Their self-titled debut album featured backing by an orchestra organized by Robert John Godfrey. It was released in mid-1970 and was heavily touted by the musicians and the record label as the next big thing in orchestral rock, but met with overwhelmingly negative reviews and weak sales. Their second album, Once Again, was followed by a tour with a full orchestra under Godfrey's guidance. Godfrey departed over writing issues behind "Mocking Bird" – one of the group's most consistently popular tracks - so Martyn Ford was brought in to supervise the orchestral work for their third album, Barclay James Harvest and Other Short Stories. Years later Godfrey filed a lawsuit alleging he was owed composing credits and corresponding royalties on several of Barclay James Harvest's songs. By the release of their fourth album, Baby James Harvest, in 1972, the pressures of touring were beginning to affect the band.
After this album, they departed from EMI, moved management to Harvey Lisberg, and signed to Polydor; the move immediately resulting in greater sales. The next album, Everyone Is Everybody Else (1974) was voted 13th by listeners in Radio Caroline's 1977 Top 100 All Time Albums Chart. The band did a BBC Radio 1 session in 1974 for John Peel; Alan Freeman, however, would be the band's main champion on the station in the 1970s and again when he returned from 1989 to 1993. The double live album, Barclay James Harvest Live, which followed in late 1974, was the first to chart in the UK, reaching No. 40. Time Honoured Ghosts (1975), which has "Titles", recorded in the US, followed, and this too charted in the UK, reaching No. 32. Octoberon followed in 1976 and reached number 19 in the UK. They broke into the mainstream mainland European market with their 1977 set Gone to Earth, which contained the song "Poor Man's Moody Blues", a homage to the Moody Blues' song, "Nights in White Satin."
Wolstenholme – whose mellotron playing was a trademark of the band's sound in the 1970s – left in 1979 after the album XII (1978), as he began to suffer from clinical depression. He pursued a short solo career fronting the band Maestoso, before retiring from the music industry to farm. He remained inactive throughout the 80s before rejoining John Lees when BJH essentially split in two.
The remaining three members continued. In August 1980, they played a free concert in front of the Reichstag in West Berlin, with an estimated attendance of 250,000 people. They were the first Western rock band to perform in an open-air concert in East Germany (over two years before the Berlin Wall fell), playing in Treptower Park, East Berlin on 14 July 1987 to a 170,000-plus audience.
The band continued as a trio with regular guest-musicians until 1998. One album, Welcome to the Show, produced in 1990, was released under the abbreviated name BJH. However, because of criticism from fans, the full name was restored, albeit with the inclusion of the BJH moniker.
In 1998, musical differences amongst members of BJH saw the band essentially split into two different groups, each of which retained "Barclay James Harvest" as part of its name. John Lees released an album mixing new songs and classics of the band, entitled Nexus, under the name "Barclay James Harvest Through the Eyes of John Lees". Woolly Wolstenholme played in (and composed for) this band, subsequently resurrecting Maestoso to record and tour with new material, as well as back-catalogue favourites. Les Holroyd and Mel Pritchard teamed up to record under the name "Barclay James Harvest featuring Les Holroyd". In 2006/7, Lees and Wolstenholme toured under the slightly modified band title "John Lees' Barclay James Harvest".
Mel Pritchard died suddenly of a heart attack in early 2004. Woolly Wolstenholme took his own life in December 2010, having apparently struggled with depression for many years. The two derivatives of Barclay James Harvest continue to record and tour to this day, and enjoy ongoing popularity, particularly in Germany, France, and Switzerland.
John Lees' Barclay James Harvest (since 1998)
This derivative of Barclay James Harvest features John Lees, bassist Craig Fletcher, drummer Kevin Whitehead and keyboard player Jez Smith. The band originally featured "Woolly" Stuart Wolstenholme on keyboards before his death in December 2010. The group formed in 1999 to record the album "Nexus". Craig Fletcher and Kevin Whitehead were from Wolstenholme's band "Maestoso", and John and Woolly were members of the original Barclay James Harvest. The band toured in the UK and Europe in 2006, and recorded the live album "Legacy" at the Shepherd's Bush Empire in London. Since then, the band has played at venues in the UK, but more so in the rest of Europe, where they achieve good success. The band toured again around the UK in 2009. They played at the Berlin Wall anniversary festival at the Brandenburg Gate, Bad Homburg in Germany with JLBJH's best attendance of 17,500 people, and more recently in Porto, Portugal with an attendance of 5,000. The band recently visited America, and played in Philadelphia. John Lees' Barclay James Harvest is currently signed and managed by Esoteric Recordings. Mark Powell, founder of the label, works as the band manager. In October 2013 JLBJH released "North", a studio album of all-new material, recorded at John's own Friamere Studios, on limited edition vinyl, CD and deluxe CD with a bonus disc recorded live at the Buxton Opera House. "North" was very well received, going on to become Cherry Red's biggest selling album of the fourth quarter of 2013. The band played nine gigs on a UK tour to promote the album, followed by a live radio concert for Christmas on German station SWR1. The band also formerly featured Jeff Leach and Mike Bramwell as guest musicians.
