Manço was born on 2nd January 1943 in Istanbul. His mother, Rikkat Uyanık, had been a famous singer in the early 1940s. His older brother, who was born during World War II, was named Savaş ("war" in Turkish) while he was named Barış ("peace" in Turkish) by his parents to celebrate the end of the war.
While at secondary school at the Galatasaray Lisesi (and later at Şişli Terakki High School) he formed his first band, Kafadarlar ("The Buddies"), all students of a nearby highschool. Asaf Savaş Akat, who became a famous economist, played saxophone, and guitarist Ender Enön made his own guitar because it was difficult to find a real one on the market at that time. In 1962 and 1963, with his next band, Harmoniler ("The Harmonies"), he recorded cover versions of some popular American twist songs and rearrangements of Turkish folk songs in rock-and-roll form, marking the beginning of the Anatolian rock movement, a synthesis of Turkish folk music and rock. In this period, his key visual and musical influence was Elvis Presley.
After leaving school in 1963 he won a scholarship to the Belgian Royal Academy, and went to Belgium to study graphics and art. He toured with his band Les Mistigris (not related to Mistigris) in Germany, Belgium, France, and Turkey until 1967, when he was in a serious car accident, after which he started to grow his signature mustache to disguise his scar.
Frustrated by the difficulties of working with musicians from different nationalities, he formed Kaygısızlar (The Carefrees), featuring Mazhar Alanson and Fuat Güner, future members of the band MFÖ. He recorded several singles and toured with the band, both domestically and internationally, until the band members revealed that they did not want to live abroad. In 1970, he formed Barış Manço ve... ("Barış Manço and ..."), again with foreign musicians, to record his first hit single, both in Turkey and in Belgium, "Dağlar Dağlar" (Mountains, Mountains!), selling over 700,000 copies.
After the success of "Dağlar Dağlar", Manço recorded a couple of singles with Moğollar (The Mongols), another influential Turkish Anatolian rock band. He then decided to return to Turkey where he recorded with the reformed Kaygısızlar for a short period. In 1971, his early works were compiled under his first full length album Dünden Bugüne, today commonly referred to as "Dağlar Dağlar".
In 1972, he formed Kurtalan Ekspres, the band that would accompany him until his death. He continued to release singles until 1975, when he released his first non-compilation album, 2023, a concept album that included many instrumental pieces.
As a last attempt to reach international success, he released the album Baris Mancho (1976), mostly with the George Hayes Orchestra, in Europe and South Africa. Although the album did not bring the fame he was expecting, it did reach the top of the charts in Romania and Morocco. The following year the album was released in Turkey under the title Nick the Chopper.
From 1977 to 1980,he released three more albums in Turkey, partly consisting of compilations of older singles: Sakla Samanı Gelir Zamanı (1977), Yeni Bir Gün (1979), and 20. Sanat Yılı Disko Manço (1980), all with a similar sound to his earlier album 2023. All these albums are now rarity items, but most of the material from the era is available in the later compilations Ben Bilirim and Sarı Çizmeli Mehmet Ağa.
In 1981 Manço released Sözüm Meclisten Dışarı with Kurtalan Ekspres, containing many hit songs including "Alla Beni Pulla Beni", "Arkadaşım Eşşek", "Gülpembe", "Halhal", and "Dönence". The album remains one of their most popular works, and boosted Manço's popularity in the 1980s. "Arkadaşım Eşşek" ("My Friend Donkey"), quickly grew very popular among children (the song is about rural nostalgia ,and was not initially intended as a children's song). Throughout his career he went on to write many other songs primarily for children. On the other hand "Gülpembe", composed by Kurtalan Ekspres bassist Ahmet Güvenç, a requiem for Manço's grandmother, caught the attention of older audiences, and is probably the artist's most popular song, competing only with "Dağlar Dağlar".
