...