Barclay James Harvest featuring Les Holroyd (since 2002)
In 2001, Les Holroyd and Mel Pritchard returned to the studio to record the album 'Revolution Days' along with former Sad Cafe members Ian Wilson and Michael Byron-Hehir, as well as Steve Butler, Steve Pigott (Cher, Mike and the Mechanics), and Rabbit Bundrick (The Who). 'Revolution Days' was released in 2002, and a touring band was put together with Holroyd and Pritchard; Michael Byron-Hehir on lead guitar and vocals; Ian Wilson on guitar and vocals; Steve Butler on keyboards, percussion, and vocals; Chris Jago on drums; and former BJH sideman Colin Browne on keyboards and vocals. The first show was at the Colmar Wine Festival in August 2002. In October and November of that year, they undertook their first European Tour. More tours and festivals followed in 2003.
In January 2004, the band performed at the 'Art on Ice' spectacular at the Zurich Hallenstadion with Roger Hodgson, John Helliwell and Bob Siebenberg of Supertramp, Justin Hayward of The Moody Blues and Jeremy Spencer of Fleetwood Mac. Upon returning to the UK, Mel Pritchard died from a suspected heart attack.
In January 2005, BJHFLH toured with Asia featuring John Payne as support, returning the favour on four UK shows in March of the same year. In 2006, they undertook the Classic Meets Rock Symphonic Barclay Tour with the 25-piece Prague Philharmonic Orchestra. In July 2007, they toured the UK. Les Holroyd and Michael Byron-Hehir also worked on Alan Simon's Excalibur II album, Les joining the stage show in 2010. Les also performed in the live show of Simon's Anne de Bretagne. In 2011, Les joined the Rock Meets Classic Tour along with Ian Gillan, Lou Gramm, Dan McCafferty with The Bohemian Symphony Orchestra, performing four BJH songs: "Hymn", "Mockingbird", "Ring Of Changes", and "Life Is For Living".
Still touring Europe, the band introduced an acoustic spot into the set, showcasing their vocal harmonies with old favourites like "Poor Boy Blues", "Friend of Mine", and "Crazy City". They recorded their 2012 winter tour.
External works
The band released a single "Breathless"/"When the City Sleeps" under the pseudonym of "Bombadil" in 1972. "Breathless", an instrumental, was credited to "Terry Bull" (actually John Lees). The B side "When the City Sleeps" was credited to "Lester Forest" (actually Woolly Wolstenholme), who also played every instrument and sang. This obscure track made an appearance on the soundtrack of the 2007 series Life on Mars, although it was not featured on the CD release.
Members
Barclay James Harvest (1966–1998)
Les Holroyd – vocals, bass, guitars, keyboards (1966–1998)
John Lees – vocals, guitars (1966–1998)
Mel Pritchard – drums, percussion (1966–1998; died 2004)
Stuart "Woolly" Wolstenholme – vocals, mellotron, keyboards, guitars (1966–1979; died 2010)
John Lees' Barclay James Harvest
Current members
John Lees – vocals, guitars (1998–present)
Craig Fletcher – bass (1998–present)
Kevin Whitehead – drums, percussion (1998–present)
Jez Smith – keyboards (2009–present)
Former members
Stuart "Woolly" Wolstenholme – vocals, mellotron, keyboards, guitars (1998–2010)
Guest musicians
Jeff Leach – keyboards (1998–2006)
Mike Bramwell – keyboards (2006–2009)
John Joseph Lees – cornet (2006, 2009)
Liz Fitzpatrick – trumpet (2009)
Barclay James Harvest featuring Les Holroyd
Current members
Les Holroyd – vocals, bass, guitars, keyboards (2002–present)
Colin Browne – keyboards, guitars (2002–present)
Steve Butler – guitars, keyboards (2002–present)
Michael Byron-Hehir – lead guitars (2002–present)
Louie Palmer – drums, percussion (2011–present)
Former members
Mel Pritchard – drums, percussion (2002–2004)
Ian Wilson – guitars (2002–2009)
Chris Jago – drums, percussion (2002–2003, 2004–2005)
Roy Martin – drums, percussion (2003–2004, 2006–2007)
Paul Walsham – drums, percussion (2005–2006, 2007–2011)
Full Wikipedia article: https://en.wikipedia.org/wiki/Barclay_James_Harvest
Studio albums
Barclay James Harvest (1970)
Once Again (1971)
Barclay James Harvest and Other Short Stories (1971)
Baby James Harvest (1972)
Everyone Is Everybody Else (1974)
Time Honoured Ghosts (1975)
Octoberon (1976)
Gone to Earth (1977)
XII (1978)
Eyes of the Universe (1979)
Turn of the Tide (1981)
Ring of Changes (1983)
Victims of Circumstance (1984)
Face to Face (1987)
Welcome to the Show (1990)
Caught in the Light (1993)
River of Dreams (1997)
Jonathan
Barclay James Harvest Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
White as paper fly
Sound of seagulls crying fills the air
High above the lonely one is there
Jonathan he cares
To feel better
Like the passing wind
Swooping down again
Find him miles away in endless flight
Longing to be free
Telling you and me
Give me wings to fly
Tell me why, tell me why
The answer must be heard
And from a lonely bird
He's giving us a reason to believe
See the painted silver sunlight on his wing
As he sails upon the wind and slowly skyward
Flying as to music you can hear him sing
Like the windsong on the breeze he seems to sigh
Give me wings to fly
Tell me why, tell me why
The answer must be heard
And from a lonely bird
He's showing us the way we can be free
The lyrics of Barclay James Harvest's song "Jonathan" describe the flight of a lonely bird named Jonathan, as seen through the eyes of the singer. The circles in the sky refer to the bird's movements, which are compared to white paper flying, and the sound of seagulls crying highlights the bird's solitude. Jonathan cares about his freedom and longs for the night to come so he can continue his endless flight. He is like the passing wind, swooping down again and again, searching for something more. The singer asks for wings to fly like Jonathan and seeks answers to the bird's purpose.
