Barbra Streisand has recorded more than 60 albums, almost all with Columbia Records. Her early works in the 1960s (her debut The Barbra Streisand Album which won two Grammy Awards in 1963, followed by The Second Barbra Streisand Album, The Third Album, My Name Is Barbra, etc.) are considered classic renditions of theater and nightclub standards, including her version of Happy Days Are Here Again. Beginning with My Name Is Barbra, her albums were often medley-filled keepsakes of her television specials.
Starting in 1969, Streisand tackled contemporary songwriters; like many talented singers of the day, she found herself a fish out of water in attempts to tackle rock, but her vocal talents prevailed and she gained newfound success with the pop and ballad-oriented Richard Perry-produced album Stoney End in 1971. The title track, written by Laura Nyro, was a big hit for Streisand.
Streisand's 1980 album, Guilty featured the songwriting, production and vocal talents of Barry Gibb and was the best-selling album of her recording career. During the 1970s, she was also highly prominent in the pop charts, with number-one records like The Way We Were, Evergreen, No More Tears (Enough Is Enough) (her duet with Donna Summer), and Woman In Love; some of these came from soundtracks of her films. She recently took part in supporting Haiti in singing "We are the World 25th anniversary.
When the 1970s ended, Streisand was named the most successful female singer in the U.S. - only Elvis Presley and The Beatles having sold more albums. [1]
[1] In 1982, New York Times music critic Stephen Holden wrote that Streisand was "the most influential mainstream American pop singer since Frank Sinatra."
Piano Practicing
Barbra Streisand Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
La la la la la la la
La la la la la la la
La la la la la la la la
Mi mi mi mi mi mi mi
Mi mi mi mi mi mi mi
Mi mi mi mi mi mi mi
Lu lu lu lu lu lu lu
Lu lu lu lu lu lu lu
Lu lu lu lu lu lu lu
Lu lu lu lu lu lu lu lu
Ma ma ma ma ma ma ma
Ma ma ma ma ma ma ma
Ma ma ma ma ma ma ma
Ma ma ma ma ma ma ma ma
He he he he he
Ha ha ha ha ha
Ho ho ho ho ho hooo
Ha ha ha ha ha
He he he he he
Ho ho ho ho ho hooo
Ha ha ha ha ha
He he he he he
Ho ho ho ho ho hooo
Ha ha ha ha ha ha ha ha ha ha
Ha ha ha ha ha ha ha ha ha ha
Ha ha ha ha, oh
When I was a little girl I wanted to be a soprano
But my mother said my dear you've got to practice you piano
No soprano's in to man but a piano's always grand
And grand pianos in a band make money darling
And so each afternoon when I come home from school
I practice like a bloody fool
You can't imagine all the awful things I play
I could never see a friend
I'd have to practice without end
And as the time was dripping by
I watched the clock without denial
I got the window on the sky
I wished so tearfully that I
Could come outside and play
Instead of wasting every day
Of learning something that
Without a doubt
I could have really done without
It was such a bore
And I could here the boy next door was having fun
And that was something that I'd really never done
When I was a little girl I wanted to be a soprano
But I had to sit and practice on my rotten old piano
Playing major scales and than I played the minors once again
Now up and down the keys I play and out of these
I play a tirade of all the exercises
Never any new surprises
Girl you keep your fingers wrong
What a sound
All I wanted was to sing
And not to make the raftest ring
With my old piano
Practicing I would have popped my back
I sing, I hated every minute of the keyboard I devote
That is why today I'm a soprano, but the sight of a piano
Makes me shot before I can not play a note
The song "Piano Practicing" by Barbra Streisand is a playful and humorous reflection on her childhood experiences of practicing the piano. Streisand wanted to be a soprano when she was a little girl, but her mother insisted on her practicing the piano as there was no demand for sopranos at that time. She describes her daily routine of tirelessly practicing the piano, playing the scales and the same old exercises repeatedly. Despite her affection, she is also very critical of the instrument, showing a sense of aversion towards it. She claims that all she ever wanted was to sing rather than play the piano. She gives a picture of a lonesome childhood, where she could not play with friends but had to devote her time to practicing the piano, which she found to be a boring and dull activity.
