It was from the need to expand this fullness of sound - while attempting to incorporate it into other musical genres thereby opening up a range of influences and offering the public a new dialogue with this instrument - that the Baiana System project emerged, where the Guitarra Baiana is the starting point. Idealised by Robertinho Barreto, guitar player of the group “Lampironicos”, who has been playing it for some time in the group and in many others musical projects, the BaianaSystem does not have a defined format but can assume many different arrangements. The underlying idea is the presence of a Live P.A. whereby the D.J. interacts with the Guitarra Baiana to produce a new musical arrangement. The DJ will work with the sampler and/or played bases, fitting in sounds and effects with freedom for improvisation. It uses resources such as layers, effects and loops, in a conception inspired by the freedom and psicodely of Dub.
The purpose of the project is to think about the channel of promotion and consolidation for the Guitarra Baiana (the trio eletrico);to perceive it as a special kind of Sound System (publisher of Dub) and to develop new ways of applying and relating to it. It also offers the opportunity to explore new possibilities of sounds with the Guitarra Baiana as well as investigating the interaction with the production of a rhythmic base.
The ‘mixing’ of language and philosophy and the creation of a new musical arrangement through developing an already existing one are the challenges of the Baiana System.
http://www.myspace.com/baianasystem#ixzz105pJxL00
Playsom
Baiana System Lyrics
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Já ouviu é dejavú
Russo Passapusso
Agradece, merci beaucoup!
Playsom, playback
Já ouviu aperta o REC
Que gruda mais que chi(clete)
Que corta mais que gi(lete)
Então escute pi(vete)
Hoje não tem cani(vete)
É serpentina e con(fete)
Playsom, playsom
Já ouviu é dejavú
Russo Passapusso
Agradece, merci beaucoup!
Ela não é piriguete
Não fica de frete
Não é marionete
Não fica de frete
Tem que ter amor na manha
Tem que ter, oh mon amour!
Seja onde for na manha
Se não for apanha
Tem que ter amor na manha
Tem que ter, oh mon amour!
Seja onde for na manha
Se não for apanha
(A mais de mil decibéis, virado numa goteira)
Playsom, playsom
Já ouviu é dejavú
Russo Passapusso
Agradece, merci beaucoup!
Playsom, playback
Já ouviu aperta o REC
A.ma.ssa é o pagodão
Que gruda mais que chi(clete)
Que corta mais que gi(lete)
Então escute pi(vete)
Hoje não tem cani(vete)
É serpentina e con(fete)
Playsom, playsom
Já ouviu é dejavú
Russo Passapusso
Agradece, merci beaucoup!
Ela não é piriguete
Não fica de frete
Não é marionete
Não fica de frete
Tem que ter amor na manha
Tem que ter, oh mon amour!
Seja onde for na manha
Se não for apanha
Tem que ter amor na manha
Tem que ter, oh mon amour!
Seja onde for na manha
Se não for apanha
(Bambam piribambam piribambam piribam)
(Pplay)
Play, Play
(A mais de mil decibéis, virado numa goteira)
(Já ouviu, é dejavú)
The song "Playsom" by Baiana System is a lively and upbeat track that celebrates the fun and energy of the Pagodão music scene. The lyrics speak to the power of music and the importance of letting go and enjoying life. The chorus repeats the phrase "Playsom, playsom", which means "playback" in Portuguese, and suggests that the music is meant to be danced to and enjoyed.
The verses include references to Pagodão music, a popular style of music from Salvador, Brazil that blends elements of samba, reggae, and hip-hop. The lyrics describe the sound of Pagodão as "a.ma.ssa", which means "kneaded dough" in Portuguese, and suggest that the music is sticky and difficult to resist. The lyrics also reference the importance of having love and joy in one's life, and warn that without it, one may be "caught".
Overall, "Playsom" is a celebration of music and the joy it can bring to people's lives. The lyrics encourage listeners to let go of their worries and embrace the energy of the music, and suggest that by doing so, they can find happiness and love in the world.
