Barbra Streisand has recorded more than 60 albums, almost all with Columbia Records. Her early works in the 1960s (her debut The Barbra Streisand Album which won two Grammy Awards in 1963, followed by The Second Barbra Streisand Album, The Third Album, My Name Is Barbra, etc.) are considered classic renditions of theater and nightclub standards, including her version of Happy Days Are Here Again. Beginning with My Name Is Barbra, her albums were often medley-filled keepsakes of her television specials.
Starting in 1969, Streisand tackled contemporary songwriters; like many talented singers of the day, she found herself a fish out of water in attempts to tackle rock, but her vocal talents prevailed and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a big hit for Streisand.
Streisand's 1980 album, Guilty featured the songwriting, production and vocal talents of Barry Gibb and was the best-selling album of her recording career. During the 1970s, she was also highly prominent in the pop charts, with number-one records like The Way We Were, Evergreen, No More Tears (Enough Is Enough) (her duet with Donna Summer), and Woman In Love; some of these came from soundtracks of her films. She recently took part in supporting Haiti in singing "We are the World 25th anniversary.
When the 1970s ended, Streisand was named the most successful female singer in the U.S. - only Elvis Presley and The Beatles having sold more albums. [1]
[1] In 1982, New York Times music critic Stephen Holden wrote that Streisand was "the most influential mainstream American pop singer since Frank Sinatra."
Miss Marmelstein
Barbra Streisand Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh, why is it always Miss Marmelstein' Miss Marmelstein
Miss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss Marmelstein
Other girls get called by their first names right away
They get cozy intimate
And nobody calls me, "Hey, baby doll", Miss Marmelstein
Or "Honey dear", Miss Marmelstein, or "Sweetie pie"
Miss Marmelstein
Even my first name would be preferable
Though it's terrible, it might be better, it's Yetta
Or perhaps my second name that's Tessye
Spelled T E S S why E
But no, no, it's always Miss Marmelstein, Miss Marmelstein
You'd think at least Miss M. they could try
Miss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Oh, I could die
I'm a very willing secretary
Enjoy my work as my employer will corroborate
Except for one disappointment one fly in the ointment
It's great I mean simply great
But the aggravation of my situation
I might as well get it off my chest, it's the drum appellation
Oh, pardon the big words I apply
But I was an English major at C.C.N.Y.
Drum appellation
With which I am persistently addressed
Persistently, perpetually, continually and inevitably addressed
Believe me, it could drive a person positively psychosomatic
Oh, why is it always Miss Marmelstein' Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Miss Marmelstein
Other girls get called by their nick names right away
Slightly naughty or risky
Do you know what I mean'
Nobody calls me,"Koo-chee-koo", Miss Marmelstein
Or "Boobala", Miss Marmelstein, or "Passion pie"
Even, "Hey there, babe" thought not respectable, ain't so object able
It's kind of crummy but chummy
Of course if I got married, that would do it
So, where's the lucky guy'
Till then it still is Miss Marmelstein, Miss Marmelstein
Everyday I get more and more fast
Miss Marmelstein, Miss Marmelstein
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Oh, I could bust
The song "Miss Marmelstein," performed by Barbra Streisand in the musical "I Can Get It for You Wholesale," is a humorous and self-deprecating commentary on a young woman's frustrations with her perceived lack of popularity and attention. The titular character, Miss Marmelstein, laments that despite her hard work as a secretary, she never gets called by affectionate nicknames like other girls do. Instead, she is always addressed as "Miss Marmelstein," complete with the heavily stressed second syllable that underscores her sense of alienation.
The song is constructed as a series of escalating complaints, with Miss Marmelstein ruminating on her unremarkable first name ("Yetta"), her mounting irritation with being called the "drum appellation" of her last name, and her ultimate despair at being unable to attract a romantic partner. Throughout, Streisand's delivery is infused with a wry humor that helps to soften the edge of Miss Marmelstein's unhappiness. In many ways, the song represents a classic musical theater trope: the comic solo that allows a character to air their grievances in a way that is both funny and relatable.
Overall, "Miss Marmelstein" is a lighthearted but incisive portrayal of a young woman's struggles to find her place in the world. Through its playful lyrics and catchy melody, it shows the power of music to capture the nuances of everyday life and give voice to our most intimate thoughts and feelings.