The lyrics evoke a sense of wonder and longing for freedom, with the bird's flight symbolizing a quest for purpose and meaning. Jonathan represents a yearning for something beyond the material world, something transcendental and eternal. The song's melodic structure enhances the dreamy quality of the lyrics, evoking a sense of enchantment and wonder. Ultimately, the song suggests that Jonathan, in his solitude and endless flight, gives us a reason to believe that freedom and transcendence are possible.
Line by Line Meaning
Circles in the sky
The image of circles in the sky is the focus of the song's opening, highlighting the majesty of nature and the vastness of the world.
White as paper fly
The birds that fly high in the sky are white as paper, emphasizing their beauty and purity.
Sound of seagulls crying fills the air
The sound of seagulls crying fills the air, creating a sense of an endless expanse and emphasizing loneliness and isolation.
High above the lonely one is there
The lonely one in this song is a bird flying high above the world, which is the central figure of the song.
Jonathan he cares
Jonathan is the name given to the bird, and it shows that he is a being with thoughts and feelings.
To feel better
Jonathan is flying to feel better, which is the same as humans pursuing joy and happiness.
Like the passing wind
Jonathan is swift and agile like the wind that the seasons bring, therefore he is unstoppable.
Swooping down again
Jonathan swoops low and then back up again, playing with the currents of the air.
Waitin' for the sun to turn to night
Jonathan waits for the sun to set, which is when he truly can let go of things and live freely.
Find him miles away in endless flight
Jonathan can be found flying miles away in any direction, his independence a significant aspect of his character.
Longing to be free
Jonathan's ultimate goal in life is to be free, with no restrictions or boundaries.
Telling you and me
The song then addresses both audience and narrator, saying that Jonathan has a message to convey.
Give me wings to fly
Jonathan is asking that he be given wings to fly, or for us to give ourselves the freedom to explore and experience what life truly holds.
Tell me why, tell me why
Jonathan is questioning why we impose limits and restrictions on ourselves, asking if there's a legitimate reason for us to hold ourselves back.
The answer must be heard
The song stresses the importance of listening to oneself and finding a reason to pursue freedom and happiness.
And from a lonely bird
Jonathan may be a bird flying alone in the sky, but even he understands the simple truth of pursuing joy and happiness.
He's giving us a reason to believe
Jonathan's character provides us with the path to follow, which is to find our way towards happiness and freedom.
See the painted silver sunlight on his wing
Jonathan's flight is filled with the splendour of nature, and the light from the sun coats his wings in a beautiful silver lining.
As he sails upon the wind and slowly skyward
Jonathan rides the wind up higher and higher until he is barely seen, flying upwards like a soaring comet towards the heavens.
Flying as to music you can hear him sing
The song uses a metaphor for his flight through the skies, as if there is music accompanying his flight while he sings his song of freedom.
Like the windsong on the breeze he seems to sigh
The last line of the song represents Jonathan's voice, whispering to every soul who listens to him an invitation to seek freedom and become like the wind, capable of achieving everything they ever dreamed of.
He's showing us the way we can be free
Jonathan is revealing to us the secret of true happiness and freedom, which is to free ourselves from the constraints we impose on ourselves and show us the path to our dreams.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind
Antonio Pinto
Um dos melhores álbuns dos Barclay James Harvest.
Frederico Barata Feio
Circles in the sky
White as paper fly
Sound of seagulls crying fills the air
High above the lonely one is there
Jonathan he cares
To feel better
Like the passing wind
Swooping down again
Waitin' for the sun to turn to night
Find him miles away in endless flight
Longing to be free
Telling you and me
Give me wings to fly
Tell me why, tell me why
The answer must be heard
And from a lonely bird
He's giving us a reason to believe
See the painted silver sunlight on his wing
As he sails upon the wind and slowly skyward
Flying as to music you can hear him sing
Like the windsong on the breeze he seems to sigh
Give me wings to fly
Tell me why, tell me why
The answer must be heard
And from a lonely bird
He's showing us the way we can be free
credits: https://genius.com/Barclay-james-harvest-jonathan-lyrics
LUIS CÂNDIDO RAMOS
Grande Música e grande Banda
Pascal CARTON
leur meilleur album
GoodoldKO
Beautiful music by a great band. RIP Wooly x