Thomas was raised in and around Houston, Texas, graduating from Lamar Consolidated High School in Rosenberg. Before his solo career, he sang in a church choir as a teenager, then joined the musical group The Triumphs. During his senior year he made friends with Roy Head of Roy Head and The Traits. The Traits and the Triumphs held several Battle of the Bands events in the early 1960s.
In 1966, B.J. Thomas and The Triumphs released the album I'm So Lonesome I Could Cry (Pacemaker Records). It featured a hit cover of the Hank Williams song "I'm So Lonesome I Could Cry". The single sold over one million copies and was awarded a gold disc. The follow-up single, "Mama", peaked at No. 22. In the same year, Thomas released a solo album of the same name on the Scepter Records label.
Thomas came back to achieve mainstream success again in 1968, first with "The Eyes of a New York Woman", then five months later with the much bigger "Hooked on a Feeling", which featured the sound of Reggie Young's electric sitar and was first released on the album On My Way (Scepter Records). "Hooked on a Feeling" became Thomas's second million-selling record. A year later Butch Cassidy and the Sundance Kid featured Thomas performing the Bacharach/David song "Raindrops Keep Fallin' on My Head", which won the Academy Award for best original song that year and hit No. 1 on the Billboard Hot 100 in January 1970. Sales of it also exceeded one million copies, with Thomas being awarded his third gold record. The song was also released on an album of the same name. Other hits of the 1970s were "Everybody's Out of Town", "I Just Can't Help Believing" (No. 9 in 1970, covered by Elvis Presley), "No Love at All", "Mighty Clouds of Joy", and "Rock and Roll Lullaby".
Thomas's earlier hits were with Scepter Records, his label for six years. He left Scepter Records in 1972 and spent a short period, in 1973 and 1974, with Paramount Records, during which time he released two albums, Songs (1973) and Longhorns & Londonbridges (1974).
In 1975, Thomas released the album Reunion on ABC Records, which had absorbed the Paramount label; it contained "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" (the longest titled No. 1 hit ever on the Hot 100). It was Thomas's first big hit since 1972 and secured him his fourth gold record. It won the 1976 Grammy Award for Best Country Song, awarded to its songwriters, Larry Butler and Chips Moman.
In 1976, Thomas released Home Where I Belong, produced by Chris Christian on Myrrh Records, the first of several gospel albums. It was the first Christian album to go platinum, and Thomas became the biggest contemporary Christian artist of the period.
On MCA Records, Thomas and Chris Christian recorded what would be his last Top 40 hit single, "Don't Worry Baby", on his last pop album, which also included the Adult Contemporary hit "Still the Lovin' Is Fun".
During the 1980s, his success on the pop charts began to wane, but many of his singles reached the upper regions on the country singles chart, including two 1983 chart toppers, "Whatever Happened to Old-Fashioned Love" and "New Looks from an Old Lover" (see 1984 in music), as well as "Two Car Garage", which reached No. 3. In 1981, on his 39th birthday, Thomas became the 60th member of the Grand Ole Opry.
Thomas scored another hit, recording "As Long As We Got Each Other", the theme to Growing Pains, with Jennifer Warnes. A later version, used for the show's fourth season, was recorded with British singer Dusty Springfield. Thomas first released this track on his 1985 album Throwing Rocks at the Moon (Columbia Records).
Thomas has also authored two books including the autobiography Home Where I Belong, and starred in the movies Jory and "Jake's Corner". Several commercial jingles including Coca-Cola, Pepsi, and Bell, have featured his singing voice and music. On December 31, 2011, Thomas was the featured halftime performer at the 2011 Hyundai Sun Bowl in El Paso, Texas.
On April 2, 2013, Thomas released The Living Room Sessions, an album with acoustic arrangements of well known hits. It features guest appearances with established and emerging vocalists accompanying Thomas on seven of twelve tracks.
On December 3, 2013, the National Academy of Recording Arts and Sciences announced that his 1969 single "Raindrops Keep Fallin' on My Head" would be inducted into the Grammy Hall of Fame.
Thomas was married to singer-songwriter Gloria Richardson since December 1968. They had three daughters: Paige (born 1970), Nora (adopted from Korea in 1978), and Erin (born in 1979). Shortly after Thomas's career began, he became dependent on drugs and alcohol which led to his marriage nearly ending and himself even coming close to death. Gloria became a Christian in 1975, and less than a month later, so did B.J.; most press sources indicate that Thomas had been sober since their separation was reconciled in 1976.
What Child Is This?
B.J. Thomas Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
On Mary's lap is sleeping?
Whom angels greet with anthems sweet
While shepherds watch are keeping?
This, this is Christ the king
Whom shepherds guard and angels sing
Haste, haste to bring him laud
The babe, the son of Mary
Where ox and ass are feeding?
Good Christian, fear, for sinners here
The silent word is pleading
This, this is Christ the king
Whom shepherds guard and angels sing
Haste, haste to bring him laud
The babe, the son of Mary
So bring him incense, gold, and myrrh
Come, peasant, king, to own him
The king of kings salvation brings
Let loving hearts enthrone him
This, this is Christ the king
Whom shepherds guard and angels sing
Haste, haste to bring him laud
The babe, the son of Mary
In the opening verse of B.J. Thomas's "What Child Is This," the lyrics describe a scene of a sleeping baby nestled in Mary's lap, while angels sing sweet hymns and shepherds keep watch. The song then quickly shifts to a recognition of the baby's identity, declaring "this is Christ the king." The lyrics continue to reflect on the unusual circumstances of the infant's birth, noting that he is resting in a poor setting surrounded by simple animals. The song concludes with an invitation for everyone, from lowly peasants to kings, to come offer valuable gifts to the baby and enthrone him with loving hearts.
The song is a classic Christmas hymn that has been covered by many artists since it was written in the 19th century. Its message is one of recognition of the divine identity of Jesus and a call to honor and worship him, regardless of earthly circumstances or social status. The lyrics combine awe at the beauty of the scene described with a recognition of the importance of the child and the role he would play in salvation.
Line by Line Meaning
What child is this, who, laid to rest
Who is this child who is peacefully resting?
On Mary's lap is sleeping?
Who is resting on the lap of Mary?
Whom angels greet with anthems sweet
Who is being welcomed with beautiful songs by the angels?
While shepherds watch are keeping?
Who is being watched by the shepherds?
This, this is Christ the king
This child is Jesus, the king
Whom shepherds guard and angels sing
The shepherds are protecting him while the angels are singing for him
Haste, haste to bring him laud
Hurry, hurry to praise and honor him
The babe, the son of Mary
He is the infant, Mary's son.
Why lies he in such mean estate
Why is the holy child lying in a humble manger?
Where ox and ass are feeding?
In the company of oxen and donkeys?
Good Christian, fear, for sinners here
Oh Christian, be afraid, for you are among the sinners
The silent word is pleading
He has come to silently plead with us
So bring him incense, gold, and myrrh
Bring him gifts of frankincense, gold and myrrh
Come, peasant, king, to own him
Come and worship him, whether you are a king or a poor peasant
The king of kings salvation brings
The one who is the king of kings, will bring salvation
Let loving hearts enthrone him
Let our loving hearts make him king
Lyrics © Kobalt Music Publishing Ltd.
Written by: Daniel Martin, TRAD TRAD
Lyrics Licensed & Provided by LyricFind