Line by Line Meaning
Miss Marmelstein, Miss Marmelstein, Miss Marmelstein
Repetitive mention of Miss Marmelstein's name, indicating the persistence of her situation
Oh, why is it always Miss Marmelstein' Miss Marmelstein
Questioning why Miss Marmelstein is always referred to in such a formal manner
Other girls get called by their first names right away
Observation that other girls are called by their first names immediately
They get cozy intimate
Implication that other girls are given special treatment and familiarity
Do you know what I mean'
Rhetorical question to emphasize the point made
And nobody calls me, "Hey, baby doll", Miss Marmelstein
Expressing the desire to be addressed by more affectionate names, but only being referred to by her last name
Or "Honey dear", Miss Marmelstein, or "Sweetie pie"
Examples of terms of endearment she wishes to be called
Even my first name would be preferable
Acknowledgement that her first name is not ideal but still better than her last name
But no, no, it's always Miss Marmelstein, Miss Marmelstein
Continued frustration over being referred to formally
You'd think at least Miss M. they could try
Suggestion that being called Miss M. would be a small improvement
I'm a very willing secretary
Confirmation of being an eager and willing worker
Enjoy my work as my employer will corroborate
Employer would agree that Miss Marmelstein is a satisfactory employee
Except for one disappointment one fly in the ointment
One issue prevents Miss Marmelstein from fully enjoying her job
It's great I mean simply great
Despite the issue, Miss Marmelstein still appreciates her job
But the aggravation of my situation
Acknowledgement of her ongoing frustration with her name
I might as well get it off my chest, it's the drum appellation
Revealing what specifically is irking her, her title of "Miss Marmelstein"
Oh, pardon the big words I apply
Apology for using complex vocabulary
But I was an English major at C.C.N.Y.
Explanation for her familiarity with advanced words and concepts
Drum appellation
Term for her formal name/title
With which I am persistently addressed
Further acknowledgement of how frequently she is referred to by her last name
Persistently, perpetually, continually and inevitably addressed
Emphasizing the frequency and inevitability of being formally addressed
Believe me, it could drive a person positively psychosomatic
It's frustrating enough to make someone lose their mind
Other girls get called by their nick names right away
Further comparison to other girls receiving familiar treatment
Slightly naughty or risky
Implications that other girls may receive inappropriate nicknames
Nobody calls me,"Koo-chee-koo", Miss Marmelstein
Wishing for a silly nickname or term of endearment
Or "Boobala", Miss Marmelstein, or "Passion pie"
Examples of endearing names she wishes to be called
Even, "Hey there, babe" thought not respectable,
Elevator pitch for being agreeable to less formal terms of endearment
ain't so object able
Not as bad as being called by her formal name all the time
It's kind of crummy but chummy
Acknowledgement that even an informal name would be preferred
Of course if I got married, that would do it
Sarcastic implication that only getting married could change her nickname
So, where's the lucky guy'
Joking about the idea of getting married
Till then it still is Miss Marmelstein, Miss Marmelstein
Resignation to being called by her formal name
Everyday I get more and more fast
Growing impatience with her formal name
Oh, I could bust
Frustration has reached a high level
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Edel Corcoran
Oh, why is it always Miss Marmelstein?
Miss Marmelstein? Miss Marmelstein?
Other girls get called by their first names right away
They get cozy intimate ... Do you know what I mean?
Nobody calls me: "hey, baby doll!"
Or "Honey Dear" or "Sweetie Pie"
Even my first name would be preferable
Though it's terrible, it might be better: it's Yetta!
Or perhaps my second name that's Tessye
Spells T-E-S-S-Y-E!
But no, no, it's always Miss Marmelstein!
You'd think at least Miss M. they could try...
Miss Marmelstein! Miss Marmelstein!
Miss Marmelstein! Miss Marmelstein! Miss Marmelstein!
Oh, I could die!
I'm a very willing secretary
Enjoy my work as my employer will corroborate
except for one disappointment one fly in the ointment
It's great I mean simply great
But the aggravation of my situation
I might as well get it off my chest
It's the drum appellation
Oh pardon the big words I apply
But I was an English major at C.C.N.Y.
Drum appellation!
Well, literally I am persistently addressed
Persistently, perpetually, continually and inevitably addressed!
Believe me, it could drive a person positively psychosomatic
Why is it always Miss Marmelstein?
Miss Marmelstein? Miss Marmelstein?
Other girls get called by their nick names right away
slightly naughty or riske
Do you know what I mean? Ha! Ha...Mmmmmmm!
Nobody calls me : "Koo-Chee-Koo" or "Boobala" or "Passion Pie"
Even "Hey There Babe!" thought not respectable
Ain't so objectable
It's kind of crummy but chummy
Of course if I got married, that would do it
So, where's the lucky guy? Ha...
Till then it still is Miss Marmelstein!
Everyday I get more and more fast
Miss Marmelstein! Miss Marmelstein!
Miss Marmelstein! Miss Marmelstein! Miss Marmelstein!
Oh...Oh...Oh...!
I could Bust!
Shimmering Fairy Dust
She sure has an incredible voice...she takes this rather trivial bit of fluff and somehow makes it memorable. That’s called musical genius.
Shimmering Fairy Dust
@Eugene Kozma yep
Shimmering Fairy Dust
@Andrew Thornhill Absolutely astounding.
Eugene Kozma
She is a genius.
Andrew Thornhill
@Elaine Snow And at only 18 years of age!
Eugene Kozma
I can listen to her sing this anytime.this song applies to all of us working class people.
Rose Geyer
I wish I could have seen her preform in “I can get for you wholesale” if only there were a recording of the original cast preforming the whole play
Nurse Grace
This really isn’t a striking melody...actually rather simplistic and grating. It’s amazing she was able to do so much with it!
Rosalie Caliendo
I wish she would still do a concert.♥️♥️♥️
Thomas delvin
she lip syncs many of her shows