Line by Line Meaning
Playsom, playsom
This is about the rhythm of the music, it's an invitation to play and enjoy the sound
Já ouviu é dejavú
This line means 'have you heard it before' and it may refer to the familiarity of the rhythm or the lyrics to the listener.
Russo Passapusso
This is the name of the artist who sings the song
Agradece, merci beaucoup!
Translated from Portuguese and French, this means 'thanks a lot'. This line is a show of gratitude to the public and to the French culture.
Playsom, playback
Another reference to the rhythm and the recording process of the music: 'play the sound' and 'playback the recording'
Já ouviu aperta o REC
This line means 'press the record button already' and it's an invitation to start the party and record the moment.
A.ma.ssa é o pagodão
This line is a reference to the music genre and style called 'pagodão'. 'A.ma.ssa' is an abbreviation for 'A massa', which can be translated as 'the mass'.
Que gruda mais que chi(clete)
This line means 'it sticks more than gum'. It's a reference to the sticky and catchy nature of the rhythm and the music genre.
Que corta mais que gi(lete)
This line means 'it cuts more than razor blades'. It's a reference to the sharp and powerful nature of the rhythm and the music genre.
Então escute pi(vete)
This line means 'so listen carefully, kid'. It's an invitation to pay attention to the sound and the message of the music.
Hoje não tem cani(vete)
This line means 'today there is no trouble'. It's a reference to having fun and forgetting the worries of the day or the past.
É serpentina e con(fete)
This line is a reference to the festive and joyful atmosphere of the party. 'Serpentina' and 'confetti' are used to celebrate and decorate the place.
Ela não é piriguete
This line means 'she is not a flirt'. It's a reference to the respect and appreciation for women in the music and in the party.
Não fica de frete
This line means 'she doesn't wait up'. It's a reference to the independence and confidence of the women in the music and in the party.
Não é marionete
This line means 'she is not a puppet'. It's a reference to the self-determination and freedom of the women in the music and in the party.
Tem que ter amor na manha
This line means 'you have to have love and respect for the moment, for the atmosphere, for the people around you'. It's an invitation to enjoy the moment and the party in a positive and respectful way.
Tem que ter, oh mon amour!
Translated from French, this line means 'you have to have, oh my love!'. It's a reference to the romantic and passionate aspect of the music and the party.
Seja onde for na manha
This line means 'wherever you are, respect the vibe and the mood of the party'. It's an invitation to be present and aware of the energy of the moment.
Se não for apanha
This line means 'if you don't, you will suffer the consequences'. It's a playful way of saying that if you don't enjoy the party or the moment in a positive and respectful way, you will miss out on the fun and the good vibes.
Bambam piribambam piribambam piribam
This line is a reference to the drums and the rhythm of the music. It's a playful and catchy way of celebrating the sound and the energy of the party.
Pplay
This line is a reference to the recording process, 'play' and 'record'. It's a playful way of ending the song.
(A mais de mil decibéis, virado numa goteira)
This line means 'at more than a thousand decibels, turned into a downpour'. It's a way of describing the intense and powerful sound and atmosphere of the music and the party.
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@MarcosYuryDieper
Rapaz, que porra é essa??? Bom pra caralho!!! Sou compositor e me arrepiei com a criatividade e ousadia dessa banda! #DeFoder
@lorem.1068
Gostou em pai....
Baiana é barril dobrado..rs
@MarcosYuryDieper
Lory M. Nem notei que era vc Lore!!! Hahahahahaha
@MrLucas2981
Deeper Muito bom, mesmo. Também escrevo e faço música, e a banda é sensacional...
@MarcosYuryDieper
Lucas Timbó É tudo de bom!! Quando escutei eles eu me vi neles pois componho de tudo um pouquinho.
@rafagomes3169
Muito bom
@ShaniQuaShonda
Bahia não cansa de ser proprietária do Brasil. Reis
@89681eric
Pose ser,Cabral desembarcou na Bahia e a primeira capital do País também foi na Bahia.
@neypassos4331
No cenário musical e cultural desse Brasil os baianos sempre vão dominar, eles são realmente diferenciados.
@edsonflorencio01
Baiano, é outro nível meus caros!