In 1983, Estağfurullah, Ne Haddimize was released. It contained the hit songs "Halil İbrahim Sofrası" and "Kol Düğmeleri", a new version of the artist's very first song. "Halil İbrahim Sofrası" exemplified Manço's signature moral-themed lyrics, a rare feature in Turkish pop music. In 1985, 24 Ayar Manço which included "Gibi Gibi" and a long conceptual song "Lahburger", was released. It marked the beginning of the shift in Manço's sound characterised by the heavy use of synthesisers and drum machine, in contrast with his older works consisting of a rock-based sound. Manço went on to release Değmesin Yağlı Boya (1986), Sahibinden İhtiyaçtan (1988), and Darısı Başınıza (1989), each containing a couple of hit songs and demonstrating his new sound.
In 1988 7'den 77'ye (From age 7 to 77), a television series directed and presented by Manço, began to run on TRT 1, the national TV channel of Turkey. It was a combined music, talk show, and documentary programme which was a major hit during the eight years it stayed on the air. Manço travelled to nearly 150 countries for the series. "Adam Olacak Çocuk" , a part of the show, strengthened Manço's acceptance among children
Although his popularity continued mostly due to this series, his musical work in 1990s wasn't so well received. The albums Mega Manço (1992) and Müsadenizle Çocuklar (1995) were considered the weakest of his career, despite the limited success of the 1992 children's hit "Ayı" (The Bear). On the other hand, in 1995 he toured in Japan with Kurtalan Ekspres, leading to Live in Japan (1996), his first and only live album. He released two albums in that country with some recognition as "the man who writes songs about vegetables", referring to "Domates, Biber, Patlıcan" ("Tomato, Pepper, Aubergine") and "Nane, Limon Kabuğu" (Mint, Lemon Rind), two of his hit songs from the 1980s.
Manço died on 31st January 1999 of a sudden heart attack, just before the release of his newly finished album Mançoloji (Mançology) (1999), a double album containing new recordings of his hit songs along with an unfinished instrumental song "40. Yıl" ("The 40th Anniversary"), celebrating his fortieth year in music. Over his career he had composed about 200 songs, some of which were translated into a variety of languages including Greek, Bulgarian, Romanian, Persian, Japanese, and Arabic.
Anlıyorsun Değil mi
Barış Manço Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Bir türkü tutturmuşum, duyuyorsun değil mi?
Çalacak bir kapım yok, mutluluğa hasretim
Artık sokaklar benim, görüyorsun değil mi?
Zaman akmıyor sanki, saatler durmuş bugün
Sonsuz yalnızlığımda, bir tek sen varsın bugün
Ya dön bana artık, duyuyor musun beni?
Bir resmin kalmış bende, tam ortadan yırtılmış
Hani siyah kazaklı, biliyorsun değil mi?
Gözlerimden süzülen, birkaç damla anıda
Senin sıcaklığın var, anlıyorsun değil mi?
Zaman akmıyor sanki, saatler durmuş bugün
Sonsuz yalnızlığımda, bir tek sen varsın bugün
Ya dön bana artık, duyuyor musun beni?
Ya çık git dünyamdan, anlıyorsun değil mi?
Ya dön bana artık, duyuyor musun beni?
Ya çık git dünyamdan, anlıyorsun değil mi?
The lyrics to Barış Manço's song "Anlıyorsun Değil mi?" is a poignant depiction of the pain one feels after a relationship has ended. The song begins with the singer walking alone in the cold, with his hands in his pockets, singing a song that no one seems to hear. He has no door to knock on to find happiness, so he wanders through the streets alone. The lyrics convey a sense of desperation and loneliness as if the world has stopped, except for the pain of the singer.
Manço then interestingly introduces a contrast by acknowledging that in his everlasting loneliness, he is not alone as the person he has lost still exists in his memories. He addresses this person directly, asking them to either return or leave him alone. At this point, the singer recalls a particular instance of his relationship, when he still had a picture of his lover but is now left with only a torn image. However, this picture conjures up memories that bring about a warmth that he still feels in his heart.
