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Following tours with The Cult, New Order, and the Smiths as Drummer with Factory Records band Lavolta Lakota Mike Simmi left to form BFG in Summer 1985. Joined by BJ Williams on vocals , Keith Lambert on Bass , Acky On Guitar and El Thomas on Samples also Andy Clegg from the Chameleons also played Guitar with BFG. BFG began to make a name for themselves Basing the BFG sound around a thumping bass line and screaming guitars. BFG were then joined by Andy Whittaker, one of the guitarists in The Sun And The Moon. On hearing the early demos , Joy Division and New Order bassist Pete Hook invited the band to support New Order On their Summer 1986 Tour. This tour coincided with BFG's first release The 12" single "Paris"c/w "Amelia". The limited edition sold out within 1st week of release and was quickly hailed as a "goth" classic BFG's first Headlining show in home town Manchester was with the Stone Roses as support and even at this early stage were being compared with Joy Division for the intensity of their live performance. Also the band were starting to gain the reputation of being seen as "difficult" as far as the press were concerned. During the late 80's the Band completed very few interviews and even today still refuse to play by the media's rules. The line up changed for the next 2 E.P.s with Steve Craig Replacing B.J. Williams and Paul Batheram replacing Acky on Guitar. Western Sky E.P. and Higher Than Heaven........is was recorded with the new line up with Mick Mercer from Melody Maker stating " The Greatest Indie Single Of The Year Is BFG's Higher Than Heaven" The Album Fathoms was released in 1988 At this time BFG were also joined by Utah Saints "third member" Guy Hatton. Following the release of Fathoms BFG gaining a fanatical following in Germany and West Coast America. At this time BFG were joining by Utah Saints producer Guy Hatton.This culminated in BFG playing at the Loreley Stadium , on the Banks of The River Rhine, in front of 15,000 German fans, the only time that BFG were "officially" caught on Video .............well worth tracking down if you can. The Original BFG line up reformed in 1989 and recorded what many feel was the definitive BFG album. Blue was released in 1990 and with its mixture of loops and driving guitars mixed with B.J. Williams vocals, always threatening to explode, it set the musical agenda that the like's of Rammstien have since followed. The Band Finally Called It A Day 1991..........The band have reformed and a album was due for release last year, however this is now to be released 2010 and will be entitled "Pulling Wings From Butterflies"
[2] B.F.G. is an abbreviation for the noiscore/grindcore band Biosteel Fuelled Grindcore. B.F.G. is based out of Toronto, Canada. B.F.G. released a full length, 2-sided, limited edition, cassette tape called 20 Songs. B.F.G. was signed under the record label known as Bleach Mojito.
Mako
B.F.G. Lyrics
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جروحي القديمة تنتهي من تجي وأحضنك
عمري اللي قبلك كله ما عشت وشقد عرفت
بس ماكو مثلك من إجه لحقني كان متت
وصلت لمرحلة بدونك ما أتنفس الهواء
لأن شوفتك عيونك هي لجروحي دواء
وصلت لمرحلة بدونك ما أتنفس الهواء
تعب ها العمر بلاك أنتظر
ما يعجبني أحد ولا أي بشر
ولا أي بشر
بس إنت وحدك بالقلب صرت، صرت
غيرك ما ردت بس إنت تفهمني
وحياتي بدونك انتهت
ما راح أحب بعدك بشر ولو، ولو
والله اهواي اجوا، اهواي اجوا
من بعدك العالم خلص والناس انتهوا
تعبت وبعد ما أقدر أنا أتحمل غيابك
ما أنام صدقني صرت أبكي وأحضن ثيابك
تعبت وبعد ما أقدر أنا أتحمل غيابك
ما أنام صدقني صرت أبكي وأحضن ثيابك
تعب ها العمر بلاك أنتظر
ما يعجبني أحد ولا أي بشر
ولا أي بشر
ما يعجبني أحد ولا أي بشر
ولا أي بشر
The song "Mako" by B.F.G. delves into the deep emotional turmoil and longing for a lost love. The lyrics express a profound sense of devotion and attachment to the person the singer loves, to the point of loving them to death. The opening lines "ماكو بغلاتك قلبي يعشقك للموت" convey the intense love and connection the singer feels towards their beloved, declaring that there is no one else like them and that they would have been lost without their presence in their life. The imagery of old wounds healing and finding solace in the embrace of their lover indicates a sense of healing and renewal that comes with their presence.
The chorus emphasizes the suffocating feeling of being without this person, likening their presence to a life-giving breath of fresh air. The singer finds comfort and healing in the gaze of their beloved, symbolizing them as a source of strength and medicine for their wounds. This dependency on the other person is starkly contrasted with the emptiness and struggle of being apart from them, highlighting the profound impact their love has had on the singer's life.
The verse speaks to the exhaustion and weariness of waiting for this person, expressing a sentiment of not being interested in anyone else but them. The repeated refrain "ولا أي بشر" further emphasizes the singer's singular focus and dedication to their beloved, reinforcing the idea that no one else can compare to them. The lyrics reflect a sense of completion and fulfillment that comes from being with this person, suggesting that their life lacks meaning and joy in their absence.
The closing lines hint at the deep emotional pain and longing the singer experiences in the absence of their loved one. The imagery of crying and clinging to their lover's clothes in the night symbolizes a sense of desperation and yearning for their presence. The repetition of the chorus "تعب ها العمر بلاك أنتظر" underscores the enduring patience and longing the singer feels, unwilling to love anyone else after experiencing the profound connection they shared with their beloved. Overall, the lyrics of "Mako" paint a poignant picture of love, loss, and the deep emotional impact of being separated from the person who holds the key to their heart and happiness.
Lyrics © Qanawat
Written by: Bahar
Lyrics Licensed & Provided by LyricFind