The lyrics of the song also express a sense of regret and disappointment in her childhood, signifying that her time could have been better spent elsewhere. Her lyrics show the contrast between what she wanted and what her mother enforced upon her. She acknowledges that grand pianos in a band make money but tells us that she would instead have been outside, having fun like the boy next door. The last line is particularly poignant, expressing the conflict between the piano and her love for singing.
In conclusion, Streisand's song "Piano Practicing" is a witty reflection on her childhood experiences with the piano. Her lyrics describe the boredom and loneliness of practicing the piano instead of being outside with friends, ultimately sharing that she grew up to become a famous soprano and feeling disappointed that she wasted so much time on the piano.
Line by Line Meaning
La la la la la la la
Childhood memories of singing and playing the piano with joy and abandon.
Mi mi mi mi mi mi mi
Signifies harmonious and sweet musical experience
Lu lu lu lu lu lu lu
Symbolizes the flow of musical notes and expressions
Ma ma ma ma ma ma ma
Reflects the musical notes played on the piano
He he he he he
Conveys a feeling of joy and excitement
Ha ha ha ha ha
Signifies laughter and enjoyment that is missing in practicing piano
Ho ho ho ho ho hooo
Represents an inconvenience or burden that is associated with practicing piano
Ha ha ha ha
Indicates a feeling of resignation amidst the experience of practicing piano
When I was a little girl I wanted to be a soprano
The artist talks about her aspirations from an early age to singing soprano
But my mother said my dear you've got to practice your piano
The artist's mother insisted she should spend her time practicing piano instead of singing solo to become a better musician overall.
No soprano's in to man but a piano's always grand
The mom didn't want her daughter to pursue solo singing because there's not as much money in it as playing in a musical ensemble.
And grand pianos in a band make money darling
Reinforces the mother's point that playing piano can be more lucrative than singing at the solo level.
And so each afternoon when I come home from school
The artist followed her mother's advice and spent afternoons practicing piano after returning home from school.
I practice like a bloody fool
She practiced tirelessly and with passion daily during her childhood.
You can't imagine all the awful things I play
The artist reflects on the frustration she used to feel during her childhood while practicing piano.
I could never see a friend
She had to forgo her social life to practice piano.
I'd have to practice without end
It seemed like an unending exercise to her.
And as the time was dripping by
The artist expresses her feelings of boredom and monotony associated with long hours of piano practice.
I watched the clock without denial
She monitored the hours spent practicing piano.
I got the window on the sky
She longed for the freedom to enjoy life and look outside the window.
I wished so tearfully that I
Could come outside and play
The artist still holds onto the memory of wanting to go outside and do other things instead of practicing.
Instead of wasting every day
Of learning something that
Without a doubt
I could have really done without
She reflects on the futility of practicing piano and how it was not something she wanted to do.
It was such a bore
The constant practice made her hate playing the piano.
And I could hear the boy next door was having fun
And that was something that I'd really never done
The artist felt left out hearing kids play outside while she was practicing piano.
Playing major scales and than I played the minors once again
She talks about the monotony of practice and how it was devoid of newness and excitement.
Now up and down the keys I play and out of these
I play a tirade of all the exercises
In this line, the artist refers to the different techniques she practiced to master the skill.
Never any new surprises
Girl you keep your fingers wrong
What a sound
She talks about the struggle she faced while learning how to play piano and how she was always reprimanded for poor performance.
All I wanted was to sing
And not to make the rafters ring
With my old piano
The artist reflects on her love for singing and how she found the piano to be a poor substitute.
Practicing I would have popped my back
I sing, I hated every minute of the keyboard I devote
That is why today I'm a soprano, but the sight of a piano
Makes me shot before I can not play a note
Finally, she concludes the song by indicating that singing was her true love, but admits that spending so much time practicing the piano played a major role in making her into the artist she became.
Lyrics © O/B/O APRA/AMCOS
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