Francisco Fernández
Tito Valdés
Paco Martínez
Paco … Read Full Bio ↴Components:
Francisco Fernández
Tito Valdés
Paco Martínez
Paco Loco
City: Gijón (Spain)
Style: Pop-Rock
Record: Astro Discos
After ten years in active-duty, five albums (six if we counted its collaboration with Steve Wynn) and a considerable success, Australian Blonde have practically happened through everything what can pass a group of rock in Spain, and without losing a coherence apex. The ability not to resign to an own musical identity, knowing to evolve independently of fashions, successes or failures, has turned to them classic ones in life. From a successful debut with the mythical album "Pop Pizza" (Subterfuge, 1993), four albums and many songs later, Australian Blonde they have not turned aside an apex of its initial search of the perfect pop song. The maturity has brought with himself a capacity of unsuspected emotion, but in spite of everything, they have not moved a centimeter of its way. The one that now it is going to be fifth album of the band demonstrates that the years have happened for good, and that its quality of new classic is not something given by the successes, but by genuine talent. Exactly the talent necessary to create a collection of subjects varied enough as to evoke in a same disc the best moments of Ray Davies or the pildorazos more vitaminados of the new wave, happening through modernized sounds country, that reveal a constant restlessness to investigate each new variant of the American pop-rock. "Lay it on the Line" is a disc able to captivate simultaneously to the most demanding followers of the pop one with guitars and to the finders of immediate refrains; but in any case, with a content and an elaboration that any previous disc of Australian Blonde surpasses of distant spot: that is the maturity. Maturity that in this occasion comes accompanied from fecundity, because aside from the fifteen subjects which they compose the album one second "virtual" part exists: nothing less than another album with eight unpublished and complementary songs to the previous ones, that all the buyers of the disc will be able to unload gratuitously in www.ritmic.com. Key, which it accompanies the disc that is acquired in the store, is enough to accede to this great gift for the buyers. The song that gives title to the album will be in addition first single extraido, of which a paper clip will be rolled, and summarizes in its three minutes everything what there is again in Australian Blonde without has given up to anything of good the previous thing: new voices (Tito, bear of the group, receives the new protagonism like Co-vocalista), great wealth of musical adjustments (prudent, winds, keyboards...), new sounds (a turn towards the rock and country of its pop classic one) and, in general, excellent new songs that demonstrate the validity of a proposal to which by pure coherence, it is only possible to be described like classic modern.
I Like You
Australian Blonde Lyrics
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And that's all the reason for me, for I want you
Oh, I want you, I want you
And that's all the reason for me, for I want you
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me try to bring you down
I hate you, oh, and I hate you
And that's all the reason for me, for I hate you
Oh I hate you, I-i hate you
And that's all the reason for me, for I hate you
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me try to bring you down
Since it was you for chasing my mind
No one was told to be only one, to be only one
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me have you tonight
Let me try to bring you down
The lyrics of Australian Blonde's song "I Like You" convey a complex mix of emotions that revolve around desire, frustration, and perhaps even self-destructiveness. The repetition of the lines "I want you" and "I hate you" suggests a turbulent internal struggle within the singer. At the core of these conflicting emotions is a strong sense of longing for the subject of the song, expressed through the repeated desire to "have you tonight." This desire seems all-consuming and is presented as the sole reason for the singer's feelings.
The lyrics also touch on themes of power dynamics and control. The repeated plea to "have you tonight" can be interpreted as a desire to possess or dominate the object of affection, possibly as a means of exerting control or satisfying a craving. The line "Let me try to bring you down" further complicates this dynamic, suggesting a desire to both possess and possibly harm the subject, blurring the lines between love and aggression.
The sudden shift in the lyrics towards self-reflection with the lines "Since it was you for chasing my mind / No one was told to be only one, to be only one" introduces a sense of introspection and introspection. This shift may indicate a moment of clarity or realization for the singer, acknowledging the impact the subject has had on their thoughts and emotions. This introspective moment serves to deepen the complexity of the emotional landscape painted in the song, adding another layer of depth to the narrative.
In conclusion, Australian Blonde's "I Like You" is a song that delves into the complexities of desire, love, and conflicting emotions. The repetition of contrasting feelings, the themes of power dynamics and control, and the introspective shift towards the end all work together to create a multi-faceted portrayal of a tumultuous emotional experience. The lyrics offer a raw and introspective look at the interplay between desire, self-awareness, and the complexities of human relationships.
Lyrics © MUSIC SALES CORPORATION, Warner Chappell Music, Inc.
Written by: Francisco Javier Fernandez Martinez
Lyrics Licensed & Provided by LyricFind