The song beautifully blurs the line between past and present, life and memory. The cold, unfeeling world around the singer, contrasted with the warm recollection of the past creates a poignant tone that resonates with anyone who has ever experienced loss. The entire song is a poetic way of expressing the idea that even within our most profound loneliness, the people we love-- and the memories we share with them-- will always be there.
Line by Line Meaning
Hava ayaz mı ayaz? ellerim ceplerimde
It's freezing cold outside and my hands are in my pockets
Bir türkü tutturmuşum, duyuyorsun değil mi?
I am singing a song, can't you hear it?
Çalacak bir kapım yok, mutluluğa hasretim
I have no doors to knock on, I am longing for happiness
Artık sokaklar benim, görüyorsun değil mi?
Now the streets belong to me, don't you see?
Zaman akmıyor sanki, saatler durmuş bugün
Time seems to have stopped, the clocks are frozen today
Sonsuz yalnızlığımda, bir tek sen varsın bugün
In my infinite loneliness, only you exist today
Ya dön bana artık, duyuyor musun beni?
Either come back to me, can you hear me?
Ya çık git dünyamdan, anlıyorsun değil mi?
Either leave my world, don't you understand?
Bir resmin kalmış bende, tam ortadan yırtılmış
I have a picture of you, torn right in the middle
Hani siyah kazaklı, biliyorsun değil mi?
The one in the black sweater, you know who I mean, right?
Gözlerimden süzülen, birkaç damla anıda
In my memories, tears flow from my eyes
Senin sıcaklığın var, anlıyorsun değil mi?
You have left me with your warmth, don't you understand?
Ya dön bana artık, duyuyor musun beni?
Either come back to me, can you hear me?
Ya çık git dünyamdan, anlıyorsun değil mi?
Either leave my world, don't you understand?
Lyrics © Kahuna Music
Lyrics Licensed & Provided by LyricFind
@tbula9927
Hava ayaz mı ayaz
Ellerim ceplerimde
Bir türkü tutturmuşum
Duyuyorsun, değil mi?
Çalacak bir kapım yok
Mutluluğa hasretim
Artık sokaklar benim
Görüyorsun, değil mi?
Zaman akmıyor sanki
Saatler durmuş bugün
Sonsuz yalnızlığımda
Bir tek sen varsın bugün
Ya dön bana artık
Duyuyor musun beni?
Ya çık git dünyamdan
Anlıyorsun, değil mi?
Bir resmin kalmış bende
Tam ortadan yırtılmış
Hani siyah kazaklı
Biliyorsun, değil mi?
Gözlerimden süzülen
Birkaç damla anıda
Senin sıcaklığın var
Anlıyorsun, değil mi?
Zaman akmıyor sanki
Saatler durmuş bugün
Sonsuz yalnızlığımda
Bir tek sen varsın bugün
Ya dön bana artık
Duyuyor musun beni?
Ya çık git dünyamdan
Anlıyorsun, değil mi?
Ya dön bana artık
Duyuyor musun beni?
Ya çık git dünyamdan
Anlıyorsun, değil mi?
@meryx_xo
2024 de dinleyen var mı
@Kullan1c1Ad1
Değil 24, 34 olsa da dinlerim öyle güzel bir şarkı 🙂
@gulce1817
Var
@elif-bv2fc
Var
@hitchhikersguidetothegalax
Zamansız bir şarkı ❤
@dr.oetkerr
keşke böyle güzel şarkıları seçime karıştırmasalar..
@BaranEditss
Ne kadar haklısın
@rhmn.mkylv.0220
Niye akpniz yapsa gurur duyardin
@ercansozen1622
Al benden'de o kadar👍🏻
@gk5441
Niye hemen bir şeyli oluyor. Bu şarkı çok sevilen bilinen bir şarkı. Türküler gibi. İsteyen kullanır da benim bozulduğum sözlerinin değiştirilmesi.. anti parantez ocu bucu değilim. @@rhmn.mkylv.0220