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Railroad Wreck
Augustin Gourpil and Group Lyrics


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The lyrics are frequently found in the comments by searching or by filtering for lyric videos
Most interesting comment from YouTube:

Able Magawitch

@Holy Khan I sorry I'm rushed but I'm trying to type you out a good response but will have come back clean it un in 10-22 hours sorry but life sucks for me.


In the days of the Steam Engine and Early Diesel trains you had Movie Film Studio Companies bigger than the Telecommunication like Google and Facebook of today, The rivaled the Early Railroads Companies for the ability to assert power and control over people and lands far and wide.

Those were the Big FILM Studios and they were even more powerful than they are today. In the 1900-1950's you didn't dare cross the Film Studios "IF you knew what was good for you !" . Any actor /actress that dared suddenly fond no one that would work with them, out of fear of being black balled by association. They locked performers in not just for a film series but for years and would build up and tear down stars as they saw fit and for their own pleasures. The casting couch was very real. You had to tow the company line and always do and act as they wanted in your professional life and personal life. Even as far making stars marry other stars despite they didn't have love for each other and preferred the same gendered as themselves, not the person they married. It was also a time when being seen as gay would end a career for any leading man in films. So social politics and homophobia also played into it but you were owned by the studios. Even if you found and independent company/studio that would hire you produce a film, they would tell their theaters if they showed the film they would loose the studio's films . Hence the Studios could blackball any actor and/or director due to much control they had from studio ownership and actual movie theater ownership. The rival studios while they would try to hire away stars from the other, they wouldn't work someone that broke the company line because they wanted it clear to their contracted performers that they have no options if they go to work for____.



The Big Hollywood Studios practices actually had the USA Congress intervene against them...... For ANTI-TRUST and their Monopoly. Because the Studios' death grip on every aspect from the start of writing to pre- production, to development, to filming, to making duplicates, to distribution, creation of press packs and advertising posters , and then control of projectionists (Highly skilled Carbon Arc lamp operator was require not the nice projectors that even teenage kids can throw a switch of today), they had their hands in the USHER Unions, the FOH & ROH (Front and Rear Of House) staff also. Remember a lot of movie theaters were also live venue places. That doesn't even count the musician union and how at the start, films had sound scores that were played by traveling and certain ""qualified"" local talent help. Back before the "Talkies" as they were called when you actually got to hear dialogue with the film you were watching, not just read text on the screen between scenes. Side digress, a humorous quote from Warner Bro's studio when confronted about adding sound to their films, one of them said "Who the hell wants to hear actors talk?"

This Death grip also allowed the union like I.A.S.T.E. to use their leverage with international work force across the country to bring about safety and fair wages for studio and on location work. Along with projectionists, which was a skilled job that involved running projectors that had metal rods that had to be adjusted and changed (the arcing burnt away material so feeding and keeping the arc gap aligned required constant attention see the "Carbon Arc" projectors and spotlights for info.) as the electricity arced between them to create the bright light. That projectionists had to preview the films, splice together film reels, add on trailers by hand. Not to mention during World War 1 & 2 they would splice in the war news footage reels to bring news to the masses. TV wasn't in every home(nor was the radio yet) and seeing the film reels was great military propaganda tool. Imagine going to your movie theater to get the world news.

The Companies like MGM, Paramount, 20th century fox (later 21st then just FOX), ect. owned the Studios and the movie theaters. If the theater wasn't owned by them at best you might be low percentage owner of the franchise. There independents but they struggled and were at disadvantage because they didn't have much leverage for negotiations. Which also meant they could keep out the other studio's films out of that movie theater or making them take reduced rates to get their film shown in regions of the country that a rival studio didn't have their own Movie Theaters. Independent owned theaters had to pay per showing for films at higher rates and would get jerked around by the studio to give preferences for their films or not get them all. While the other independent theaters that gave them the preferred preference over their competition in town did. So local movie theaters had to choose which Studio Brand they wanted to be much like when restaurants could carry coke-a-cola products or Pepsi but nor both.

As you know opening weekend and the 1st week is the highest number of sales, so by holding the film back from the small theater owner had even worse time covering those ""Royalty Fees"" and "Marketing Expenses"" that were also tacked on to make back any money the Studios spent promoting. So you had the 2nd run and 3rd run markets movie theaters, which all but dried up with huge 20+ multi-screen complexes of today.

Another part of the deal supposedly , was that Big Studios carried more of advertising costs and had Star Actors and Actresses under limited appearances contracts. They could only perform in their Studio's films or risk being locked out of the Hollywood totally. They would then doing promotional work for the film, where ever and however the Studios wanted.

So There was lot going on that was corrupt and the book keeping was legendary. For Example even in today's industry "Titanic" (The recent one that was a big block buster 10-15 years ago) Has made more money than most every film made but due to contract and payment of production percentage points that came off the back end ,, that the film has legally never made any money for the Movie Studio...... So no Taxes since it was all a "lost" and didn't break even after expenses......

Prop departments that are owned by the studios that rent the props to the studio as an expense, which somehow is never an asset owned and taxed.....

That doesn't even get in Lighting, Grip gear and cameras......

Sorry this was so bad. I cleaned it up to actually make sense.



All comments from YouTube:

Ken Jackson

I remember when this movie was in the theaters a friend said, yes, he would go with us to see it again because the train wreck alone was worth the price of admission.

TheBrickGuy7939

It was the coolest scene in the film. As a train fan this wreck is one of my favourites in cinematic history. It really does not look fake at all. It all feels so genuine.

raydunakin

This was definitely not the first time a movie train wreck was shot using a full-scale train. I can think of a couple older movies just off the top of my head. Buster Keaton's "The General" (1926) featured a real, full-scale steam locomotive crashing through a burning bridge.
The 1952 movie "Denver and Rio Grande" featured a head-on collision of two real, narrow gauge trains pulled by steam locomotives.

Travlis Hallingquest

And the train features in THE BRIDGE ON THE RIVER KWAI.

John Bryer

It seems every group, organization or "social-whatever," want's to claim being the first something, that's been done many time before in the past!

snigwithasword

Crash at Crush. Really gross inaccuracy and not at all surprising...

Devonian

Don't forget the cassandra crossing all that was real.

Runawayfreak Gaming

Don't forget the train with Burt Lancaster. Having said that real crashes afer the 1950's was a bit more rare.

cool2180

I loved this era of movie ๐ŸŽฅ making. The effects look so real and they used to go in on the setup of action ๐ŸŽฌ scenes

Kevin Guthrie

The last movie created to not use CGI was Waterworld, anything after that is the start of CGI. Waterworld was also the most expensive movie ever made at $325 million.

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